Popularity: 1 (history)
Director: | J.T. Petty |
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Writer: | J.T. Petty |
Staring: |
It is 1879 in the Dakota Territories, a band of men who set out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, but they soon discover that the real enemy stalks them from below. | |
Release Date: | Sep 09, 2008 |
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Director: | J.T. Petty |
Writer: | J.T. Petty |
Genres: | Horror, Western |
Keywords | monster, underground, dakota, funeral, paralysis, buried alive, native american, crucifix, cavalry |
Production Companies | Blue Star Pictures |
Box Office |
Revenue: $0
Budget: $7,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Doug Hutchison | Henry Victor |
Clancy Brown | John Clay |
William Mapother | Will Parcher |
Karl Geary | Coffey |
Jocelin Donahue | Maryanne |
Laura Leighton | Gertrude |
David Busse | Young Bluecoat |
Alexandra Edmo | Faith |
Brighid Fleming | Little Sister |
Christopher Hagen | Father |
Galen Hutchison | Dobie Spacks |
Harley Coriz | Short Ute |
Suzi McLaughlin | Mother |
Tatanka Means | Tall Ute |
Seri DeYoung | Audrey |
David Midthunder | Dull Knife |
Sean Patrick Thomas | Walnut Callaghan |
Name | Job |
---|---|
Shari Rhodes | Casting |
Ester Kim | Assistant Property Master |
Nancy Nayor | Casting |
Deborah Everton | Costume Design |
Robb Sullivan | Editor |
James F. Oberlander | Art Direction |
Marisa Frantz | Set Designer |
David A. Brooke | Makeup Effects |
Lyn Gawron | Art Department Coordinator |
Tom Bjelic | Sound Designer |
Mark Zsifkovits | Sound Re-Recording Mixer |
Christa Tazzeo | Visual Effects Producer |
Lewis Jacobs | Still Photographer |
Jesse Trevino | Set Costumer |
Gregory Doucette | Script Supervisor |
Virginia Storey | Foley Artist |
Yvette Meely | Assistant Hairstylist |
Paula Jane Hamilton | Key Makeup Artist |
Andy Grieve | Editor |
Gabrielle Petrissans | Set Decoration |
William 'Barcode' Rosa | Makeup Effects |
Jennifer Booth | Production Supervisor |
Mark Gingras | Supervising Sound Editor |
Andrew Tay | Sound Re-Recording Mixer |
Noel Hooper | Visual Effects Supervisor |
Steven G. Fracol | Steadicam Operator |
Tyler Fletcher | Video Assist Operator |
Sam Tischler | Location Manager |
Bobbi Jo Gonzales | Property Master |
Judah Getz | ADR Mixer |
David Brownlow | Production Sound Mixer |
Liza Norris | Contact Lens Technician |
Phil Parmet | Director of Photography |
Toni Cobb Brock | Casting |
Kelly Wagner | Casting |
Mark Alan Duran | Production Design |
Bren Cook | Costume Supervisor |
Allan B. Holt | Makeup Effects |
Joel Goodell | Leadman |
Keith Elliott | Sound Re-Recording Mixer |
Scott Hastings | Special Effects Coordinator |
Russell Solberg | Stunt Coordinator |
Steven Litecky | Gaffer |
Julie Dole | First Assistant Editor |
Alastair Gray | Dialogue Editor |
Dale Lennon | ADR Editor |
Randy Wilson | Foley Mixer |
Gina Lovato | Contact Lens Technician |
Dennis Crow | First Assistant Director |
Jerad Marantz | Concept Artist |
Paul Judges | Greensman |
Charles Chesser | Prop Maker |
Steve Kahn | Prop Maker |
Zacheriah T. Rheam | Prop Maker |
Linda R. Gore | Set Dresser |
RA Arancio-Parrain | Set Painter |
Kimberly Murak | Set Painter |
Tsuya Chinn | Costumer |
Vali Valus | "B" Camera Operator |
Peter Weidenfeller | Dolly Grip |
Leonard E. Hoffman | Electrician |
Chip Byrd | First Assistant "A" Camera |
Matthew P. Debevec | Grip |
Hank Herrera | Key Grip |
Charlie Newberry | Second Assistant "B" Camera |
Dominika Posserén | Casting Assistant |
Gwyn Savage | Extras Casting |
Tavia Charlton | Digital Intermediate |
Scott Davidson | Music Editor |
Jarik Van Sluijs | Creative Director |
Josh Machado | Assistant Sound Editor |
Cynthia Gates Fujikawa | Production Accountant |
Robert Vertrees | Production Assistant |
Sean Cardinalli | Second Assistant Accountant |
Janie Elliott | Travel Coordinator |
Thom Buckley | Second Assistant Director |
Robin Blagg | Construction Coordinator |
Phyllis Detrich | Property Master |
Kenneth Cook | Prop Maker |
Andy Linderkamp | Prop Maker |
Nathaniel Sandoval | Prop Maker |
Robbie Mueller | Set Dresser |
Ginger Dunhill | Set Painter |
Jess Levy | Storyboard Artist |
Debra Chapman | Seamstress |
Sean Mallon | Best Boy Electric |
Ben W. Estrada | Electrician |
Ryan Minelli | Electrician |
Beau Chaput | First Assistant "B" Camera |
Ian Hanna | Grip |
Richard Pink | Lighting Technician |
James R. Powell | Second Assistant "B" Camera |
Sally Allen | Casting Associate |
Chris Wallace | Digital Intermediate Colorist |
Lee Hughes | Digital Intermediate |
Joshua Mathews | Music Programmer |
Allan Fung | Sound |
Julian Duran | Production Assistant |
Wendy R. Kennedy | Production Assistant |
Andrew P. Aguilar | Set Production Assistant |
Matthew Jacobs | Electrician |
Danelle Vierkant | Creature Design |
Lou Boggs | Prop Maker |
Meliton Duran | Prop Maker |
Abbie D. McCreary | Prop Maker |
Travis Stroope | Prop Maker |
Lisanne Scafine | Set Dressing Buyer |
William Maloney | Set Painter |
Aleah Ames | Key Set Costumer |
Paula Trujillo | Seamstress |
Eric Steinig | Dolly Grip |
Tone Freshwater | Electrician |
Lee Nakagawa | Electrician |
Christopher Norris | First Assistant "B" Camera |
John Marshall McLeod | Grip |
Ryan Eustis | Second Assistant "A" Camera |
Kiira Arai | Casting Assistant |
John Barba | Casting Associate |
Peter Armstrong | Digital Intermediate Producer |
Dustin DellaVecchia | Editorial Production Assistant |
Julio Ferrario | Creative Director |
Marcia Woske | Second Second Assistant Director |
Kyle Boylen | Digital Compositor |
Allison K. LeQuin | Production Assistant |
Dawn Todd Curfman | Production Coordinator |
Niki Hossack | Set Production Assistant |
Jimmy Robb | Assistant Sound Editor |
J.T. Petty | Author, Director |
Andrew Morgado | ADR Mixer |
Pamela B. Green | Title Designer |
Ed Duran | Stunt Double |
Joseph LoDuca | Original Music Composer |
Name | Title |
---|---|
Peter Block | Executive Producer |
William Sherak | Producer |
Jason Shuman | Producer |
Alton Walpole | Executive Producer |
John Sacchi | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 14 | 25 | 9 |
2024 | 5 | 14 | 23 | 8 |
2024 | 6 | 14 | 24 | 8 |
2024 | 7 | 17 | 40 | 8 |
2024 | 8 | 11 | 18 | 6 |
2024 | 9 | 13 | 20 | 8 |
2024 | 10 | 8 | 16 | 5 |
2024 | 11 | 10 | 20 | 5 |
2024 | 12 | 9 | 16 | 6 |
2025 | 1 | 10 | 21 | 6 |
2025 | 2 | 7 | 11 | 3 |
2025 | 3 | 4 | 10 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
The Burrower Tribe in BurrowerVision. The Burrowers is written and directed by J.T. Petty. It stars William Mapother, Sean Patrick Thomas, Clancy Brown, Laura Leighton, Doug Hutchison, Karl Geary and Robert Richard. Music is by Joseph LoDuca and cinematography by Phil Parmet. August the 11th 1 ... 879, the Dakota territories, and after a family of pioneers are abducted a posse is formed and go off in search of the culprits. It is believed they have fallen prey to hostile Native Americans, but once out in the wilds the truth hits home and the posse find themselves in a brutal and bloody fight for survival. It's not like Tremors! That wonderful homage to the B movie creature features of the 1950s is played for laughs and action thrills. The Burrowers admittedly on plot synopsis' does lend one to think that a fun packed creature feature is in the offering, but as many unaware film fans have found out, this is far from being the case. I would rather walk in the right direction than ride with my head up my ass. The Burrowers takes itself seriously, and not insultingly so. J.T. Petty wanted to make a Horror/Western but not in the schlocky sense. He even infuses the narrative with some human concerns and statements, ecologically and racially so. The pace is very, very deliberate, so potential first time viewers need to take that into consideration. Once the plot is kick started in the opening salvo, the posse go out into the wilds and interact, for better and worse, dialogue is sharp and pointed, intelligent even. A number of great character based scenes are setting the tone for what is a downbeat picture, while when the action comes in tantalising spurts, it's well marshalled by Petty, and it's not just all about the creatures either. The look is of a classical Western, which considering the modest budget is quite some achievement. From costuming and props, to the colour palette, the film convinces as the Old West of 1879. In this regard it would have been very interesting to have seen Petty make a standalone Oater. Practical effects are very decent and CGI is wisely used sparingly, though the big showdown at pic's end is something of a let down. Elsewhere Sir Clancy of Brown and Doug The Thug Hutchison are sadly under written, though the face fuzz department scores high marks! A tricky one to recommend to either Horror or Western fans, but for atmosphere and a great sense of period - and no little amount of originality as well, it's worth checking out as long as you don't expect Tremors. 7/10