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Away from Her Poster

Away from Her

It's never too late to become what you might have been.
2007 | 110m | English

(23604 votes)

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Popularity: 1.0 (history)

Director: Sarah Polley
Writer: Sarah Polley
Staring:
Details

Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Release Date: May 04, 2007
Director: Sarah Polley
Writer: Sarah Polley
Genres: Drama, Romance
Keywords nurse, canada, professor, love of one's life, forgiveness, alzheimer's disease, marriage, past, nursing home, elderly, woman director
Production Companies Echo Lake Entertainment, HanWay Films, Corus Entertainment, Foundry Films, The Film Farm, Capri Releasing, Pulling Focus Pictures
Box Office Revenue: $9,194,283
Budget: $3,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Gordon Pinsent Grant
Julie Christie Fiona
Michael Murphy Aubrey
Olympia Dukakis Marian
Kristen Thomson Kristy
Wendy Crewson Madeleine
Alberta Watson Dr. Fischer
Thomas Hauff William Hart
Deanna Dezmari Veronica
Nina Dobrev Monica
Grace Lynn Kung Betty
Melanie Merkosky Singing Nurse
Andrew Moodie Liam
Clare Coulter Phoebe Hart
Stacey LaBerge Young Fiona
Lili Francks Theresa
Judy Sinclair Mrs. Albright
Tom Harvey Michael
Carolyn Hetherington Eliza
Jessica Booker Mrs. Jenkins
Janet van de Graaf Rebecca Albright
Vanessa Vaughan Stella
Catherine Fitch Receptionist
Ron Hewat Frank
Jason Knight Young Grant
Name Job
John Buchan Casting
Alice Munro Short Story
Jonathan Goldsmith Original Music Composer
Luc Montpellier Director of Photography
David Wharnsby Editor
Benno Tutter Art Direction
Debra Hanson Costume Design
Michael Gibson Still Photographer
Kathleen Climie Production Design
Mary Kirkland Set Decoration
Réjean Goderre Key Hair Stylist
Micheline Trépanier Key Makeup Artist
Zinka Tuminski Hairstylist
Catherine Viot Makeup Artist
Ben Marrello Third Assistant Director
Alan McKenna Second Assistant Director
Daniel J. Murphy First Assistant Director
Kathy Choi Sound Editor
Jane Tattersall Sound Designer
Sarah Polley Writer, Director
Rob Gyorgy Online Editor
Name Title
Atom Egoyan Executive Producer
Daniel Iron Producer
Simone Urdl Producer
Jennifer Weiss Producer
Mark Allan Executive Producer
Victoria Hirst Co-Producer
Doug Mankoff Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 11 16 8
2024 5 12 26 8
2024 6 10 20 7
2024 7 14 32 8
2024 8 13 28 6
2024 9 10 16 5
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2024 12 10 21 6
2025 1 9 16 6
2025 2 7 11 3
2025 3 4 7 1
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2025 6 1 3 1
2025 7 1 1 0
2025 8 1 1 0
2025 9 0 1 0
2025 10 0 1 0

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Reviews

Geronimo1967
7.0

I think “Fiona” (Julie Christie) knows the writing is on the wall when she goes to top up some glasses for her dinner guests and she can’t recall what’s in the bottle. Husband “Grant” (Gordon Pinsent) is dreading what has to come next as they both realise she needs professional care rather than stay ... in their beautiful but impractical wintery home. One of the more onerous conditions of her residency is that for the first month she can’t receive visitors and though she is a bit more stoic about that, he is struggling after 45 years of marriage to come to terms with that. Muddle through he does, though, and eagerly anticipates the day when he can see her again. His arrival at the home doesn’t quite go to plan as he discovers she is playing bridge with a new friend “Aubrey” (Michael Murphy). She is friendly enough but what’s clear is that she can no longer quite place him in her life. What now ensues sees him sensitively try to reintroduce himself whilst she obliviously continues with her new friend and new life, gradually deteriorating. Meantime, he meets “Marian” (Olympia Dukakis) who is married to “Aubrey” and in similar situation, largely unrecognised by the man she has loved for many years. Without compromising their other affections, the two start to find solace in each other’s company and start to realise that they have lives to live too - but always in a shadow. Christie delivers poignantly here but it’s actually Pinsent who has the hardest task as his character gradually loses all the points of reference from his adult life: his best friend, his lover - and yet she is still there, pleasant and polite, in front of his eyes. Dukakis is a fine character actor and she, too, imbues her character with a sense of sadness and reservedness as the inevitable begins to take firmer shape. The writing takes us into the heart of something ghastly but avoids sentimentalising the story. It introduces a little of the vagaries of the science - an imprecise and fluid collection of theories, and makes it’s point with just an hint of optimism for those left to constantly and repetitively pick up the pieces as the days get no better. Despite the doctor extolling the virtues of communal care and living, I still looked at the facility and wondered if these places don’t actually do more stifling than providing, and that’s a testament to an ensemble effort from some chirpy residents and from a direction that treats us as observers for whom this could easily resonate one day. It’s a tough watch but worthwhile, I’d say.

Feb 23, 2025