Popularity: 1 (history)
Director: | Otto Preminger |
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Writer: | Joan Hemingway, Paul Bonnecarrere, Erik Lee Preminger |
Staring: |
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV stations. Undercover agent Martin is hired to hunt the terrorists down. | |
Release Date: | Mar 24, 1975 |
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Director: | Otto Preminger |
Writer: | Joan Hemingway, Paul Bonnecarrere, Erik Lee Preminger |
Genres: | Action, Thriller |
Keywords | mediterranean, yacht, palestinian-israeli conflict, terrorism |
Production Companies | United Artists, Oting SA |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
Name | Character |
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Peter O'Toole | Larry Martin |
Richard Attenborough | Edward Sloat |
Kim Cattrall | Joyce Donnovan |
Isabelle Huppert | Helene Nikolaos |
Brigitte Ariel | Sabine |
Cliff Gorman | Yafet Hemlekh |
Claude Dauphin | Charles-André Fargeau |
John V. Lindsay | Sen. Donnovan |
Peter Lawford | Lord Carter |
Raf Vallone | George Nikolaos |
Adrienne Corri | Lady Carter |
Amidou | Kirkbane |
Yosef Shiloach | Hacam |
Lalla Ward | Margaret |
Debra Berger | Gertrude |
Françoise Brion | Melina Nikolaos |
Klaus Löwitsch | Hans Schloss |
Erik Lee Preminger | Ken |
Name | Job |
---|---|
Laurent Petitgirard | Original Music Composer |
Otto Preminger | Director |
Joan Hemingway | Novel |
Denys N. Coop | Director of Photography |
Thom Noble | Editor |
Peter Thornton | Editor |
Simon Holland | Art Direction |
Robin Gregory | Sound Designer |
Don Sharpe | Sound Designer |
Paul Bonnecarrere | Novel |
Margot Capelier | Casting |
Michael Seymour | Production Design |
Paul Rabiger | Makeup Artist |
Terry Sharratt | Sound Designer |
Erik Lee Preminger | Screenplay |
Angela Martelli | Script Supervisor |
Cliff Richardson | Special Effects |
Keith Hamshere | Still Photographer |
John Richardson | Special Effects |
James Devis | Camera Operator |
Name | Title |
---|---|
Otto Preminger | Producer |
Bud Rosenthal | Producer |
Graham Cottle | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 8 | 19 | 2 |
2024 | 5 | 10 | 19 | 5 |
2024 | 6 | 8 | 17 | 4 |
2024 | 7 | 6 | 12 | 3 |
2024 | 8 | 7 | 16 | 4 |
2024 | 9 | 6 | 10 | 3 |
2024 | 10 | 5 | 13 | 3 |
2024 | 11 | 4 | 13 | 2 |
2024 | 12 | 5 | 14 | 2 |
2025 | 1 | 5 | 14 | 2 |
2025 | 2 | 3 | 5 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
A major critical and commercial flop for United Artists in 1975, Otto Preminger's ROSEBUD is fascinating in a 'What the hell happened here?' kind-of way. Theodore Gershuny documented the troubled production in his 1980 book, "Soon To Be A Major Motion Picture", which is an enlightening read. In shor ... t: An old school director/dictator ran head-first into Murphy's Law, resulting in a film where everything and everyone feels off. Relegated to the CBS Late Movie for its American television premiere and (as of April 2020) still unreleased stateside on any physical home video format, this ones main value comes from the realization that you're watching a once major director (and his A-list cast) firmly bottom out.
On paper, Otto Preminger has assembled quite a decent cast for this, but sadly neither he nor them can make much headway against some really dreadful writing. Peter O'Toole ("Martin") is drafted in to try to rescue five girls kidnapped from the yacht of arms-dealer "Fargeau" (Claude Dauphin) by a PL ... O cell under the leadership of zealous Brit "Sloat" (Richard Attenborough). The story lurches along with lots of clunky set-piece action scenarios and some terrorists about as menacing as yesterday's milk; the star is well off his game and the film looks as if nobody involved had ever made one before. Even the supporting cast - Raf Vallone, Peter Lawford and an almost unrecognisable Kim Catrall add nothing to the sloppily directed nonsense. At over two hours, it struggles from start to finish to engage - and I'm afraid really is not worth the effort of sitting watching it.