Menu
Nine to Five Poster

Nine to Five

Getting even is a full-time job.
1980 | 110m | English

(42320 votes)

TMDb IMDb

Popularity: 2 (history)

Details

Frank Hart is a pig. He takes advantage of the women who work with him in the grossest manner. When his three assistants manage to trap him in his own house, they assume control of his department, and productivity leaps, but just how long can they keep Hart tied up?
Release Date: Dec 18, 1980
Director: Colin Higgins
Writer: Colin Higgins, Patricia Resnick
Genres: Comedy
Keywords kidnapping, bad boss, tied up, working women, company reorganization
Production Companies 20th Century Fox, IPC Films
Box Office Revenue: $103,300,000
Budget: $10,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Jane Fonda Judy Bernly
Lily Tomlin Violet Newstead
Dolly Parton Doralee Rhodes
Dabney Coleman Franklin M. Hart Jr.
Sterling Hayden Russell Tinsworthy
Elizabeth Wilson Roz Keith
Henry Jones Mr. Hinkle
Lawrence Pressman Dick Bernly
Marian Mercer Missy Hart
Ren Woods Barbara
Norma Donaldson Betty
Roxanna Bonilla-Giannini Maria Delgado
Peggy Pope Margaret Foster
Richard Stahl Meade
Raymond Vitte Eddie Smith
Edward Marshall Bob Enright
Alan Haufrect Chuck Strell
Earl Boen Mr. Perkins
Jeffrey Douglas Thomas Dwayne Rhodes
Tom Tarpey Norman Lane
Michael Delano Motorcycle Cop
Barbara Chase Buffy
Helene Heigh Charlotte
Vicki Belmonte Phoebe Hotz
Jerrold Ziman Tom Wood
Eric Mansker Mailroom Clerk
Shirley Anthony Maxine
Michael Hehr Intern
Gary Bisig Medic
Brad David Medic (as Brad David Stockton)
Raymond O'Keefe Man in Hospital
Vanna Salviati Woman in Hospital
Elisabeth Fraser (uncredited)
Les Jankey Disabled Office Worker (uncredited)
Berniece Janssen Extra (uncredited)
Terrence E. McNally Policeman
Esther Sutherland Janitress
Peter Hobbs Doctor
Gavin Mooney Detective
David Price Josh Newstead
Name Job
Colin Higgins Screenplay, Director
Ann Roth Costume Design
Chuck Gaspar Special Effects
Jeff Wexler Production Sound Mixer
Reynaldo Villalobos Director of Photography
Mel Cooper Leadman
Richard Hashimoto Unit Production Manager
Anne D. McCulley Set Decoration
Gary Daigler Assistant Director
Dean Mitzner Production Design
M. James Arnett Stunt Coordinator
Nicholas Eliopoulos Supervising Sound Editor
Bob Wray Set Designer
Chris Soldo Second Assistant Director
Matt Sweeney Special Effects
Richard M. Rubin Property Master
Gregory Pickrell Set Designer
Marshall Schlom Script Supervisor
Jack G. Taylor Jr. Art Direction
Ralph Nelson Jr. Still Photographer
Terry Liebling Casting
Pembroke J. Herring Editor
Godfrey Marks Dialogue Editor
George Eckert Set Designer
Doug Pentek Gaffer
Gary Kalkin Unit Publicist
Shirlee Strahm Costume Supervisor
Ve Neill Makeup Artist
Dolly Parton Theme Song Performance
Charles Fox Original Music Composer
Patricia Resnick Screenplay, Story
Name Title
Bruce Gilbert Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 20 32 15
2024 5 21 30 13
2024 6 19 32 11
2024 7 21 38 10
2024 8 18 36 12
2024 9 17 27 11
2024 10 16 33 9
2024 11 13 24 8
2024 12 14 24 10
2025 1 14 29 10
2025 2 11 18 3
2025 3 6 27 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 2 5 1
2025 7 2 3 1
2025 8 2 2 1
2025 9 3 4 2
2025 10 2 4 1

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
7.0

I can't help but think that if some of the folks churning out the bad-ass "girl power" nonsense of the naughties were to look back at films like this; they might see a clear demonstration of what real girl power actually is... Jane Fonda, Lily Tomlin and Dolly Parton are three working women at vario ... us stages of the corporate food chain - presided over by their womanising , parasitic boss Dabney Coleman. Initially suspicious of each other, they unite over some of Tomlin's teenage son's weed and decide to take matters into their own hands. What follows is at times a laugh-out-loud comedy as they manipulate and reek revenge on their hapless, helpless boss. It could never be called subtle, but it does illustrate clearly that wits and guile are more than enough to achieve their aims without the need for long fight scenes; flashing their flesh and/or continuous bad language. The title song isn't bad, ether...

Jun 07, 2023