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Pathfinder

Two Worlds, One War. The Ultimate Battle Begins.
2007 | 99m | English

(47303 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Marcus Nispel
Writer: Laeta Kalogridis
Staring:
Details

A Viking boy is left behind after his clan battles a Native American tribe. Raised within the tribe, he ultimately becomes their savior in a fight against the Norsemen.
Release Date: Jan 11, 2007
Director: Marcus Nispel
Writer: Laeta Kalogridis
Genres: Adventure, Action
Keywords mountain, sword, vikings (norsemen), remake, murder, native american, torture, massacre, death, ship wreck
Production Companies 20th Century Fox, Dune Entertainment, Major Studio Partners, Phoenix Pictures
Box Office Revenue: $30,800,000
Budget: $45,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Karl Urban Ghost
Moon Bloodgood Starfire
Nicole Muñoz Little Sister
Clancy Brown Gunnar
Jay Tavare Blackwing
Ray G. Thunderchild Elder #1
Ralf Moeller Ulfar
Russell Means Pathfinder
Nathaniel Arcand Wind In Tree
Michelle Thrush Indian Mother
Kevin Loring Jester
Wayne Charles Baker Indian Father
Burkely Duffield Ghost, 12 Years Old
Duane Howard Elder #2
Brandon Oakes Elder #3
Stefany Mathias Flashback Mother
Ken Jones Ghost Father
Barney Bear (uncredited)
Name Job
Marcus Nispel Director
Laeta Kalogridis Screenplay
Todd Masters Prosthetic Supervisor, Prosthetic Designer
Claudia Morgado Escanilla Script Supervisor
David Jobe Foley Artist
Corry Glass Stunts
Rick Pearce Stunts
Janene Carleton Stunt Double
Suzi Stingl Stunts
Ashlea Earl Stunt Double
Jeff Sanca Stunts
Wayne MacConnell Camera Operator
Nicholas McKenzie First Assistant Camera
Summer Eves Costumer
Lavone Napier Costumer
Jackie Bissley Unit Publicist
Nevin Swain Assistant Property Master
Todd Brooks Construction Buyer
Richard Sinclair Second Assistant "A" Camera
Glen Scantlebury Editor
Lynne Carrow Casting
Jonathan Elias Original Music Composer
Jay Friedkin Editor
Susan Taylor Brouse Casting
Kathleen Tomasik Casting
Greg Blair Production Design
Renée April Costume Design
Robert A. Pandini Hair Department Head, Hairstylist
Ian Chernencoff Props
Aaron Jordan Sculptor
Brian Steadman Grip
Grant Swain Property Master
Doug Girling Set Designer
Tony Thorpe Best Boy Grip
Mikil Lee Rullman First Assistant Camera
Paul Arnel Grip
Jim Filippone Pilot
Scott Cozens Second Assistant Camera
Ian Seabrook Underwater Camera
Grant Lutz Production Assistant
Howard London ADR Mixer
Danny Kim Assistant Sound Editor
Mandell Winter Foley Editor
Greg Pyne Special Effects Assistant
Brent Bennett Set Decoration Buyer
Jim McGillivary Set Dresser
Todd Lawley Set Dresser
Chris Cove First Assistant Camera
Jason Crosby Marine Coordinator
Jason Ninness Production Coordinator
James Kusan Sound Mixer
Simone Gore Art Department Coordinator
John Pesklewis Sculptor
Armand Van Slyke Sculptor
Janice Swayze Costume Coordinator
Larkin MacKenzie-Ast Casting Assistant
John Chaschowy Greensman
Sean Will Lead Painter
Andrei Mahankov Set Dresser
Robert Hicks Greensman
Scott R. Lee Set Dresser
Owen Taylor Chief Lighting Technician
Prem Marimuthu Electrician
Mike Mossman Grip
Lynette Therrien Casting Assistant
Renee Dombrosky Assistant Hairstylist
Debra Sawarin Makeup Department Head
Kirk Chiswell Assistant Camera
Don Reddy Camera Operator
John Westerlaken Key Grip
Jeff Sayle Second Assistant "B" Camera
Douglas Curran Still Photographer
Robert Turriff Sculptor
Leor Froelich Set Dresser
Cale Ashe Camera Trainee
Adriene Wyse Camera Trainee
Chris Banting Dolly Grip
Lise Hache Costumer
Mary Guilfoyle Production Manager
Erin Sinclair Art Department Assistant
Timothy Fitzgerald Joyce Assistant Art Director
Ty Rees Greensman
Iesza Jessica Jordan Sculptor
Sacha Fassaert First Assistant Camera
Simon Jori First Assistant "A" Camera
Rob Orr Grip
Bill Stefanidis Grip
Martine Gagnon Assistant Costume Designer
Meghan McLaughlin Casting Associate
Liz Farrell Assistant Hairstylist
Eric Partridge Assistant Property Master
Rod Feldmeier Rigging Gaffer
Paul Lavigne Costume Set Supervisor
Robert Milicevic Security
Tanya Greisinger Stand In
Adam Sharpe ADR Mixer
Mike Splatt Special Effects Technician
Ken Chastain Sound Recordist
Mark Higham Special Effects Assistant
Chris Bignell Special Effects Technician
Kate Pierpoint Dialect Coach
Jesse Rosenblatt Legal Services
Sabrina Karine Production Assistant
Marcel Petit Stand In
Kai Hirvonen Special Effects Assistant
Sean Rowe Foley Artist
Ryan Maguire Foley Mixer
Andrea Boorman Production Coordinator
James Wood Security Coordinator
Greg Steele ADR Mixer
Nathan Millspaugh Special Effects Technician
Heather Tyler Post Production Accountant
Joanne Jackson Production Accountant
M.J. Neilan Stand In
Jay Keiser ADR Editor
Alan Freedman ADR Mixer
Greg Zimmerman ADR Recordist
Daniel J. Leahy Sound Re-Recording Mixer
Trevor Jolly Supervising Sound Editor
Adam Tayler Special Effects Best Boy
Rick Imeson Security
Patrick O'Sullivan Sound Effects Editor
Serge Lavigueur Armorer
Bobby Romero Production Consultant
Paul Jasper Animal Coordinator
Matt Reilly Production Consultant
Vincenzo LoRusso Sound Engineer
Eric Lemay Special Effects Technician
Arthur A. Green Head Greensman
John Werner Set Dresser
Saubrie Mohamed Assistant Chief Lighting Technician
Jason Raschke Grip
Tony Swatton Armorer
Carol Bailey Assistant Accountant
Doug Sinclair Craft Service
Russell Johnson Sound
Frederick Howard Sound Editor
John Macek Special Effects Assistant
Zabrina Matiru First Assistant Makeup Artist
Gary McVarish Construction Foreman
Jenny Wilson Set Designer
Reg Gole First Assistant "B" Camera
Kevin O'Leary Generator Operator
Chris Korthals Grip
Blanche Boileau Costume Supervisor
Debbie Humphreys Truck Costumer
Geoff Wallace Art Direction
Michael A. Billings Assistant Set Decoration
Jack Gauvreau Sculptor
Vance Conway Standby Carpenter
Bryce Shaw Dolly Grip
Gareth Farfan Grip
Leon Serginson Key Grip
Silke Guglielmo Set Costumer
Lin MacDonald Set Decoration
Christopher Shy Concept Artist
Clare Davis Construction Coordinator
Kevin Cockell Set Dresser
Leia Dunlap Set Dresser
A.J. Vesak Aerial Director of Photography
Craig Nix Techno Crane Operator
Isabel Bloor Costume Set Supervisor
Rosalie Lee Seamstress
Karen Durrant Set Costumer
John McAlary Casting Assistant
Dave Wenzel Assistant Accountant
Paul Menichini Sound Effects Editor
Patrick Cyccone Jr. Sound Re-Recording Mixer
Kerry Phillips Special Effects Assistant
Maciek Malish Dialogue Editor
Warren Langille Craft Service
Jessica Brajoux Production Assistant
Max Riedel Production Consultant
Colin Rogers ADR Mixer
Mark Noda Boom Operator
Dennis Briest Special Effects Technician
Daniel Pearl Director of Photography
J.J. Makaro Stunt Coordinator
Eric Fox Hays First Assistant Director
Nils Gaup Original Film Writer
Jason Wingham Stunts
Chris Webb Stunts
Eli Zagoudakis Stunts
Heath Stevenson Stunts
Darryl Quon Stunts
Jeffrey C. Robinson Stunts
Brian Lydiatt Stunts
Ken Kirzinger Stunts
Caroline Field Stunts
Glenn Ennis Stunts
Mark Chin Stunts
Alex Chiang Stunts
Mike Carpenter Stunts
Aaron Au Stunts
Brent Connolly Stunts
Trevor Addie Stunts
Danny Virtue Stunts
Name Title
John A. Amicarella Producer
Lee Nelson Executive Producer
Arnold Messer Producer
Marcus Nispel Producer
John M. Jacobsen Executive Producer
Mike Medavoy Producer
Bradley J. Fischer Executive Producer
Organization Category Person
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Popularity History


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Reviews

Ruuz
5.0

Historically inaccurate with characters you don't care for and a story you've seen beat-for-beat before. But somebody give this damn costume department an Academy Award **immediately**! _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...

Jun 23, 2021
Wuchak
N/A

_**Great-looking action/adventure flick is dramatically weak and banal**_ Vikings come to North America hundreds of years before Columbus bringing death & destruction to the Beothuk people in what is now Newfoundland. One of the latter, Ghost (Karl Urban), is actually a Viking by blood, a survivo ... r of a previous Viking expedition. I thought this was going to be some low-budget Syfy flick but, no, "Pathfinder" (2007) is a theatrical release with stellar production values. The first thing I noticed was that the director is Marcus Nispel, who went on to direct the 2011 version of "Conan the Barbarian." There are some glaring derivative bits sprinkled throughout, like Tarzan, "Conan the Barbarian" (1982), "Rambo 2," "Last of the Mohicans," and so forth. This isn't helped by forced lines, like the exchange about the two wolves within each individual. Clichéd bits like this CAN work, but they have to be better executed. The antagonists are the Vikings, who are depicted as comic booky inhuman monsters, whereas the natives are virtuous. This brings up the whole nature vs. nurture issue as Ghost is of Viking heritage but because he's brought up by the spiritual Beothuk people he isn't corrupted by the Vikings' ways. This suggests that evil or immorality is socially spread. Russell Means, who played Chingachgook in "Last of the Mohicans," is on hand as the elder Pathfinder. It's great to see him still truckin' along at almost seventy years old. The film was shot in British Columbia in mostly forest settings, but with occasional mountains that don't look much like the Northeast; some do though. Despite this flaw, "Pathfinder" is a visually striking film from beginning to end, and I don't just mean the scenery. Nispel knows how to make a spectacularly good-looking movie, that's for sure. In fact, it's so awe-inspiring it's worth the price of admission. Unfortunately, I can't say the same for the story. Everything is here for a quality movie, but somehow the story just isn't all that captivating like "Last of the Mohicans" or the original "Conan the Barbarian," although it's serviceable. Some complain about the extreme violence but it's not necessarily a case of violence for the sake of violence as there are dramatic valleys to contrast the violent highs. Depth is hinted at, it just needed more. Meanwhile the overkill action sequences needed reigned in. The film runs 1 hour, 39 minutes. GRADE: C

Feb 05, 2022
FilipeManuelNeto
2.0

**A historian should not watch this film without a medical team nearby.** My problem with films set in the past, or about historical facts, is that my academic background in History prevents me from lightly accepting everything that the filmmakers want to make me swallow. That's why I was so hars ... h in the reviews I wrote about some films here, and everything indicates that, to major sadness of my heart, I will continue to have this problem. Okay, cinema must have its creative freedom, and it is also necessary to fill information gaps (we don't know everything about the past), but even creative freedom must recognize logical limits. Today, we know without a doubt that Scandinavian navigators – who have been called “Vikings” – were the first Europeans to arrive in North America. What we still don't know is whether they were aware of it! Could they have maintained contact with Native American people in the region where they landed? Personally, it seems clear to me. Were there conflicts? I don't know, archeology might discover more about this. Is it legitimate to say that the Vikings discovered America? Yes, if we find out that they knew they had arrived at another continent. Until then, no: not even Columbus had that awareness. The film takes this first contact between Amerindians and Europeans and creates a story of blood and violence: on the one hand, the Amerindians are portrayed as simple, friendly peasants who live in harmony with nature and who have their land invaded, and the Nordics are bloodthirsty savages who kill for pleasure. Furthermore, the script uses the historical fact to draw a parallel with the future European colonization of America in which, supposedly, Europeans return to invade and massacre “inferior” peoples for the pleasure of seeing blood flow. These are parallels that I even understand, given the modern need to demonize any European colonization enterprise. Current society, especially in the Americas, feels the urgency to condemn the colonial past of the Old World, forgetting that it is a daughter of that same world and that it is not so different from what it was in the past, in vices and virtues. These kinds of parallels and revisionist needs reveal a lot about the way we see the past, and are enemies of historical truthfulness. In short, this is what makes this film a piece of garbage that I don't recommend to anyone, and to these problems are added the usual untruths and factual errors about Vikings, from the damn horned helmet that everyone should already know is pure fiction to the indistinct use of any apparently medieval sword, apparently Arab horses and many iron armors, made with technology that would only appear four hundred years later. I'm not the best person to talk about indigenous people, but I believe that experts in the culture and traces of these people may have some heart problems after seeing this film. Is there anything good in this movie? Well, yes… the film was very well filmed and makes good use of the landscapes and filming locations. For action fans, the film has good fight scenes, well choreographed and quite creative (sometimes even too much). The soundtrack isn't bad, it does its job flawlessly. Russel Means was pretty decent in his role, but he's literally the only member of the cast to deserve any kind of spotlight, and I can't even consider him doing a remarkable job.

Oct 06, 2023