Popularity: 2 (history)
| Director: | Federico Fellini |
|---|---|
| Writer: | Ennio Flaiano, Federico Fellini, Tullio Pinelli, Pier Paolo Pasolini, Brunello Rondi |
| Staring: |
| Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem. | |
| Release Date: | Oct 03, 1957 |
|---|---|
| Director: | Federico Fellini |
| Writer: | Ennio Flaiano, Federico Fellini, Tullio Pinelli, Pier Paolo Pasolini, Brunello Rondi |
| Genres: | Drama |
| Keywords | rome, italy, optimism, house, poverty, prostitution, madonna, heartbreak, rescue from drowning, ostia italy, shrine, hypnotist, railway station, starving, accountant |
| Production Companies | DDL Cinematografica, Les Films Marceau |
| Box Office |
Revenue: $752,045
Budget: $0 |
| Updates |
Updated: Nov 22, 2025 Entered: Nov 22, 2025 |
| Name | Character |
|---|---|
| Giulietta Masina | Maria 'Cabiria' Ceccarelli |
| François Périer | Oscar D'Onofrio |
| Franca Marzi | Wanda |
| Amedeo Nazzari | Alberto Lazzari |
| Aldo Silvani | The wizard |
| Dorian Gray | Jessy |
| Ennio Girolami | Amleto, 'il magnaccia' |
| Mario Passante | Uncle of Amleto |
| Franco Balducci | Spectator on the Stage of the Cinema (uncredited) |
| Ciccio Barbi | Man on the Stage (uncredited) |
| Luciano Bonanni | Man in Black Suit at the Edge of the River (uncredited) |
| Leo Catozzo | Man with the Sack (uncredited) |
| Mimmo Poli | Man Eating in the Nightclub (uncredited) |
| Dominique Delouche | Priest with the Flag (uncredited) |
| Franco Fabrizi | Giorgio (uncredited) |
| Sandro Moretti | Un papponcello (uncredited) |
| Polidor | Friar (uncredited) |
| María Luisa Rolando | Marisa (uncredited) |
| Gianni Baghino | (uncredited) |
| Riccardo Fellini | (uncredited) |
| Nino Milano | (uncredited) |
| Sergio Parlato | (uncredited) |
| Christian Tassou | |
| Loretta Capitoli | |
| Edda Evangelista | |
| Ines Ferrari | |
| Lina Ferri |
| Name | Job |
|---|---|
| Ennio Flaiano | Screenplay, Story |
| Paolo Nuzzi | Second Assistant Director |
| Federico Fellini | Screenplay, Story, Director |
| Moraldo Rossi | First Assistant Director |
| Narciso Vicario | Script Supervisor |
| Dominique Delouche | Second Assistant Director |
| Adriana Olasio | Assistant Editor |
| Aldo Tonti | Director of Photography |
| Oscar Di Santo | Sound |
| Piero Gherardi | Costume Design, Production Design |
| Leo Catozzo | Editor |
| Manolo Bolognini | Production Secretary |
| Tullio Pinelli | Screenplay, Story |
| Franco Ferrara | Conductor |
| Nino Rota | Original Music Composer |
| Rocco Roy Mangano | Sound |
| Goffredo Bellisario | Camera Operator |
| Emimmo Salvi | Unit Manager |
| Pier Paolo Pasolini | Screenplay |
| Eligio Trani | Makeup Artist |
| Luigi De Laurentiis | Production Manager |
| Brunello Rondi | Writer |
| Name | Title |
|---|---|
| Dino De Laurentiis | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 24 | 11 |
| 2024 | 5 | 19 | 27 | 13 |
| 2024 | 6 | 18 | 34 | 10 |
| 2024 | 7 | 18 | 34 | 10 |
| 2024 | 8 | 15 | 33 | 9 |
| 2024 | 9 | 15 | 24 | 10 |
| 2024 | 10 | 16 | 36 | 8 |
| 2024 | 11 | 12 | 22 | 8 |
| 2024 | 12 | 15 | 27 | 8 |
| 2025 | 1 | 14 | 19 | 8 |
| 2025 | 2 | 11 | 17 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 3 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 1 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 303 | 504 |
This is a superb vehicle for a very much on-form Giulietta Masina in the title role. She is a lady of the night whom we see, right at the start, being shoved into the river by her robber boyfriend and left to drown. Rescued thanks to an alert local urchin and a few locals. she is shaken but largely ... undeterred! From now on, we follow her on her continuing escapades as she defiantly refuses to give up on love. She thinks she has lucked out with a champagne and caviar film actor, but is soon further disillusioned and it is only a chance encounter with the rather unassuming "D'Onofrio" (François Périer) who had admired her on stage one evening, that things might - just might - offer our wandering spirit that which her heart desires most. Fellini uses the still largely war-torn streets of Rome as an effective backdrop to this most human of stories, and the writing allows Miss Masina to deliver her quick-fire, frequently comical (and always unerringly optimistic) dialogue expertly. She is very much in her element as the story develops. There is an air of cynicism to the whole thing, but somehow her character manages to punch through it - and that's what made this entertaining for me. It could have been just a procedural and predictable drama, but it isn't. There are no certainties with the plot. Indeed, the only certainty is that she is never going to give up! The supporting cast deliver really effectively - either as characters with a direct bearing on her life ("Wanda" (Franca Marzi) for example) or as a means for the audience to recalibrate and come up for air for a moment or two. It's an emotional film, but not a sentimental one - and I really enjoyed it