Popularity: 1.0 (history)
Director: | Sarah Polley |
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Writer: | Sarah Polley |
Staring: |
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home. | |
Release Date: | May 04, 2007 |
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Director: | Sarah Polley |
Writer: | Sarah Polley |
Genres: | Drama, Romance |
Keywords | nurse, canada, professor, love of one's life, forgiveness, alzheimer's disease, marriage, past, nursing home, elderly, woman director |
Production Companies | Echo Lake Entertainment, HanWay Films, Corus Entertainment, Foundry Films, The Film Farm, Capri Releasing, Pulling Focus Pictures |
Box Office |
Revenue: $9,194,283
Budget: $3,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Gordon Pinsent | Grant |
Julie Christie | Fiona |
Michael Murphy | Aubrey |
Olympia Dukakis | Marian |
Kristen Thomson | Kristy |
Wendy Crewson | Madeleine |
Alberta Watson | Dr. Fischer |
Thomas Hauff | William Hart |
Deanna Dezmari | Veronica |
Nina Dobrev | Monica |
Grace Lynn Kung | Betty |
Melanie Merkosky | Singing Nurse |
Andrew Moodie | Liam |
Clare Coulter | Phoebe Hart |
Stacey LaBerge | Young Fiona |
Lili Francks | Theresa |
Judy Sinclair | Mrs. Albright |
Tom Harvey | Michael |
Carolyn Hetherington | Eliza |
Jessica Booker | Mrs. Jenkins |
Janet van de Graaf | Rebecca Albright |
Vanessa Vaughan | Stella |
Catherine Fitch | Receptionist |
Ron Hewat | Frank |
Jason Knight | Young Grant |
Name | Job |
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John Buchan | Casting |
Alice Munro | Short Story |
Jonathan Goldsmith | Original Music Composer |
Luc Montpellier | Director of Photography |
David Wharnsby | Editor |
Benno Tutter | Art Direction |
Debra Hanson | Costume Design |
Michael Gibson | Still Photographer |
Kathleen Climie | Production Design |
Mary Kirkland | Set Decoration |
Réjean Goderre | Key Hair Stylist |
Micheline Trépanier | Key Makeup Artist |
Zinka Tuminski | Hairstylist |
Catherine Viot | Makeup Artist |
Ben Marrello | Third Assistant Director |
Alan McKenna | Second Assistant Director |
Daniel J. Murphy | First Assistant Director |
Kathy Choi | Sound Editor |
Jane Tattersall | Sound Designer |
Sarah Polley | Writer, Director |
Rob Gyorgy | Online Editor |
Name | Title |
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Atom Egoyan | Executive Producer |
Daniel Iron | Producer |
Simone Urdl | Producer |
Jennifer Weiss | Producer |
Mark Allan | Executive Producer |
Victoria Hirst | Co-Producer |
Doug Mankoff | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 11 | 16 | 8 |
2024 | 5 | 12 | 26 | 8 |
2024 | 6 | 10 | 20 | 7 |
2024 | 7 | 14 | 32 | 8 |
2024 | 8 | 13 | 28 | 6 |
2024 | 9 | 10 | 16 | 5 |
2024 | 10 | 11 | 25 | 6 |
2024 | 11 | 8 | 16 | 5 |
2024 | 12 | 10 | 21 | 6 |
2025 | 1 | 9 | 16 | 6 |
2025 | 2 | 7 | 11 | 3 |
2025 | 3 | 4 | 7 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 0 | 1 | 0 |
2025 | 10 | 0 | 1 | 0 |
Trending Position
I think “Fiona” (Julie Christie) knows the writing is on the wall when she goes to top up some glasses for her dinner guests and she can’t recall what’s in the bottle. Husband “Grant” (Gordon Pinsent) is dreading what has to come next as they both realise she needs professional care rather than stay ... in their beautiful but impractical wintery home. One of the more onerous conditions of her residency is that for the first month she can’t receive visitors and though she is a bit more stoic about that, he is struggling after 45 years of marriage to come to terms with that. Muddle through he does, though, and eagerly anticipates the day when he can see her again. His arrival at the home doesn’t quite go to plan as he discovers she is playing bridge with a new friend “Aubrey” (Michael Murphy). She is friendly enough but what’s clear is that she can no longer quite place him in her life. What now ensues sees him sensitively try to reintroduce himself whilst she obliviously continues with her new friend and new life, gradually deteriorating. Meantime, he meets “Marian” (Olympia Dukakis) who is married to “Aubrey” and in similar situation, largely unrecognised by the man she has loved for many years. Without compromising their other affections, the two start to find solace in each other’s company and start to realise that they have lives to live too - but always in a shadow. Christie delivers poignantly here but it’s actually Pinsent who has the hardest task as his character gradually loses all the points of reference from his adult life: his best friend, his lover - and yet she is still there, pleasant and polite, in front of his eyes. Dukakis is a fine character actor and she, too, imbues her character with a sense of sadness and reservedness as the inevitable begins to take firmer shape. The writing takes us into the heart of something ghastly but avoids sentimentalising the story. It introduces a little of the vagaries of the science - an imprecise and fluid collection of theories, and makes it’s point with just an hint of optimism for those left to constantly and repetitively pick up the pieces as the days get no better. Despite the doctor extolling the virtues of communal care and living, I still looked at the facility and wondered if these places don’t actually do more stifling than providing, and that’s a testament to an ensemble effort from some chirpy residents and from a direction that treats us as observers for whom this could easily resonate one day. It’s a tough watch but worthwhile, I’d say.