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The Way of the Gun Poster

The Way of the Gun

Choose your side carefully, because the only way out is the way of the gun.
2000 | 119m | English

(36693 votes)

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Popularity: 2 (history)

Details

Two criminal drifters without sympathy get more than they bargained for after kidnapping and holding for ransom the surrogate mother of a powerful and shady man.
Release Date: Sep 08, 2000
Director: Christopher McQuarrie
Writer: Christopher McQuarrie
Genres: Action, Drama, Crime, Thriller
Keywords gunslinger, mexico, hotel, ransom, mexican standoff, kidnapping, gangster, sperm bank, rags to riches, surrogate mother, money, gunfight, drifter, criminal, desert, millionaire, neo-western
Production Companies
Box Office Revenue: $19,125,401
Budget: $8,500,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Ryan Phillippe Mr. Parker
Benicio del Toro Mr. Longbaugh
Juliette Lewis Robin
Taye Diggs Jeffers
Nicky Katt Obecks
Geoffrey Lewis Abner Mercer
Scott Wilson Hale Chidduck
Dylan Kussman Dr. Allen Painter
James Caan Joe Sarno
Sarah Silverman Raving Bitch
Kristin Lehman Francesca Chidduck
Henry Griffin P. Whipped
Armando Guerrero Federale #1
Andres Orozco Federale #2
Irene Santiago Sloppy Prostitute
Name Job
Mark Lambert Bristol Storyboard
Stephen Semel Editor
Kenneth Kokin Second Unit Director, Second Unit Director of Photography
Joe Kraemer Music
William Paul Clark First Assistant Director
Dawn Massaro Second Assistant Director
Russell D. Markowitz Production Manager
Felicity Nove Post-Production Manager
Les Boothe Set Decoration
Maia Javan Production Design
Genevieve Tyrrell Costume Design
Heather McQuarrie Costume Design
Gary Paul Stunt Coordinator
Christine White Production Supervisor
Suzanne Bingham Script Supervisor
Ian Fox Camera Operator
Susie Balaban Second Second Assistant Director
John Farr Chief Lighting Technician
John Raymer Best Boy Electrician
Arly H. Thomsen Key Grip
Gary W. Shaw Best Boy Grip
Julie Fife Best Boy Grip
Jeffrey A. Johnson Dolly Grip
Tom Meyer Art Direction
Linden Snyder Set Designer
Kathy Crandall Leadman
Brent Brewington Boom Operator
Jonathon 'Earl' Stein Sound Mixer
Gina Homan Key Makeup Artist
Erin Lyons Key Hair Stylist
Ian Roylance Property Master
Curtis Crowe Construction Coordinator
Mark A. James Transportation Coordinator
Judi McKee Casting Assistant
Melinda Haynes Craft Service
Robert Berman First Assistant Editor
Chuck Michael Supervising Sound Editor, Sound Re-Recording Mixer
Chris David Sound Re-Recording Mixer
Lise Richardson Music Editor
Thom 'Coach' Ehle Dolby Consultant
Gary Burritt Negative Cutter
Mike Milliken Color Timer
Christopher McQuarrie Director, Screenplay
Lynn Kressel Casting
Dick Pope Director of Photography
Bill Block Executive In Charge Of Production
Alicia Stevenson Foley Artist
Dawn Fintor Foley Artist
Name Title
Kenneth Kokin Producer
Russell D. Markowitz Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2024 5 16 20 10
2024 6 13 17 8
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2025 2 9 15 3
2025 3 5 12 1
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2025 10 2 2 1

Trending Position


Year Month High Avg
2025 6 225 608

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Reviews

Wuchak
6.0

**_Convoluted crime drama in the wake of Pulp Fiction_** Two low-life criminals (Ryan Phillippe & Benicio Del Toro) kidnap a pregnant surrogate (Juliette Lewis) of a rich couple who, unknowingly, has ties to the mob. "The Way of the Gun" (2000) is an offbeat flick in the tradition of "Pulp Fic ... tion" written & directed by a proven screenwriter and featuring a quality cast, which includes James Caan. It's touted as a "modern Western" with two protagonists patterned after Butch Cassidy and the Sundance Kid (their names in the film are the last names of Butch & Sundance). It starts out as a black comedy with cussing every other word, but then morphs into a serious crime drama with flashes of gunplay. The score is notable. Two issues hinder the film: (1) A plot that becomes convoluted and therefore increasingly unbelievable, and (2) unlikable characters, except for maybe the surrogate. Concerning the second issue, I understand the concept of antiheroes, but even antiheroes require some redeemable or universally human qualities to make the audience root for them or care about them. Wolverine and Clint Eastwood's Western characters, like Josey Wales, are good examples, as are the antiheroes in films like "Runaway Train" and "Apocalypse Now," two cinematic masterpieces. These two points naturally create disinterest and tempt the viewer to tune out. The first time I watched it I gave up by the 90-minute mark with a half hour to go, I could care less about the characters, their story or how it turned out, even though I tried. On my second viewing, I decided to pay closer attention and stick with the movie till the end. I'm glad I did because this is a well-written examination of crime & violence and the fools involved. An attempt is made to flesh-out all the main characters and I'm talking no less than nine people, each of whom are a piece of the interlocking puzzle, often with their own agenda. While it's no where near great like the seminal "Pulp Fiction," it has style and glimmerings of depth. If you can get past the convoluted story and unlikable characters, it certainly has its points of interest, like well-scripted dialogues and Del Toro's towering performance, not to mention Taye Diggs's interesting heavy. The film was shot in Utah in the Salt Lake City area. GRADE: B-

Jan 20, 2023