Open Your Eyes
1997 | 117m | Spanish
Popularity: 1 (history)
| Director: | Alejandro Amenábar |
|---|---|
| Writer: | Alejandro Amenábar, Mateo Gil |
| Staring: |
| Handsome 25-year-old Cesar had it all -- a successful career, expensive cars, a swank bachelor's pad, and an endless string of beautiful and willing women -- until he is thrown into a strange psychological mystery after a car accident scars his face and lands him in prison. | |
| Release Date: | Dec 19, 1997 |
|---|---|
| Director: | Alejandro Amenábar |
| Writer: | Alejandro Amenábar, Mateo Gil |
| Genres: | Science Fiction, Drama, Thriller |
| Keywords | love triangle, madrid, spain, loss of sense of reality, love of one's life, ladykiller, face operation, life extension, womanizer, car crash, best friend, car accident, psychiatrist, psychiatric ward, disfigured face, disfigurement |
| Production Companies | Les Films Alain Sarde, Las Producciones del Escorpion, Lucky Red, Sogetel |
| Box Office |
Revenue: $370,720
Budget: $2,900,000 |
| Updates |
Updated: Jan 18, 2026 Entered: Jan 18, 2026 |
| Name | Character |
|---|---|
| Eduardo Noriega | César |
| Penélope Cruz | Sofía |
| Chete Lera | Antonio |
| Fele Martínez | Pelayo |
| Najwa Nimri | Nuria |
| Gérard Barray | Duvernois |
| Jorge de Juan | Encargado L.E. |
| Miguel Palenzuela | Comisario |
| Pedro Miguel Martínez | Médico Jefe |
| Ion Gabella | Recluso paranoico |
| Joserra Cadiñanos | Guardia |
| Tristán Ulloa | Camarero |
| Pepe Navarro | Presentador T.V. |
| Jaro | Médico 1 |
| Walter Prieto | Médico 2 |
| Carola Angulo | Médico 3 |
| Fanny Gautier | Secretaria |
| Luis García | Guardia jurado 1 |
| Javier Martín | Guardia jurado 2 |
| José Ángel Egido | Policía |
| Ricardo Cruz | Conductor |
| Raúl Otegui | Chico servicios |
| Name | Job |
|---|---|
| Natalia Montes | Storyboard |
| Javier Aramburu | Thanks |
| Carlos J. Santos | Title Designer |
| Mario Klemens | Conductor |
| Raúl Otegui | Assistant Director |
| Alejandro Amenábar | Director, Original Music Composer, Screenplay |
| Mariano Marín | Original Music Composer |
| Carola Angulo | Set Decoration |
| Wolfgang Burmann | Art Direction |
| Alberto Esteban | Visual Effects, Visual Effects Coordinator |
| Ignacio Gutiérrez-Solana | Assistant Director |
| Ricardo Steinberg | Production Sound Mixer |
| José G. Donado | Painter |
| Hans Burmann | Director of Photography |
| Ana Cuerda | Assistant Costume Designer |
| Sylvie Imbert | Hairstylist, Makeup Artist |
| Antonio Gómez | Carpenter |
| Vázquez Hermanos | Property Master |
| Carmen Soriano | Script Supervisor |
| Pablo Carrión Bautista | Electrician |
| Eva Muslera | Production Accountant |
| Emiliano Otegui | Production Manager |
| Pelayo Gutiérrez | Sound Editor |
| Julien Naudin | Sound Effects Editor |
| Mateo Gil | Second Unit Cinematographer, Screenplay |
| María Elena Sáinz de Rozas | Editor |
| Ramón Moya | Set Decoration |
| Pablo Bürmann | First Assistant Camera |
| Juan Carrión | Gaffer |
| Sergio Burmann | Boom Operator |
| Patrick Ghislain | Sound Mixer |
| Jaume Puig | Dolby Consultant |
| Jesús Alonso | Assistant Production Manager |
| Miguel Ángel Bardavio | Second Assistant Camera |
| Alberto García | Production Assistant |
| Concha Solera | Costume Design |
| Pedro Jesús De la Fuente | Construction Coordinator |
| Francisco Ramos | Key Grip |
| Paca Almenara | Makeup Designer |
| Félix Fontal | Transportation Coordinator |
| Mar de Frutos | Location Manager |
| Daniel Goldstein | Sound Designer |
| Belén Arsuaga | Visual Effects |
| José Vinader | Sound |
| Ignacio Borja | Graphic Designer |
| Natalia Sáinz de Rozas | Assistant Editor |
| María Teresa Payero | Production Secretary |
| Elisabeth Adánez | Assistant Makeup Artist |
| Carlos Montero | Camera Trainee |
| Juan Carlos Cuello | Music Producer |
| Name | Title |
|---|---|
| José Luis Cuerda | Producer |
| Alain Sarde | Associate Producer |
| Ana Amigo | Associate Producer |
| Fernando Bovaira | Producer |
| Andrea Occhipinti | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 33 | 14 |
| 2024 | 5 | 25 | 40 | 17 |
| 2024 | 6 | 21 | 42 | 13 |
| 2024 | 7 | 20 | 45 | 11 |
| 2024 | 8 | 18 | 41 | 12 |
| 2024 | 9 | 17 | 26 | 9 |
| 2024 | 10 | 23 | 39 | 12 |
| 2024 | 11 | 16 | 30 | 11 |
| 2024 | 12 | 17 | 34 | 9 |
| 2025 | 1 | 15 | 20 | 10 |
| 2025 | 2 | 12 | 17 | 3 |
| 2025 | 3 | 6 | 18 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 3 | 9 | 1 |
| 2026 | 1 | 1 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 933 | 933 |
**An excellent film where dream, reality, illusion and fantasy mix.** In this film, we follow the ordeal of César, a young Spaniard who has everything a young man could want: a comfortable life, money, friends and all the women he wants (although he avoids serious commitments as much as possible) ... . During a birthday party, in which he tries to escape his most recent case, he meets Sofia, a seductive and intelligent young woman who knows how to captivate him. However, his whole life is ruined when he has a car accident, intentionally provoked, and his face is completely disfigured. If the psychological, mental and physical difficulties caused by such an injury could be enough for a movie script, Amenábar goes even further by mixing this with various considerations about dreams, illusion and memory. Brutally intense, the film goes round and round, and from a certain point, it's hard for us to understand what is true and what is a dream or illusion of the protagonist. The ending is truly disconcerting. Although the film does not seem very expensive, it has a good cast. Eduardo Noriega does a good dramatic job and is an excellent protagonist. Penélope Cruz, undoubtedly better known as she “made the leap” into American cinema, is still a very young and beautiful actress at this stage, and she is genuine in the work she develops. Chete Lera and Fele Martínez give good support and effort in their roles, and even Najwa Nimri, the supposed villain of the film, is very good at the task given to her. A good part of the story told comes to us through the flashbacks that accompany César's report to his psychiatrist, and this resource was very well used and very effective. The film mixes well the themes it addresses, balancing very well in all of them and the dialogues are really good, they breathe naturalness and authenticity. Good sets, good costumes and the good choice of shooting locations helped a lot to make the film more visually beautiful, while the cinematography knew how to make the best use of the intense sunlight of the Spanish capital and the beautiful shades of blue in the sky, which contrast sharply with the dense penumbra that the main character seems to prefer.