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Psyche 59 Poster

Psyche 59

The screen prowls the lonely place where lust hides!
1964 | 94m | English

(672 votes)

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Popularity: 2 (history)

Details

An industrialist's wife tries to remember the shocking sight that made her blind.
Release Date: Apr 29, 1964
Director: Alexander Singer
Writer: Françoise des Ligneris, Julian Zimet
Genres: Drama, Mystery
Keywords sibling relationship, infidelity, psychological stress, horse, temporary blindness
Production Companies Columbia Pictures, Troy-Schenck Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 25, 2024
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Full Credits

Name Character
Curd Jürgens Eric Crawford
Patricia Neal Alison Crawford
Samantha Eggar Robin
Ian Bannen Paul
Beatrix Lehmann Mrs. Crawford
Elspeth March Mme. Valadier
Sandra Leo Susan
Name Title
Philip Hazelton Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 11 1
2024 5 6 15 2
2024 6 5 18 2
2024 7 5 11 2
2024 8 5 13 2
2024 9 4 7 2
2024 10 2 3 1
2024 11 2 6 1
2024 12 2 4 1
2025 1 3 8 1
2025 2 1 2 1
2025 3 2 4 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 0 0
2025 9 0 1 0
2025 10 1 2 0

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Reviews

John Chard
6.0

Freudian Frolics. Psyche 59 is directed by Alexander Singer and adapted to screenplay by Julian Zimet from the novel written by Francoise des Ligneris. It stars Patricia Neal, Curd Jurgens, Samantha Eggar, Ian Bannen and Beatrix Lehmann. Music is by Kenneth V. Jones and cinematography by Walter L ... assally. Blind Alison Crawford (Neal) lives with her husband Eric (Jurgens) and finds the equilibrium of life upset when her young sister Robin (Eggar) comes to stay. It seems there are secrets to will out, both with Robin and the matter of how Alison came to be blind. A strange, almost hypnotic type of movie, Psyche 59 aims to be a Freudian thriller but just misses the mark of being great. The set up is intriguing, the twists risqué and the photography suitably moody. Neal gives a fine performance as the afflicted Alison, both physically and emotionally, Eggar is super sultry and raises the temperatures considerably, while both Bannen and Jurgens are fine considering the former is under written and the latter gets a character arc that’s a bit of a stretch. Unfortunately the pay off is hopelessly weak, the whole build up holds the attention, you sense we are heading for great dramatic denouement, but sadly that’s not the case and it leaves a disappointing taste in the mouth. 6/10

May 16, 2024