Popularity: 12 (history)
Director: | Alex Proyas |
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Writer: | Jeff Vintar, Isaac Asimov, Akiva Goldsman |
Staring: |
Name | Character |
---|---|
Will Smith | Del Spooner |
Alan Tudyk | Sonny (voice) |
Bridget Moynahan | Susan Calvin |
James Cromwell | Dr. Alfred Lanning |
Bruce Greenwood | Lawrence Robertson |
Shia LaBeouf | Farber |
Chi McBride | Lt. John Bergin |
Craig March | Detective |
Adrian Ricard | Granny |
Jerry Wasserman | Baldez |
Peter Shinkoda | Chin |
Terry Chen | Chin |
Fiona Hogan | V.I.K.I. (voice) |
David Haysom | NS4 & NS5 Robots (voice) |
Scott Heindl | NS4 & NS5 Robots (voice) |
Emily Tennant | Young Girl |
Sharon Wilkins | Woman |
Angela Moore | Wife |
Tiffany Lyndall-Knight | Mob Woman |
Roger Haskett | Mob Man |
Darren Moore | Homeless Man |
Aaron Douglas | USR Attorney #1 |
Michael St. John Smith | USR Attorney #2 |
Bobby Stewart | Girl's Dad |
Kyanna Cox | Girl |
Shayla Dyson | Laughing Girl |
Nicola Crosbie | TV Anchor Person |
Marrett Green | News Reporter |
Travis Webster | Guy with a Pie |
Simon Baker | Farber Posse |
Aaron Joseph | Farber Posse |
Ryan Zwick | Farber Posse |
Essra Vischon | Farber Posse |
Kenyan Lewis | Farber Posse |
Name | Job |
---|---|
Loyd Bateman | Stunts |
Scott J. Ateah | Stunt Coordinator, Second Unit Director |
Ed Anders | Stunts |
Joe Farrell | Compositing Lead |
Hanzhi Tang | VFX Lighting Artist |
Jeff Vintar | Screenplay, Screenstory |
Marco Beltrami | Original Music Composer |
Rikki Gagne | Stunts |
Buck Sanders | Additional Music |
Eric Fox Hays | Production Supervisor |
Erik Aadahl | Sound Designer |
Andrew R. Jones | Animation Supervisor |
Dawn Fintor | Foley Artist |
Christopher Gordon | Stunt Double |
Craig Berkey | Sound Designer |
Paul Massey | Sound Re-Recording Mixer |
Isaac Asimov | Novel |
Ron Blecker | Technical Advisor |
Doug Chapman | Stunts |
Marny Eng | Stunts |
Rick Pearce | Stunts |
Crystal Dalman | Stunts |
Monique Ganderton | Stunt Double |
Brett Armstrong | Stunts |
Owen Walstrom | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Carolyn Anderson | Stunts |
Clint Carleton | Stunts |
Lou Pecora | Digital Compositor |
Jeff Sanca | Stunts |
Glenn Boswell | Stunt Coordinator |
Steven McMichael | Stunts |
Anthony David Moyer | Stunts |
Phillip Mitchell | Stunts |
Sharon Simms | Stunts |
Joe Letteri | Visual Effects Supervisor |
Guy Williams | CG Supervisor |
Juel Bestrop | Casting |
Heike Brandstatter | Casting |
Coreen Mayrs | Casting |
Jeanne McCarthy | Casting |
Liz Keogh | Costume Design |
Michael Leung | Visual Effects |
Richard Learoyd | Editor |
Armen Minasian | Editor |
Helen Jarvis | Art Direction |
Chris August | Art Direction |
Lin MacDonald | Set Decoration |
Jaydene Maryk | Art Department Assistant |
Franziska Keller | Art Department Coordinator |
Kendelle Elliott | Assistant Art Director |
Howard Lau | Conceptual Design |
Thom Wells | Construction Coordinator |
Jim Birkel | Construction Foreman |
Janette Hyland | Lead Painter |
Eldon Coney | Leadman |
Mark Gamache | Location Scout |
Sheila Thomas | Painter |
Melanie Cassidy | Sculptor |
Michael Webb | Set Decoration Buyer |
Michael Elkan | Set Designer |
Doug Reid | Grip |
Ralph Mendoza | Helicopter Camera |
David Crone | Steadicam Operator |
Ava Gerlitz | Still Photographer |
Ian Seabrook | Underwater Camera |
Jana MacDonald | Assistant Costume Designer |
Angelina P. Cameron | Hair Department Head |
Pierce Austin | Hairstylist |
Katalin Lippay | Key Hair Stylist |
Leah Ehman | Makeup Artist |
Stan Edmonds | Makeup Department Head |
Bill Terezakis | Prosthetic Supervisor |
Summer Eves | Seamstress |
Tamaryn Lang | Set Costumer |
Tim Dagley | Set Dressing Artist |
Tor Baxter | Carpenter |
Greg Butler | CG Supervisor |
Bob Bedard | Chef |
Violet Barisoff | Craft Service |
John Andrew Berton Jr. | Digital Effects Supervisor |
Lawrence Albright | Driver |
Allison Beda | Loader |
Harlow MacFarlane | Makeup Effects |
Anet Hambarsumian | Post-Production Manager |
Patrick Esposito | Post Production Supervisor |
John B. Keys | Scenic Artist |
Terence Chase | Security |
Shane Cooper | Software Engineer |
Mike Vézina | Special Effects Coordinator |
Andre Blair | Stand In |
Bill Ryder | Systems Administrators & Support |
Jill Allanson | Telecine Colorist |
Robert Buxton | Transportation Captain |
Shawn Henter | Transportation Co-Captain |
Rob Vreugde | Transportation Coordinator |
Barbara Kelly | Unit Production Manager |
Toni Atterbury | Unit Publicist |
George Collins | Video Assist Operator |
Stephanie Kate Mitchell | Script Coordinator |
Shelley Crawford | Script Supervisor |
Jim Passon | Color Timer |
Phil Greig | Digital Intermediate |
Liza D. Espinas | First Assistant Editor |
Robert Hicks | Best Boy Electric |
Cliff Cenerini | Electrician |
John Adams | Gaffer |
Tohda Asuka | Lighting Artist |
Cam Esau | Lighting Technician |
Rod Feldmeier | Rigging Gaffer |
George Raymond Carter | Rigging Grip |
Blythe Cappello | Casting Associate |
Al Nolan-Cohn | Location Manager |
Maureen 'Mo' Crutchfield | Production Accountant |
Penny Rogers | Production Coordinator |
Mary Guilfoyle | Production Manager |
Jeff MacFarlane | Boom Operator |
Galen Goodpaster | First Assistant Sound Editor |
Stu Bernstein | Foley |
Alex Gibson | Music Editor |
Jay Wilkinson | Sound Effects Editor |
James Kusan | Sound Mixer |
John A. Larsen | Supervising Sound Editor |
Susie Kleis | 3D Supervisor |
Ted Andre | Digital Compositors |
Jerome Platteaux | Visual Development |
Neacol Booth | Visual Effects |
Charlene Eberle Douglas | Visual Effects Coordinator |
Sandra Almond | Visual Effects Producer |
Dale Fay | Visual Effects Supervisor |
Valy Lungoccia | Motion Capture Artist |
Bill Talbott | Score Engineer |
Lisa Spence | Digital Producer |
Matt Willoughby-Price | Sound |
Mark N. Tompkins | Painter |
Susan Dawes | Dialogue Editor |
Michael Haight | ADR Supervisor |
Dan Sissons | Property Master |
Tim Gomillion | Sound Recordist |
Dave Kulczycki | Dialogue Editor |
Peter Cox | Stunts |
Bailee Reid | Post Production Assistant |
Evan Allen | Production Assistant |
Sam Harris | Assistant Director |
Tamar Ouziel | Assistant Makeup Artist |
Janice Swayze | Costume Coordinator |
Michelle Baines | Costume Set Supervisor |
Cathy Darby | Costumer |
Tanya Howard | First Assistant Makeup Artist |
Savino Peragine | Tailor |
Andre Brouwer | Truck Costumer |
Paul Barry | Second Assistant Director |
Tracey Poirier | Second Second Assistant Director |
David R. Baron | Third Assistant Director |
Antonio Germinario | Assistant Property Master |
Milena Zdravkovic | Conceptual Illustrator |
G. Scott Stewart | Construction Buyer |
Michelle Hendriksen | First Assistant Property Master |
Sally Hudson | Graphic Designer |
Lee Campbell | Set Decorating Coordinator |
James Doh | Storyboard Artist |
Wilton Higgins | Swing |
Derek Casari | ADR Engineer |
Charleen Richards-Steeves | ADR Mixer |
Marc Hayes | ADR Recordist |
David Betancourt | Foley Mixer |
John Murray | Foley Supervisor |
Blake R. Cornett | Second Assistant Sound |
Greg Hewett | Sound Assistant |
Beck Carver | Special Effects Assistant |
Douglas W. Beard | Special Effects Technician |
G.G. Heitmann Demers | 2D Sequence Supervisor |
Tom Core | Visual Effects Production Assistant |
Ryan Stafford | Visual Effects Production Manager |
Claire Webb | Stunt Driver |
J. Norman Earle | Best Boy Grip |
Dave Ashcroft | Camera Trainee |
Scott Edelstein | Data Wrangler |
Daryl Hartwell | Dolly Grip |
Christopher Walsh | Libra Head Technician |
Sam Jones | Second Assistant Camera |
Clare Burgess | Animation Coordinator |
William Dwelly | Animation Technical Director |
Elisabeth Arko | Senior Animator |
James McKenzie Moore | Casting Assistant |
Billy DaMota | Casting Consultant |
Errin Lally | Casting Coordinator |
Neil Travis | Additional Editing |
Alexander Garcia | Assistant Editor |
Matt Villa | Associate Editor |
Skip Kimball | Digital Intermediate Colorist |
Gary Burritt | Negative Cutter |
Chris McClintock | Post Production Coordinator |
Jason Collier | Assistant Location Manager |
Dustin Bouchard | Location Production Assistant |
Michael Franck | Aerial Coordinator |
Dana Dubé | Animal Coordinator |
Colette Jost | Assistant Accountant |
Melanie Donohue | Assistant Chef |
Nicholas Boughen | CG Artist |
Jean Lapointe | Compositing Lead |
Sonja Burchard | Compositing Supervisor |
Dan Foster | Digital Effects Producer |
Kathy Edwards | First Assistant Accountant |
Danny McNair | First Assistant Production Coordinator |
Matt Bauer | General Manager |
Mick Gray | Generator Operator |
Jeff Swenty | Head of Production |
Gene Keigher | Key Rigging Grip |
Vincent Dela Luna | Key Set Production Assistant |
Jill Anderson | Payroll Accountant |
Darren Robertson | Playback Coordinator |
Lisa Turner | Pre-Visualization Coordinator |
Nazima Nagdee | Production Assistant |
Bruce Scott | Production Driver |
Michael Taylor | Production Executive |
Karam Khan | Researcher |
Anne Ritter | Rotoscoping Artist |
Spencer Hon Lui | Second Assistant Production Coordinator |
Larry Woodhouse | Security Coordinator |
Marc Marcum | Story Editor |
Jill Armstrong | Travel Coordinator |
Paul Taylor | First Assistant Camera |
John Nelson | Visual Effects Supervisor |
Wes Sargent | CG Artist |
Tom Brown | Music Arranger |
Alette Falle | Stunts |
David Mylrea | Stunts |
Ray Pichette | Stunts |
Ronald Robinson | Stunts |
Akiva Goldsman | Screenplay |
Simon Duggan | Director of Photography |
Patrick Tatopoulos | Creature Design, Production Design |
Erik Nash | Visual Effects Supervisor |
Jeff Beattie | VFX Editor |
Michael Melchiorre | Digital Compositor |
Alex Proyas | Director |
William Hoy | Editor |
Dan Lemmon | CG Supervisor |
Erik Winquist | Compositing Supervisor |
Randolph LeRoi | Stunt Double |
Jeffrey Ford | Additional Editor |
Paul Story | Senior Animator |
Paul Lambert | Digital Compositor |
Name | Title |
---|---|
John Davis | Producer |
Wyck Godfrey | Producer |
Topher Dow | Producer |
John Kilkenny | Associate Producer |
James Lassiter | Executive Producer |
Steven R. McGlothen | Co-Producer |
Anthony Romano | Executive Producer |
Michel Shane | Executive Producer |
Michael Lee Baron | Producer |
Will Smith | Executive Producer |
Laurence Mark | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 56 | 83 | 41 |
2024 | 5 | 58 | 98 | 43 |
2024 | 6 | 61 | 91 | 41 |
2024 | 7 | 75 | 95 | 49 |
2024 | 8 | 53 | 79 | 31 |
2024 | 9 | 55 | 84 | 32 |
2024 | 10 | 88 | 185 | 42 |
2024 | 11 | 68 | 110 | 51 |
2024 | 12 | 53 | 99 | 37 |
2025 | 1 | 53 | 79 | 40 |
2025 | 2 | 41 | 54 | 8 |
2025 | 3 | 13 | 46 | 3 |
2025 | 4 | 10 | 13 | 8 |
2025 | 5 | 9 | 11 | 8 |
2025 | 6 | 8 | 10 | 7 |
2025 | 7 | 8 | 8 | 7 |
2025 | 8 | 8 | 10 | 6 |
2025 | 9 | 12 | 12 | 11 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 724 | 809 |
Year | Month | High | Avg |
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2025 | 8 | 198 | 588 |
Year | Month | High | Avg |
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2025 | 7 | 168 | 592 |
Year | Month | High | Avg |
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2025 | 6 | 193 | 662 |
Year | Month | High | Avg |
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2025 | 5 | 218 | 665 |
Year | Month | High | Avg |
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2025 | 4 | 216 | 650 |
Year | Month | High | Avg |
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2025 | 3 | 143 | 644 |
Year | Month | High | Avg |
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2025 | 2 | 209 | 615 |
Year | Month | High | Avg |
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2025 | 1 | 230 | 708 |
Year | Month | High | Avg |
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2024 | 12 | 71 | 704 |
Year | Month | High | Avg |
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2024 | 11 | 365 | 671 |
Year | Month | High | Avg |
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2024 | 10 | 247 | 547 |
Year | Month | High | Avg |
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2024 | 9 | 374 | 673 |
Year | Month | High | Avg |
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2024 | 8 | 381 | 630 |
I, Robot (2004), holding it's own in the genre pantheon? I, Robot has a fan base that I'm glad to say has kept this film from drifting down into the depths of bad blockbuster sci-fi ratingville. I remember upon the film's release how so many people were wary of if Will Smith could carry the film? ... The concerns from Isaac Asimov's fans about a sacrilegious take on his legacy etc etc. Truth is is that I, Robot is an amalgamation of sci-fi ideas, from the suggestion of Asimov to the novel of the same name from Eando Binder, it's a mix that ultimately gives us a cop versus sci-fi conspiracy picture, that is sure as hell entertaining if taken on popcorn terms. Having just watched this again for the first time in a year or so, I found that it still hits the mark to me as a real tidy genre piece with a solid heart beat to keep it thought provoking. A futuristic mystery is smartly realised by Alex Proyas' directing in the manner befitting the subject, and of course Will Smith handles the entertaining action lead role with much ease. However, the main triumph (outside of the story) is Alan Tudyk as our computer generated protagonist Sonny, the voice and humanist movements are brilliantly brought to life by him and it's a real pleasure to observe. Great visuals (Oscar nominated), top story, kinetic action, better than average acting (though Bridget Moynahan struggles to convince as a boffin at times), and we get a perfect nights entertainment for someone looking for a rental that safely delivers what it says on the robotic shaped tin. 7.5/10
Will Smith does paranoid and grumpy, and he does it very well. But then he does pretty much every role he plays very well. A vision of the future we're all expecting to happen, and the only nice people are robots. ...
Will Smith is a cop who detests artificial intelligence with a vengeance; despite the fact that he has a substantial part of his body made up of enhanced prosthetics after a car accident. When an executive from the world's largest robot production company commits suicide, he has to investigate and s ... oon discovers a plot to take subjugate humanity. "I Robot" is a clever exposé on how AI could take over the world; largely by capitalising on the indifference of people, our obsession with convenience and reliance on technology. Smith and Bridget Moynahan - and Alan Tudyk as "Sonny" a rogue robot designed to reveal the plot - turn in good fun performances as we try to stop the robot revolution. It's quite a well written, stylishly presented and pacily directed couple of hours.
"I, Robot" from 2004 delivers a solid action sci-fi experience. Visually, it's a standout for its time, with a great depiction of futuristic Chicago and well-designed robots. Alex Proyas's directing creates a cool, dark vibe, which fits the central "are the robots turning on us?" concept. Will Smith ... is entertaining, though his character's robot-hating trait is a bit over the top. The script has some shaky moments and plot holes, and it feels like they could have explored Asimov's laws more effectively. However, the action sequences are fun, and the pacing keeps you engaged. For me, the sound design and score added to the experience, especially in the intense robot action scenes. It's a good popcorn movie, aiming to entertain, and it succeeds at that. Sure, it has flaws, and it's not a perfect adaptation of Asimov's stories, but if you want a fun action movie with cool visuals, it's worth a watch. It's the kind of movie you can put on and enjoy without overthinking.