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Between the Lines Poster

Between the Lines

Fun, Adventure, Romance on $75 a Week
1977 | 101m | English

(1640 votes)

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Popularity: 3 (history)

Details

The staff of the Back Bay Mainline, a Boston underground newspaper that rose to prominence in the 1960s, struggles with the shifting social climate of the '70s amid rumors that the paper is about to be sold to a media giant.
Release Date: Apr 27, 1977
Director: Joan Micklin Silver
Writer: Fred Barron, David Helpern
Genres: Comedy, Drama
Keywords newspaper, boston, massachusetts, newspaper office, woman director
Production Companies Midwest Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Apr 20, 2024
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Full Credits

Name Character
John Heard Harry
Lindsay Crouse Abbie
Jeff Goldblum Max
Jill Eikenberry Lynn
Bruno Kirby David
Gwen Welles Laura
Stephen Collins Michael
Lewis J. Stadlen Stanley
Jon Korkes Frank
Michael J. Pollard The Hawker
Lane Smith Roy Walsh
Joe Morton Ahmed
Richard Cox Wheeler
Marilu Henner Danielle
Raymond J. Barry Herbert Fisk
Gary Springer Jason
Susan Haskins Sarah
Charles Levin Paul
Guy Boyd Austin
Martha Deignan Cora
Deborah Weems Annie One
Ginny Scales-Medeiros Annie Two
Deborah Margolis Susan
Robert Costanzo Austin's Man
John H. Gartner Austin's Man
Leo Grillo Car Owner
Frank Licato Car Owner
Allison Argo Dancer
Scott Evans Student
Allen Day Cheapo's Mgr.
Douglas Kenney Doug Henkel
Southside Johnny Self
Adrienne King Young Lady (uncredited)
Name Job
Fred Barron Screenplay, Story
Stuart Wurtzel Production Design
David Helpern Story
Patrizia von Brandenstein Costume Design
Steve Atha Hairstylist
Rita Ogden Makeup & Hair
Kenneth Van Sickle Director of Photography
Paul Ganapoler Production Manager
Laurie B. Eichengreen Second Assistant Director
Susan Zwerman Production Coordinator
Barbara Sizemore Production Secretary
Janet Kern Script Supervisor
Peter Stein Camera Operator
Todd Crandall Assistant Camera
Tom Hurwitz Lighting Manager
Steve Gerbson Electrician
Nigel Noble Production Sound Mixer
Keith Gardner Boom Operator
Dustin Smith Key Grip
Haddon Hufford Dolly Grip
Jon R. Tower Grip
Jennifer Nichols Wardrobe Supervisor
Joseph E. Petruccio Construction Manager
Christian Kelly Props
Michael Springer Props
Lawrence Miller Assistant Art Director
Edward Garzero Scenic Artist
Lorey Sebastian Still Photographer
Ron Lieberman Graphic Designer
C. Vaughn Hazell Assistant Editor
Alex Pfau Sound Editor
Mary F. Galloway Location Coordinator
Ruth Blakeslee Assistant Sound Editor
Joe Gilford Production Assistant
Stephen A. Glanzrock Production Assistant
Victor Kempster Production Assistant
Dal LaMagna Production Assistant
Jeremy Mitford Production Assistant
Laura Morgan Production Assistant
John Murray Production Assistant
Steve Stone Production Assistant
Lee Dichter Sound Mixer
Juliet Taylor Casting
John Carter Editor
Michael Haley Assistant Director
Michael Kamen Additional Music
Tom Stern Best Boy Grip
John Newby Production Assistant
Joan Micklin Silver Director
Name Title
Raphael D. Silver Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 9 2
2024 5 8 16 4
2024 6 6 14 2
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2024 12 4 8 2
2025 1 5 10 3
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Reviews

Geronimo1967
6.0

The twenty-something staff of the erstwhile quite radical newspaper "Mainline" are struggling to keep their work relevant as the 1970s give way to the 1980s. I don't know if anyone remembers a television drama called the "Paper Chase" (1973) but a lot of the style and characterisations of that film ... are reminiscent here. Young people trying to make their own way, defiantly trying to hold on to values and commitments that may be largely on the wain. The thing with this, for me anyway, was I found them all rather shallow and selfish. The combination of their working and social lives are presented in a fashion that is very, very, verbose. Why use one word when you can use eight? As the story drifts along, I felt less and less interested in the characters and their semi-comic antics and started to notice silly continuity errors - that wouldn't ordinarily matter - and to focus more on the tangential aspects of the film - the big collars, bell-bottom jeans - all the things I used to remember from "Starsky and Hutch". Maybe the fact that I'm not an American means that this Bostonian story of intellectual maturity and liberating camaraderie doesn't resonate in the same way - because I found this all rather dull. Will their newspaper be subsumed into a bigger, commercial, enterprise? Well at the start I hoped not, but by the middle I was indifferent.

Apr 20, 2023