Popularity: 1 (history)
Director: | Robert Harmon |
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Writer: | Brendan Hood |
Staring: |
A psychology student who experienced night terrors as a child must face the chilling realization that her nightmares were not all in her head. | |
Release Date: | Nov 01, 2002 |
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Director: | Robert Harmon |
Writer: | Brendan Hood |
Genres: | Horror, Thriller |
Keywords | suicide, asylum, nightmare, college, darkness, childhood trauma, supernatural, fear, graduate student |
Production Companies | Radar Pictures, Dimension Films, Focus Features |
Box Office |
Revenue: $12,840,842
Budget: $17,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Laura Regan | Julia Lund |
Marc Blucas | Paul Loomis |
Ethan Embry | Sam Burnside |
Jon Abrahams | Billy Parks |
Dagmara Dominczyk | Terry Alba |
Desiree Zurowski | Mary Parks |
Alexander Gould | Young Billy |
Mark Hildreth | Troy |
Jonathan Cherry | Darren |
Jessica Amlee | Young Julia |
Jay Brazeau | Dr. Booth |
L. Harvey Gold | Professor Crowley |
David Abbott | Professor Adkins |
Jodelle Ferland | Sarah |
Peter LaCroix | David Parks (as Peter Lacroix) |
Colin Foo | Chinese Chef |
Name | Job |
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Robert Harmon | Director |
Norman Cabrera | Sculptor |
Duane Dickinson | Stunts |
Wes Craven | Presenter |
Ashlea Earl | Stunt Double |
Peter Grace | Construction Coordinator |
Fay von Schroeder | Makeup Department Head |
Chris Peppe | Editor |
Jennifer Fishman | Casting |
Elia Cmiral | Original Music Composer |
Amy McIntyre Britt | Casting |
Scott Litsinger | Finance |
Debbie Geaghan | Costume Supervisor |
Doug Parton | Rigging Grip |
Jeremy Stanbridge | Assistant Art Director, Additional Photography |
Joe Rangel | Music Supervisor |
Susan H. Bodine | Legal Services |
Emily Coutts | Craft Service |
John Armstrong | Driver |
John Kobylka | Standby Painter |
Susan Stefanyshyn | Production Accountant |
Lin MacDonald | Set Decoration |
Gene Radzik | Dolby Consultant |
Michelle Hrescak | Makeup Artist |
John Beatty | Construction Foreman |
Rick McLennan | Transportation Co-Captain |
Ricardo Olivero | Color Timer |
S. Steven Sach | Location Manager |
Amy Flint Catherwood | First Assistant Editor |
Karen L. Matthews | Costume Design |
Anke Bakker | Sound Designer, Supervising Sound Editor |
Mark Francis | Assistant Property Master |
Dario DiSanto | Foley Editor |
Jayson Rupert | Grip |
Brian Campbell | Dialogue Editor |
Byron Drinkle | Playback Coordinator |
Jean Tejkel | Foley Mixer |
Brendan Hood | Writer |
Anya Colloff | Casting |
Janice MacIsaac | Assistant Costume Designer |
Paul E. Moes | Carpenter |
Mike Beaulieu | Creature Design |
Mike Larivee | Special Effects Coordinator |
Sean M. Harding | First Assistant Camera |
Ron Sowden | Art Department Coordinator |
Melina Calogiros | Hairstylist |
Thomas Bartke | Orchestrator, Additional Music |
Jake Callihoo | Transportation Coordinator |
Andrea Dietrich | Storyboard |
Lee Riggs | Gaffer |
Ed McMahon | Leadman |
Berj Bannayan | Software Engineer |
Pauline Heaton | Underwater Camera |
Franklin Leibel | Lead Painter |
Douglas Higgins | Production Design |
Michael Hansen | Unit Publicist |
David Husby | Sound Mixer |
David Crone | Second Unit Director, Steadicam Operator |
Mike Flicker | Supervising Music Editor |
Alexis Hinde | Second Assistant Director |
Jay Clennan | Dolly Grip |
David Paul Hewitt White | Set Dresser |
Paul Anderson | Lead Animator |
Kenneth Meisenbacher | Assistant Location Manager |
Andrea Brown | Extras Casting |
Don Anderson | Property Buyer |
Cindy L. Russell | Costume Set Supervisor |
Marko Lytviak | Paint Coordinator |
Karen Bergen | Assistant Accountant |
Vanessa Andrascik | Camera Trainee |
George Majoros | Second Assistant Camera |
Sydney Silvert | First Assistant Makeup Artist |
Robert Deschaine | ADR Mixer |
Donald D. Brown | Boom Operator |
Kyle Menzies | Visual Effects Supervisor |
Matthew Friedman | Music Editor |
Barbara Kelly | Unit Production Manager |
Oliver Hajdu | Rigging Gaffer |
Ryan Steel | Transportation Captain |
Bev White | Production Manager |
Patrick Banister | Art Direction |
Ben Brafman | Post Production Supervisor |
Shane Harvey | Still Photographer |
Devan Kraushar | Sound Effects Editor |
Andrea Boorman | Production Coordinator |
Will Sickles | Picture Car Coordinator |
Chris Madden | Best Boy Electric |
Shelley Cox | Third Assistant Director |
John Westerlaken | Key Grip |
Richard Coleman | First Assistant Director |
Jay Cheetham | Assistant Sound Editor |
Wayne McLaughlin | Property Master |
Damian Fisher | Special Effects Technician |
Lian Anson | Production Assistant |
Chris Reesor | Construction Buyer |
Kevin O'Leary | Generator Operator |
Wynne Keing | Assistant Camera |
Jacques Rey | Storyboard Artist |
Jacqueline Cristianini | Sound Supervisor |
Ron James | Stunt Driver |
Debbie Van Dusen | First Assistant Accountant |
Darren English | Special Effects Assistant |
Sondra Durksen | Costumer |
Maureen Murphy | Foley Artist |
Audra Neil | Set Buyer |
Bob Bedard | Catering |
Carmen Lavender | Sound Assistant |
Royce Mattice | Best Boy Grip |
Barbara Mah | Visual Effects Production Manager |
Scott J. Ateah | Stunt Coordinator |
Frank Patton III | Casting Assistant |
Leanne Buchanan | Stunt Double |
Amy J. Kaufman | Production Executive |
Crystal Dalman | Stunt Double |
Owen Walstrom | Stunts |
Patrick Tatopoulos | Creature Design |
Rene Ohashi | Director of Photography |
Colleen Mitchell | First Assistant Director |
Name | Title |
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David Linde | Executive Producer |
Ted Field | Executive Producer |
Tom Engelman | Producer |
Barbara Kelly | Co-Producer |
Tony Blain | Co-Producer |
Scott Kroopf | Producer |
John Mariella | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 26 | 9 |
2024 | 5 | 21 | 43 | 11 |
2024 | 6 | 13 | 25 | 7 |
2024 | 7 | 18 | 32 | 10 |
2024 | 8 | 13 | 21 | 8 |
2024 | 9 | 18 | 25 | 12 |
2024 | 10 | 12 | 24 | 8 |
2024 | 11 | 12 | 23 | 7 |
2024 | 12 | 11 | 22 | 7 |
2025 | 1 | 12 | 30 | 6 |
2025 | 2 | 7 | 10 | 3 |
2025 | 3 | 6 | 13 | 2 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
You have probably seen the plot summary a hundred times before, and if you haven't, then you have seen scenes from this film in other films a hundred times before. Julia (Laura Regan) is a master's degree student in psychology. A troubled childhood friend, Billy (Jon Abrahams), contacts her, meets h ... er, rambles incoherently to her, and then shoots himself in front of her. The viewer has already seen Billy, as a young boy, grabbed by monsters in the night, so he probably had some problems even Julia could not help him with. At Billy's funeral, Julia meets Billy's other friends Sam (Ethan Embry) and Terry (Dagmara Dominczyk). The friends have had night terrors as children, and they now bear strange markings on their bodies that seem to say "hey, mysterious computer generated creatures, come and get me!" Julia goes to former childhood psychiatrist Dr. Booth (Jay Brazeau), who does the shrink thing. Julia's boyfriend Paul (Marc Blucas) doesn't really get it all, either. Come to think of it, neither did I. The basic flaw with "They" is the lousy execution of the premise. Childhood monsters coming back for adult victims is a good idea, but the script was given the go-ahead without any explanation as to where the creatures come from, why they mark certain victims, etc. This is huge in a film that is otherwise not very compelling. The cast is fine, acting scared at just the right moment. The instrumental score is terrible, it sounds like incidental music for "The Music Man." Director Harmon's talents are wasted on the screenplay. He needs a script that will not fail his eye. The screenplay borrows from tons of other films like "Jacob's Ladder," "Phantasm," the remake of "The Blob," and "The Sixth Sense," to name a few, and thinks nothing of ripping off the pool scene from "Cat People." Sure, the DVD has the alternate ending, which is a ripoff of "The Cabinet of Dr. Caligari," but that ending was better than the one that made the final cut. The special effect monsters are wisely kept out of view through most of the film, they look like giant bats. They do deliver a few scares, but in context with the mindless script, it is not enough. Eventually, you will figure out that most of the special effects here consist of some grip flicking lights on and off. "They" had a promising director, nice cast, and a low budget. The script is what never should have seen the light of day.