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Sucker Money

1933 | 59m | English

(157 votes)

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Popularity: 2 (history)

Details

A phony spiritualist hypnotizes the daughter of a wealthy banker in a scheme to swindle the banker out of his money. A reporter investigating the swami discovers the plot, determines to expose it.
Release Date: Feb 28, 1933
Director: Dorothy Davenport, Melville Shyer
Writer: Willis Kent
Genres: Drama, Romance, Mystery
Keywords medium, newspaper reporter, séance, scam artist, woman director
Production Companies Willis Kent Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 27, 2024
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Full Credits

Name Character
Mischa Auer Swami Yomurda
Phyllis Barrington Clare Walton
Earl McCarthy Jimmy Reeves
Ralph Lewis John Walton
Fletcher Norton Dan Lukes
Mae Busch Mame
Mona Lisa Princess Karami
Al Bridge George Hunter
J. Frank Glendon Meehan - Newspaper Editor
Anita Faye Ada
Julia Griffith Seance Attendee
Dorothy Vernon Seance Attendee
Name Job
Harry L. Fraser Assistant Director
Dorothy Davenport Director
Melville Shyer Director
Willis Kent Writer
James Diamond Director of Photography
S. Roy Luby Editor
Name Title
Willis Kent Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 2 5 1
2024 5 4 7 2
2024 6 1 4 0
2024 7 3 6 1
2024 8 2 4 1
2024 9 4 8 1
2024 10 1 2 1
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2024 12 1 2 1
2025 1 1 2 1
2025 2 1 2 1
2025 3 1 2 1
2025 7 0 0 0
2025 8 0 0 0
2025 9 1 1 0
2025 10 2 2 1

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Reviews

John Chard
4.0

Hokum Bokum. Victims of the Beyond (AKA: Sucker Money) is directed by Melville Shyer and Dorothy Davenport (as Dorothy Reid) and written by Willis Kent. It stars Mischa Auer, Phyllis Barrington, Earl McCarthy, Ralph Lewis and Mae Busch. For the era it was made this deserves credit for being a ... fore runner to a splinter of films dealing with spiritualism - notably as a fake exercise. Unfortunately for dramatic worth it has nothing of note to offer. Plot essentially has fake medium Swami Yomurda (Auer) using his nefarious means to swindle persons of wealth out of money. Enter an undercover reporter who is intrepid in trying to unmask the scammers and save the day. The End! It's all a bit creaky, the direction, the acting and the production as a whole really doesn't have much going for it. The premise at the core is interesting enough to hold attention for the short one hour run time - even if the first fifteen minutes drag and hardly entice one to stay through the rest of the play. Plenty of séance scenes are decently played, and thus rewards those into such shenanigans, but it becomes tiresome and the writing simply isn't good enough to drive home some thriller possibilities. 4/10

May 16, 2024