Popularity: 3 (history)
| Director: | Joan Micklin Silver |
|---|---|
| Writer: | Fred Barron, David Helpern |
| Staring: |
| The staff of the Back Bay Mainline, a Boston underground newspaper that rose to prominence in the 1960s, struggles with the shifting social climate of the '70s amid rumors that the paper is about to be sold to a media giant. | |
| Release Date: | Apr 27, 1977 |
|---|---|
| Director: | Joan Micklin Silver |
| Writer: | Fred Barron, David Helpern |
| Genres: | Comedy, Drama |
| Keywords | newspaper, boston, massachusetts, newspaper office, woman director |
| Production Companies | Midwest Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| John Heard | Harry |
| Lindsay Crouse | Abbie |
| Jeff Goldblum | Max |
| Jill Eikenberry | Lynn |
| Bruno Kirby | David |
| Gwen Welles | Laura |
| Stephen Collins | Michael |
| Lewis J. Stadlen | Stanley |
| Jon Korkes | Frank |
| Michael J. Pollard | The Hawker |
| Lane Smith | Roy Walsh |
| Joe Morton | Ahmed |
| Richard Cox | Wheeler |
| Marilu Henner | Danielle |
| Raymond J. Barry | Herbert Fisk |
| Gary Springer | Jason |
| Susan Haskins | Sarah |
| Charles Levin | Paul |
| Guy Boyd | Austin |
| Martha Deignan | Cora |
| Deborah Weems | Annie One |
| Ginny Scales-Medeiros | Annie Two |
| Deborah Margolis | Susan |
| Robert Costanzo | Austin's Man |
| John H. Gartner | Austin's Man |
| Leo Grillo | Car Owner |
| Frank Licato | Car Owner |
| Allison Argo | Dancer |
| Scott Evans | Student |
| Allen Day | Cheapo's Mgr. |
| Douglas Kenney | Doug Henkel |
| Southside Johnny | Self |
| Adrienne King | Young Lady (uncredited) |
| Name | Job |
|---|---|
| Fred Barron | Screenplay, Story |
| Stuart Wurtzel | Production Design |
| David Helpern | Story |
| Patrizia von Brandenstein | Costume Design |
| Steve Atha | Hairstylist |
| Rita Ogden | Makeup & Hair |
| Kenneth Van Sickle | Director of Photography |
| Paul Ganapoler | Production Manager |
| Laurie B. Eichengreen | Second Assistant Director |
| Susan Zwerman | Production Coordinator |
| Barbara Sizemore | Production Secretary |
| Janet Kern | Script Supervisor |
| Peter Stein | Camera Operator |
| Todd Crandall | Assistant Camera |
| Tom Hurwitz | Lighting Manager |
| Steve Gerbson | Electrician |
| Nigel Noble | Production Sound Mixer |
| Keith Gardner | Boom Operator |
| Dustin Smith | Key Grip |
| Haddon Hufford | Dolly Grip |
| Jon R. Tower | Grip |
| Jennifer Nichols | Wardrobe Supervisor |
| Joseph E. Petruccio | Construction Manager |
| Christian Kelly | Props |
| Michael Springer | Props |
| Lawrence Miller | Assistant Art Director |
| Edward Garzero | Scenic Artist |
| Lorey Sebastian | Still Photographer |
| Ron Lieberman | Graphic Designer |
| C. Vaughn Hazell | Assistant Editor |
| Alex Pfau | Sound Editor |
| Mary F. Galloway | Location Coordinator |
| Ruth Blakeslee | Assistant Sound Editor |
| Joe Gilford | Production Assistant |
| Stephen A. Glanzrock | Production Assistant |
| Victor Kempster | Production Assistant |
| Dal LaMagna | Production Assistant |
| Jeremy Mitford | Production Assistant |
| Laura Morgan | Production Assistant |
| John Murray | Production Assistant |
| Steve Stone | Production Assistant |
| Lee Dichter | Sound Mixer |
| Juliet Taylor | Casting |
| John Carter | Editor |
| Michael Haley | Assistant Director |
| Michael Kamen | Additional Music |
| Tom Stern | Best Boy Grip |
| John Newby | Production Assistant |
| Joan Micklin Silver | Director |
| Name | Title |
|---|---|
| Raphael D. Silver | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 9 | 2 |
| 2024 | 5 | 8 | 16 | 4 |
| 2024 | 6 | 6 | 14 | 2 |
| 2024 | 7 | 7 | 13 | 3 |
| 2024 | 8 | 6 | 15 | 2 |
| 2024 | 9 | 5 | 8 | 2 |
| 2024 | 10 | 5 | 9 | 3 |
| 2024 | 11 | 5 | 8 | 3 |
| 2024 | 12 | 4 | 8 | 2 |
| 2025 | 1 | 5 | 10 | 3 |
| 2025 | 2 | 4 | 7 | 1 |
| 2025 | 3 | 3 | 7 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 3 | 5 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
The twenty-something staff of the erstwhile quite radical newspaper "Mainline" are struggling to keep their work relevant as the 1970s give way to the 1980s. I don't know if anyone remembers a television drama called the "Paper Chase" (1973) but a lot of the style and characterisations of that film ... are reminiscent here. Young people trying to make their own way, defiantly trying to hold on to values and commitments that may be largely on the wain. The thing with this, for me anyway, was I found them all rather shallow and selfish. The combination of their working and social lives are presented in a fashion that is very, very, verbose. Why use one word when you can use eight? As the story drifts along, I felt less and less interested in the characters and their semi-comic antics and started to notice silly continuity errors - that wouldn't ordinarily matter - and to focus more on the tangential aspects of the film - the big collars, bell-bottom jeans - all the things I used to remember from "Starsky and Hutch". Maybe the fact that I'm not an American means that this Bostonian story of intellectual maturity and liberating camaraderie doesn't resonate in the same way - because I found this all rather dull. Will their newspaper be subsumed into a bigger, commercial, enterprise? Well at the start I hoped not, but by the middle I was indifferent.