Swingtime in the Movies
1938 | 20m | English
Popularity: 0.6 (history)
| Director: | Crane Wilbur |
|---|---|
| Writer: | Crane Wilbur |
| Staring: |
| In this musical short, a waitress at the Warner Bros. commissary gets her big break. | |
| Release Date: | Dec 24, 1938 |
|---|---|
| Director: | Crane Wilbur |
| Writer: | Crane Wilbur |
| Genres: | Comedy, Music |
| Keywords | short film |
| Production Companies | Warner Bros. Pictures, The Vitaphone Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 02, 2026 Entered: Apr 29, 2024 |
| Name | Character |
|---|---|
| Fritz Feld | Mr. Nitvitch |
| Kathryn Kane | Joan Mason |
| John Carroll | Rick Arden |
| Charley Foy | Sammy |
| Jerry Colonna | The Texas Tornado |
| Helen Lynd | Lorna an Actress |
| Irene Franklin | Head Waitress Kate |
| George Brent | Himself (uncredited) |
| John Garfield | Himself (uncredited) |
| Leo Gorcey | Crime School Kid (uncredited) |
| Huntz Hall | Crime School Kid (uncredited) |
| Billy Halop | Crime School Kid (uncredited) |
| Stuart Holmes | Studio Lot Extra (uncredited) |
| Bobby Jordan | Crime School Kid (uncredited) |
| Eddie Kane | Dallas Exhibitor Bob O'Donnell (uncredited) |
| Priscilla Lane | Herself (uncredited) |
| Rosemary Lane | Herself (uncredited) |
| Frank Mayo | Mr. Dodds (uncredited) |
| Fay McKenzie | Girl from Dallas (uncredited) |
| Kansas Moehring | Movie Set Cowboy (uncredited) |
| Pat O'Brien | Himself (uncredited) |
| Jack Perrin | Movie Set Cowboy (uncredited) |
| Marie Wilson | Herself (uncredited) |
| Kenner G. Kemp | Man in Studio Cafe |
| Humphrey Bogart |
| Name | Job |
|---|---|
| Crane Wilbur | Writer, Director |
| Everett Dodd | Editor |
| Charles Novi | Production Design |
| Milo Anderson | Costume Design |
| Stanley Jones | Sound Designer |
| M.K. Jerome | Music |
| Jack Scholl | Lyricist |
| Wilfrid M. Cline | Director of Photography |
| Name | Title |
|---|
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 4 | 1 |
| 2024 | 5 | 3 | 7 | 1 |
| 2024 | 6 | 2 | 4 | 1 |
| 2024 | 7 | 4 | 12 | 1 |
| 2024 | 8 | 2 | 6 | 1 |
| 2024 | 9 | 3 | 7 | 1 |
| 2024 | 10 | 3 | 4 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 1 | 3 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
| 2025 | 11 | 0 | 1 | 0 |
| 2025 | 12 | 1 | 4 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
| 2026 | 3 | 0 | 0 | 0 |
Trending Position
I bet there were quite a few Hollywood directors who might have seen a bit of themselves in the “Nitvitch” character amiably portrayed here by Fritz Feld. He has a musical in the pipe called “Texas Tornado” and is struggling to find a leading lady who can speak with a Texican accent. Then, as luck w ... ould have it, a visit to a staff canteen full of real-life stars supping their 1930s equivalent of a kale smoothie and aspiring actresses who fawn at him, he discovers waitress “Joan” (Kathryn Kane) who has just the voice he’s been seeking. Thing is, though, can she act, or sing, or learn lines? It’s fair to say that his film is really just a portmanteau of themes from the western genre, so we have plenty of opportunity for her to show off her skills on stage and off whilst we take a pop at the vanity of the industry and the pomposity of directors who do that daft thing with their eyes through the square of their fingers. It’s all very predictable, but I think that’s part of the joke. How many movies did we ever sit down to watch and not know just what was going to happen at the end after five minutes? It pings the world of shallow characterisations, derivative writing and is actually quite an entertaining little twenty minutes. It is almost certainly not what you’d expect, given it’s title, so give it a go.