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Never Die Alone Poster

Never Die Alone

No King Rules Forever
2004 | 88m | English

(6310 votes)

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Popularity: 2 (history)

Details

A drug kingpin's return home touches off a turf war.
Release Date: Mar 26, 2004
Director: Ernest R. Dickerson
Writer: James Gibson, Donald Goines
Genres: Action, Drama, Crime
Keywords based on novel or book, gangster, crime boss, revenge, organized crime, gunfight, urban setting, racial slur, retribution, manhunt, street shootout
Production Companies Fox Searchlight Pictures, ContentFilm, Visionbox Pictures, White Orchid Films, Fearon Entertainment, Bloodline Films
Box Office Revenue: $5,923,000
Budget: $3,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Backdrops

International Posters

Full Credits

Name Character
DMX King David
David Arquette Paul
Michael Ealy Michael
Drew Sidora Ella
Antwon Tanner Blue
Luenell Jasper
Clifton Powell Moon
Tommy Lister Jr. Rockie
Aisha Tyler Nancy
Art Evans Mr. Waters
Damion Poitier Alvin
Michele Shay Juanita's Mother
Henry Gibson Funeral Home Director (uncredited)
Rhoda Jordan Brenda (uncredited)
Jennifer Sky Janet
Reagan Gomez-Preston Juanita
Robby Robinson Man in Apartment
Big Daddy Wayne Red
Eric Payne Orderly
Jeff Sanders Sentry Guard #1
Name Title
Alessandro Camon Producer
DMX Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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Reviews

Geronimo1967
6.0

Journalist "Paul" (David Arquette) rushes recently shot "King David" (DMX) to hospital. Unable to save this man he had previously never met, he does find himself in possession of his car - and contained therein are some audio tapes delivering a retrospective of the deceased man's life as a small tim ... e drug dealer. This story offers us nothing at all new, indeed the DMX character is pretty odious from the get-go - especially when he decides to get his independently minded girlfriend hooked on heroin because she won't move in with him. It is gritty; there is a distinct plausibility about the way he lived his life; thoughtless and selfish, ruthless and devious. In parallel, we also feature a storyline about "Michael" (a competent Michael Ealy) who is making sure he avenges the killing even though he is a much more decent individual. Plenty of musicians have tried to cross to cinema and most can't hack it. Despite a reasonable effort with some dialogue that is nowhere near as banal as I'd expected, DMX relies too much on his own persona and charisma - of which he has plenty - rather than trying to imbue anything into his character, about whom I really couldn't have cared less. His own narration is sometimes quite withy and observational, but despite the frequency realistic drug abuse scenes, this still all quite well paced, but completely forgettable stuff.

Apr 28, 2022