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Monte Cristo Poster

Monte Cristo

1922 | 100m | English

(467 votes)

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Popularity: 2 (history)

Details

A film adaptation of the classic Alexandre Dumas novel. Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of...
Release Date: Sep 03, 1922
Director: Emmett J. Flynn
Writer: Charles Fechter, Bernard McConville, Alexandre Dumas, Sandro Salvini
Genres: Drama, Romance
Keywords paris, france, prison, based on novel or book, marseille, france, revenge, escape, sailor, montecristo
Production Companies Fox Film Corporation
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 26, 2024
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Full Credits

Name Character
John Gilbert Edmond Dantes, Count of Monte Cristo
Estelle Taylor Mercedes, Countess de Morcerf
Robert McKim De Villefort, the king's attorney
William V. Mong Caderousse, the innkeeper
Virginia Brown Faire Haidee, an Arabian Princess
George Siegmann Luigi Vampa, ex-pirate
Spottiswoode Aitken Abbé Faria
Ralph Cloninger Fernand, Count de Morcert
Harry Lonsdale Dantes, Father of Edmond
Albert Prisco Baron Danglars
Howard Kendall Surgeon
Willard Koch Tailor at Cheateau f'If
Gaston Glass Albert de Morcerf
Renée Adorée Eugénie Danglars
Al W. Filson Morrel
Francis McDonald Benedetto
Jack Cosgrave Governor of Chateau d'If
Maude George Baroness Danglars
Name Job
Emmett J. Flynn Director
Alexander Salvini Additional Writing
Charles Fechter Writer, Additional Writing
Lucien N. Andriot Director of Photography
Bernard McConville Scenario Writer, Adaptation
Alexandre Dumas Novel
Sandro Salvini Writer
Name Title
William Fox Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 9 1
2024 5 6 10 3
2024 6 5 16 1
2024 7 6 14 1
2024 8 6 11 2
2024 9 5 7 2
2024 10 3 8 1
2024 11 2 5 1
2024 12 2 6 1
2025 1 2 5 1
2025 2 2 4 1
2025 3 2 3 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 2 0
2025 9 2 3 1
2025 10 2 2 2

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Reviews

Geronimo1967
6.0

The dashing John Gilbert is really quite good in this two-part adaptation of the Alexandre Dumas adventure. He is the wronged "Edmond", who finds himself the subject of jealousy and ambition before being sentenced to life imprisonment in the fearsome "Chateau D'If" prison. After many years in captiv ... ity, he is visited by the elderly Abbé Faria (Spottiswoode Aitken) who has been trying to tunnel his way out for many years, but has actually only managed to get to this nearby cell. Both victims of huge injustice, they become friends with the elder man teaching the younger a myriad of skills and languages before, just as he is dying, imparting some news about the legendary treasure of Monte Cristo. Substituting himself for the corpse, he manages to find safety, the treasure and is soon on the trail - in part two - of the three men he holds responsible. "de Villefort" (Robert McKimm); "Danglars" (Albert Prisco) and "Mondego" (Ralph Cloninger) who also managed to seduce his betrothed - the young "Mercedes" (Estelle Taylor). His clever entrapment of these three is based on allowing their greed, avarice, ambition and mistrust to do his heavy lifting for him - and he sits by facilitating and enjoy their destruction of each other. The first part of this works better, I felt. The sense of betrayal and the claustrophobic nature of his imprisonment better suited the rather static, though decent quality, of this production. It also featured the scene stealing performances of William V. Mong as the duplicitous "Caderouse". The second part climaxes well, with effective efforts from just about all - including a lovely series of scenes from the "Princess Haidee" (Virginia Brown Faire - a lady with very expressive eyes); but the swordplay and the general denouement fall a little flat as the technique of director Emmett Flynn relies more on a barrage of inter titles, single character scenes and lingering - if quite potent - close ups a little too much. This story of betrayal, bitterness, revenge and ultimately happiness is a great one and whilst this is maybe not the best version, it still packs a lot into 100 minutes.

Jun 09, 2022