Popularity: 1 (history)
Director: | Philip Dunne |
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Writer: | Jan de Hartog, Nelson Gidding |
Staring: |
At the end of WW2, a compassionate Dutch policeman helps smuggle a Jewish woman into British Palestine. | |
Release Date: | May 24, 1962 |
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Director: | Philip Dunne |
Writer: | Jan de Hartog, Nelson Gidding |
Genres: | Drama, Romance |
Keywords | palestine, holocaust (shoah) survivor |
Production Companies | Red Lion |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 25, 2024 |
Name | Character |
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Stephen Boyd | Peter Jongman |
Dolores Hart | Lisa Held |
Leo McKern | Brandt |
Hugh Griffith | Van der Pink |
Donald Pleasence | Wolters |
Harry Andrews | Ayoob |
Robert Stephens | Dickens |
Marius Goring | Thorens |
Finlay Currie | De Kool |
Geoffrey Keen | Bartels |
Neil McCallum | Browne |
Jean Anderson | Mrs. Jongman |
Jane Jordan Rogers | Anaka Jongman |
Jack Gwillim | Inspector Cobb |
Arthur Gross | Railway Conductor |
Anne Dickins | Rachel |
Vi Stevens | Barge Woman |
Derek Francis | Detective Inspector |
Victor Brooks | Sergeant Groninger |
Geoffrey Frederick | Soldier |
Clifford Elkin | Signaller |
Name | Job |
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Jan de Hartog | Novel |
Malcolm Arnold | Original Music Composer, Conductor |
Elliot Scott | Art Direction |
David Middlemas | Production Manager |
Kip Gowans | Assistant Director |
A.W. Watkins | Sound Supervisor |
J.B. Smith | Sound Recordist |
Wally Schneiderman | Makeup Artist |
Elaine Schreyeck | Continuity |
Nelson Gidding | Screenplay |
Arthur Ibbetson | Director of Photography |
Philip Dunne | Director |
Joan Smallwood | Hairdresser |
Nora Roberts | Casting Director |
Charles Blair | Second Assistant Director |
Ernest Walter | Editor |
Paul Wilson | Camera Operator |
Roy Baker | Sound Editor |
Gerry Turner | Sound Recordist |
John O'Gorman | Makeup Artist |
Name | Title |
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Mark Robson | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 11 | 1 |
2024 | 5 | 7 | 14 | 4 |
2024 | 6 | 5 | 13 | 2 |
2024 | 7 | 3 | 9 | 1 |
2024 | 8 | 4 | 9 | 1 |
2024 | 9 | 4 | 7 | 1 |
2024 | 10 | 3 | 5 | 1 |
2024 | 11 | 3 | 6 | 1 |
2024 | 12 | 2 | 5 | 1 |
2025 | 1 | 3 | 8 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 1 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 2 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
Philip Dunne has assembled quite a decent cast for this post-war thriller. "Lisa" (Dolores Hart) wants to get to Palestine - then under the British Mandate - and so enlists the help of a Dutch police officer "Jongman" (Stephen Boyd) who helps her navigate the tricky journey. The travelogue narrative ... is fairly straightforward, peppered with strong contributions from an on-form Leo McKern as barge captain "Brandt"; Hugh Griffith, Donald Pleasance and Marius Goring (though not, perhaps, Harry Andrews so much as the oddly cast "Ayoob"). Boyd is much better than usual too; his part has more for him to get his teeth into as his character starts to really care for his troubled companion. The film, though, really belongs to Hart. She encapsulates well the sense of trauma and loss experienced by her holocaust surviving character. Her mania when stuck in the bilges of the barge to avoid capture is palpable, as are many of the perilous scenarios she must face as her attempt at repatriation gathers pace. Talking of pace, the film moves along well with a sparing amount of dialogue that allows us to feel like we, too, have some skin in her game.