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WISECRACKS! GUNMEN! ACTION!
1929 | 75m | English

(342 votes)

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Popularity: 2 (history)

Details

A reporter's marriage is jeopardized by his drinking and he finds himself accused of a murder he didn't commit.
Release Date: Sep 06, 1929
Director: Gregory La Cava
Writer: Walter DeLeon, Jack Jungmeyer
Genres: Comedy, Crime, Mystery
Keywords pre-code
Production Companies Pathé Exchange
Box Office Revenue: $0
Budget: $0
Updates Updated: May 08, 2024
Entered: Apr 27, 2024
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Full Credits

Name Character
Robert Armstrong Steve Banks
Carole Lombard Margaret Banks
Louis Payne Hensel
Wade Boteler O'Neill
Charles Sellon J.W. Addison
Sam Hardy Joe Reno
Tom Kennedy Officer Ryan
Warner Richmond Phelps
Helen Ainsworth Vera
Herbert Clark Pells
Gertrude Sutton Helen
George 'Gabby' Hayes Hoffman
Vernon Steele Reporter
Clarence Wilson Coroner
Fred Behrle Elevator Man
Colin Chase Birn
Robert Dudley Telegraph Editor
Lew Ayres Copyboy (uncredited)
James Donlan Deke
Lynton Brent Reporter (uncredited)
Richard Cramer Hood (uncredited)
Harry Semels Reno Henchman (uncredited)
Name Job
John J. Mescall Director of Photography
Gregory La Cava Director
Norbert Brodine Director of Photography
Doane Harrison Editor
Marty Santell Assistant Director
Walter DeLeon Writer
Edward C. Jewell Art Direction
George S. Brooks Theatre Play
Jack Jungmeyer Writer
Name Title
Ralph Block Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 3 6 1
2024 5 5 11 2
2024 6 4 17 1
2024 7 2 5 0
2024 8 3 9 1
2024 9 1 3 1
2024 10 3 6 1
2024 11 2 3 1
2024 12 2 8 1
2025 1 3 9 1
2025 2 1 2 1
2025 3 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 1 0
2025 8 0 0 0
2025 9 0 0 0
2025 10 0 2 0

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Reviews

Geronimo1967
5.0

Robert Armstrong ("Steve") is a reporter at a busy newspaper where he spends much of his time drinking or nursing an hangover. His behaviour is testing the patience not just of his bosses, but of his wife Margaret (a feisty Carole Lombard) who works for another newspaper and for some reason is still ... keen on him. When he finds himself on the wrong end of a murder investigation, she must help him track down the true culprit. The thing about this film is the dialogue - it is relentless and after a while becomes quite irritating and largely humourless. Sure, it deals with alcoholism (and it's side effects) in a way that the code would soon discourage, but as he comes across as somewhat odious and the whole pace, though frenetic as you might expect in a 1920s newspaper office, goes nowhere fast for the vast majority of the film. Even the last fifteen minutes - in which everything of note occurs - doesn't really lift it. I just found myself a bit bored by it all and it seemed longer than it's 75 minutes.

Jun 06, 2022