Fear of Fanny
2006 | 80m | English
Popularity: 0.6 (history)
| Director: | Coky Giedroyc |
|---|---|
| Writer: | Brian Fillis |
| Staring: |
| The bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s. | |
| Release Date: | Oct 23, 2006 |
|---|---|
| Director: | Coky Giedroyc |
| Writer: | Brian Fillis |
| Genres: | |
| Keywords | woman director |
| Production Companies | |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 30, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Julia Davis | Fanny Cradock |
| Mark Gatiss | Johnnie Cradock |
| Jason Watkins | Derek |
| Hayley Atwell | Jane |
| Steven O'Neill | Simon |
| Phil Nice | Technician |
| Jordan Long | Gas Fitter |
| Paul Chahidi | Director |
| Simon Greenall | TV Executive |
| Jim Field Smith | Floor Manager |
| Clare Wille | TV Executive’s Wife |
| Nicholas Burns | Christopher |
| Claudie Blakley | Nicky |
| Tom Goodman-Hill | Dan Farson |
| Nathan Smoker | Julian |
| Michael Parkhouse | Master of Ceremonies |
| Stuart Sherwin | Alan Taylor |
| Richard Syms | Mrs. Beeton Fan |
| Tom Allen | Paul |
| Abby Ford | Wendy |
| Tim Plester | Cameraman |
| Keir Charles | TV Host |
| Ella Kenion | Gwen Troake |
| James Holmes | Nurse |
| Name | Job |
|---|---|
| Coky Giedroyc | Director |
| Brian Fillis | Writer |
| Emma Fryer | Costume Design |
| Miko Giedroyć | Original Music Composer |
| Martin Coates | First Assistant Director |
| Lorna Whittaker | Second Assistant Director |
| Ben Jerritt | Third Assistant Director |
| Dee Taylor | Script Supervisor |
| Tamara-Lee Notcutt | Casting Associate |
| John Hagenstede | Boom Operator |
| Dan Fontaine | Gaffer |
| Hannah Moseley | Art Direction |
| Richard Mills | Property Master |
| Annie Townsend | Hairdresser |
| Rupert Simon | Assistant Makeup Artist |
| Chris Burdon | Sound Mixer |
| Pete Gates | Dialogue Editor |
| Ben Norrington | Sound Designer |
| Carrie Hilton | Casting |
| Richard Dyer | Sound Recordist |
| Lesley Lamont-Fisher | Hair Designer, Makeup Designer |
| Mark Thornton | Editor |
| Lynne Whiteread | Production Design |
| David Marsh | Director of Photography |
| Name | Title |
|---|---|
| Angie Daniell | Producer |
| Ben Evans | Producer |
| Sally Woodward Gentle | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 5 | 1 |
| 2024 | 5 | 4 | 6 | 1 |
| 2024 | 6 | 2 | 4 | 1 |
| 2024 | 7 | 4 | 9 | 1 |
| 2024 | 8 | 3 | 6 | 2 |
| 2024 | 9 | 3 | 8 | 1 |
| 2024 | 10 | 3 | 7 | 1 |
| 2024 | 11 | 2 | 6 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 5 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 2 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 1 | 2 | 0 |
| 2026 | 1 | 1 | 4 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
| 2026 | 3 | 0 | 0 | 0 |
Trending Position
For those of us of a certain age, Fanny Craddock was an household name who seemed to polarise opinion in Britain as she emerged as the country’s first television chef. She (Julia Davis) was famed, along with her husband Johnnie (Mark Gatiss) and this attempts to take us through a chronology of her r ... ise and fall. Right from the outset, though, this struggles to deliver. Though Davis herself delivers quite a solid performance, it doesn’t really bear much resemblance to the actual woman herself - and there is plenty of televised evidence that this is more of a dramatisation based around her career than any serious effort at presenting an authoritative biopic. Gatiss delivers well enough, but here again his persona seems more affected than the real life gent. She was a formidable and pioneering woman in real life, but here she seems more preposterous with her excesses - and yes, there were a few of those, exaggerated without us ever really feeling we are getting to know what made this woman tick. It also joins her life later in her career, so we never quite get to grips with just what contributed to her fairly phenomenal success in the first place as she tried to wean the masses away from spam, egg and chips towards something that might actually include something green and healthy. It’s lively enough and were it a drama about an entirely fictitious character, it might have fared better but with so much readily available on the real Fanny Craddock, this doesn’t really do her much justice.