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The Hunchback of Notre Dame Poster

The Hunchback of Notre Dame

1923 | 113m | English

(6629 votes)

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Popularity: 1 (history)

Details

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
Release Date: Sep 06, 1923
Director: Lon Chaney, Wallace Worsley
Writer: Victor Hugo, Perley Poore Sheehan, Chester L. Roberts
Genres: Drama, Romance, Horror
Keywords paris, france, based on novel or book, death sentence, black and white, silent film, hunchback, notre dame cathedral, roma
Production Companies Universal Pictures
Box Office Revenue: $0
Budget: $1,250,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Lon Chaney Quasimodo
Patsy Ruth Miller Esmeralda
Norman Kerry Phoebus de Chateaupers
Kate Lester Madame de Condelaurier
Winifred Bryson Fleur de Lys
Nigel De Brulier Don Claudio
Brandon Hurst Jehan
Ernest Torrence Clopin
Tully Marshall El Rey Luis XI
Harry von Meter Mons. Neufchatel
Raymond Hatton Gringoire
Nick De Ruiz Mons. Le Torteru
Eulalie Jensen Marie
Roy Laidlaw Charmolu
Ray Myers Charmolu's Assistant
William Parke Josephus
Gladys Brockwell Sister Gudule
John Cossar Judge of the Court
Edwin Wallock King's Chamberlain
Fred Behrle Undetermined Role (uncredited)
Joe Bonomo (uncredited)
Earl Gordon Bostwick Undetermined Minor Role (uncredited)
Helen Broneau (uncredited)
C.E. Collins Undetermined Role (uncredited)
Jim Collins Undetermined Role (uncredited)
Harry De Vere (uncredited)
Louise Emmons Old Woman on Staircase (uncredited)
Charles Farrell (uncredited)
Al Ferguson (uncredited)
Max Garnetz (uncredited)
John George (uncredited)
Eva Gordon Casare Gravina (uncredited)
John Gough Prisoner in Torture Chamber (uncredited)
Cesare Gravina (uncredited)
Marion Gray Woman at Ball (uncredited)
Charles Haefeli Undetermined Role (uncredited)
Fred Herzog Undetermined Role (uncredited)
Karl Holl Man in Crowd (uncredited)
Alfred Hollingsworth Undetermined Role (uncredited)
Harry Holman Fat Man (uncredited)
Al Hoxie Soldier (uncredited)
Jay Hunt (uncredited
Arthur Hurni (uncredited)
Paul Hurst Emeralda's Torturer (uncredited)
John Impolito Undetermined Role (uncredited)
Gladys Johnston Bit Role (uncredited)
Bob Kortman Hook-Hand (uncredited)
Louise La Planche Baby Esmeralda (uncredited)
Ethan Laidlaw (uncredited)
Eva Lewis (uncredited)
Elmo Lincoln (uncredited)
William Lloyd Priest Escorting Rey Luis XI (uncredited)
Eric Mack (uncredited)
Andy MacLennan Bit Role (uncredited)
Albert MacQuarrie (uncredited)
George MacQuarrie (uncredited)
Harry Mann Undetermined Role (uncredited)
Alex Manuel (uncredited)
Louis Miller Undetermined Role (uncredited)
Dorothy Mueller Townswoman (uncredited)
William O'Rourke Bit Part (uncredited)
Russ Powell Undetermined Role (uncredited)
Albert Prisco Undetermined Role (uncredited)
Mabel Richardson (uncredited)
Walter Rodgers Undetermined Role (uncredited)
Gilbert Roland Extra (uncredited)
Eugene H. Roth Undetermined Minor Role (uncredited)
Lou Salter Undetermined Role (uncredited)
Nick Shaid Undetermined Role (uncredited)
Jane Sherman (uncredited)
Lydia Yeamans Titus (uncredited)
Rene Traveletti (uncredited)
Pearl Tupper (uncredited)
Robert Wahlberg (uncredited)
Malcolm Waite (uncredited)
Fred Walker Bit Role (uncredited)
Fanny Warren Beggar Woman (uncredited)
Clarence Wilson Undetermined Role (uncredited)
Name Job
Lon Chaney Co-Director, Makeup Artist
Harvey Parry Stunts, Visual Effects
Eddie Barry Lighting Technician
Carl Laemmle Presenter
Wallace Worsley Director
Victor Hugo Novel
William Wyler Assistant Director
Robert Newhard Director of Photography
Edward Curtiss Editor
Maurice Pivar Editor
Friend Baker Visual Effects
Perley Poore Sheehan Adaptation
Hans Dreier Set Decoration
Charles D. Hall Assistant Art Director
Guy B. Baird Carpenter
Edward Cronenweth Assistant Camera
Harry D. Brown Lighting Design
Karl Gotham Lighting Technician
George Merhoff Lighting Technician
Arthur E. Shadur Electrician
Wayne West Lighting Technician
Zan Wigmaker
Elmer Sheeley Art Direction
Sidney Ullman Art Direction
Chester L. Roberts Writer
Gordon Magee Costume Supervisor
Tony Kornman Cinematography
Charles J. Stumar Cinematography
George M. Stallings Production Manager
Jack Sullivan Assistant Director
Stephen Goosson Assistant Art Director
Finn Froelich Sculptor
Jack Freulich Still Photographer
Bert Kohler Lighting Technician
Fred Sealock Lighting Technician
Eric van Meissel Lighting Technician
Edgar Stein Production Assistant
Sydney Singerman Editor
Edward T. Lowe Jr. Scenario Writer
Stephen S. Norton Cinematography
William Koenig Unit Manager
James Dugan Assistant Director
Bud Barner Lighting Technician
Henry Freulich Still Photographer
Soldier Graham Lighting Technician
Earl Miller Lighting Design
Cliff Shirpser Assistant Camera
Charlotte Woods Continuity
Archie Hall Technical Supervisor
Fred A. Datig Casting
Virgil Miller Cinematography
Robert Wyler Assistant Director
Charles Gemora Sculptor
Joe Bonomo Stunt Double
Albert Conti Production Assistant
Name Title
Carl Laemmle Producer
Irving Thalberg Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 13 20 9
2024 5 15 21 6
2024 6 13 29 7
2024 7 16 30 9
2024 8 14 37 7
2024 9 11 18 7
2024 10 14 26 7
2024 11 10 16 7
2024 12 13 23 8
2025 1 12 25 8
2025 2 9 16 3
2025 3 5 18 1
2025 4 1 3 1
2025 5 1 3 1
2025 6 1 3 1
2025 7 1 3 0
2025 8 1 2 0
2025 9 1 3 0
2025 10 1 2 1

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Reviews

Geronimo1967
7.0

I reckon that this has to be the saddest of all love stories ever written - in any language! Although top billing goes to the pathetically grotesque Lon Chaney as the bell-ringer "Quasimodo", I think the plaudits must go to Patsy Ruth Miller as the persecuted gypsy "Esmerelda" in this 1923 adaptatio ... n of Victor Hugo's story. The score is hauntingly effective as both battle prejudice, jealousy and enmity from high and low society; with plots for revolution against the rather despotic rule of Louis XI never far from the theme. Chaney's make up is not great, even by the standards of the day, and it would not look out of place in a "Tarzan" film, but that matters little to the wonderfully evocative efforts from director Wallace Worsley to enshrine this classical story of lust, power and sadness to film, with a narrative that emphasises more of the emotional aspects of the story than many of it's successors. Particularly effective is the use of light and staging (partly Parisian, partly Californian) too. 2¼ hours may look long, but this positively flies by - rarely, if ever, making you want it to hurry up. Great stuff.

Jun 06, 2022