Menu
Open Range Poster

Open Range

No place to run. No reason to hide.
2003 | 139m | English

(82258 votes)

TMDb IMDb

Popularity: 2 (history)

Details

A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Release Date: Aug 11, 2003
Director: Kevin Costner
Writer: Lauran Paine, Craig Storper
Genres: Action, Drama, Romance, Western
Keywords gunslinger, montana, horse, beef, ranger, revenge, shootout, doctor, cattle, thunderstorm, cowboy, crooked sheriff, civil war veteran, 19th century, land baron, vengeance, lawman, violence
Production Companies Tig Productions, Touchstone Pictures, Beacon Pictures, Cobalt Media Group
Box Office Revenue: $68,296,293
Budget: $22,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Kevin Costner Charley Waite
Robert Duvall Boss Spearman
Michael Gambon Denton Baxter
Michael Jeter Percy
Diego Luna Button
James Russo Sheriff Poole
Abraham Benrubi Mose
Kim Coates Butler
Annette Bening Sue Barlow
Dean McDermott Doc Barlow
Herb Kohler Café Man
Peter MacNeill Mack
Cliff Saunders Ralph
Patricia Stutz Ralph's Wife
Julian Richings Wylie
Ian Tracey Tom
Rod Wilson Gus
Diego Diablo Del Mar Ballester
Patricia Benedict Café Woman
Tim Koetting Bartender Bill
Tom Carey Ray
Kurtis Sanheim Cory
Billy Morton Junior
Alex Zahara Chet
Chad Camilleri Ace
Greg Schlosser Pete
Guy Bews Roy
Lorette Clow Mack's Wife
Alexis Cerkiewicz Mack's Daughter
Name Job
Michael Kamen Original Music Composer, Orchestrator, Conductor
Mindy Marin Casting
Jackie Lind Casting
Michael Winder Carpenter
Kevin Costner Director
Kimberley Zaharko Art Department Assistant
Guy Bews Stunt Coordinator
Chad Camilleri Stunts
Norman Howell Stunt Coordinator
Shawn C. Orr Stunts
Tom Boyd Musician
Robert Elhai Orchestrator
Matthias Gohl Music Producer, Orchestrator
Ilan Eshkeri Orchestrator
J. Michael Muro Director of Photography
Lauran Paine Novel
Miklos Wright Editor
Michael J. Duthie Editor
Ramiro Belgardt Music Editor
Heike Brandstatter Casting
Coreen Mayrs Casting
John Bloomfield Costume Design
Craig Storper Writer
Gae S. Buckley Production Design
Mary-Lou Storey Set Decoration
Gary Myers Art Direction
Cristina Weigmann Script Supervisor
Brenda Boutet Assistant Hairstylist
Cathy Olshaski Assistant Hairstylist
Pearl Louie Key Makeup Artist
Elle Elliott Hairstylist, Hair Designer
Tania El Zahr Assistant Makeup Artist
Jon C. White Key Hair Stylist
Aristidi Georgiopoulos Additional First Assistant Camera
Harald Ortenburger Camera Operator
Gordon Schmidt Grip
Richard Long Assistant Editor
Christine Thomson Costumer
Mike Friesen Special Effects Assistant
Barry Cameron Special Effects Technician
Ron Darby Construction Buyer
Laura Cuthill Set Decoration Buyer
Carey Toner "B" Camera Operator, Steadicam Operator
Marc Lord Special Effects Assistant
Tracey Baryski Assistant Art Director
Scott Storm Grip
Paul Brebner Second Assistant Camera
Chris Large Still Photographer
Barbara Gordon Costumer
Scott Cameron Special Effects Assistant
David Vernerey Rigging Gaffer
David Orr Color Timer
Jon Doyle Digital Compositor
Carolynn Brocke Additional Second Assistant Camera
Rocco Larizza Special Effects Technician
Bob Trevino Pyrotechnician
Colleen Bryant Tailor
Gerry Martins Special Effects Technician
Sloane U'Ren Set Designer
Francisco X. Pérez Makeup Designer
Michael Hentges Painter
Tom Lamb Digital Compositor
Martin Keough Gaffer
Robert Sheridan Special Effects Technician
Lizzie McGovern Assistant Costume Designer
Warren Langford First Assistant Editor
Mo Henry Negative Cutter
Tim Ranson Costumer
Tara Charran Wardrobe Coordinator
David Fogg Digital Compositor
Dean Goodine Property Master
Darek Wyszynski First Assistant Camera
Rick D. Schmidt Key Grip
Michael Maloney Digital Compositor
Petra Holtorf Visual Effects Producer
Alan Love Special Effects Assistant
Alfred A. Arndt Construction Coordinator
Mykel Thuncher Color Timer
Allan Cotter Pyrotechnician
Steve Wood Special Effects Assistant
Tim Milligan Dolly Grip
John Buckley Gaffer
Shelley Bakus First Assistant Editor
Louise Mackiewicz Extras Casting
Steve Wright Digital Compositor
David J. Negrón Jr. Second Unit Director, Visual Effects Supervisor, Storyboard Artist
David Neil Trifunovich Special Effects Supervisor
George Griffiths Standby Painter
Tom Johnson Paint Coordinator
Michelle Butler Digital Compositor
Alan Geoffrion Actor's Assistant, Assistant Director Trainee
Karla Pospisil Makeup Artist
Omar Roessler Makeup Artist
Stacey Butterworth Wigmaker
Christy Dimmig Post Production Supervisor
Brian Leslie Parker Unit Production Manager
L. David Silva First Assistant Director
Darren Robson Third Assistant Director
Kathy Ringer Third Assistant Director
Brad Moerke Second Assistant Director
Devin Hillier Third Assistant Director
Cheryl Allsen Greensman
Rick Barrett Carpenter
Deborah Day Greensman
Floris Dewit Carpenter
Kieran Gelfand Leadman
Celine Godberson Assistant Property Master
Ted Haigh Graphic Designer
Octavia Holden Carpenter
Loyola Lewis Standby Painter
Robert Littlechild Carpenter
Johan McCroy Carpenter
Aaron McCullough Scenic Artist
Erin Olinger Art Department Trainee
Travis Ontkean Carpenter
Troy Pohl Carpenter
Dana Rainer Greensman
Christopher J.A. Smith On Set Dresser
Peter Topp Greensman
Rob Welter Carpenter
Geordin Zee Carpenter
James Bailey Foley Artist
Steve Bartkowicz Sound Re-Recording Mixer
Stu Bernstein Sound Editor
Barney Cabral Supervising Sound Editor
Claudia Carle ADR Recordist
Matt Colleran Sound Re-Recording Mixer
Patrick Cyccone Jr. Sound Re-Recording Mixer
James Doyle Sound Mix Technician
Rickley W. Dumm First Assistant Sound Editor, Sound Effects Editor
Richard Dwan Jr. Sound Editor
Glen Gauthier Production Sound Mixer
Peter Gleaves ADR Mixer
Nick Neutra Foley Mixer
Perry Robertson Supervising Sound Editor
Scott Sanders Sound Editor, Sound Designer
Adam Sharpe ADR Mixer
Frederick H. Stahly Sound Editor
Trent Stewart Boom Operator
Steve Switzer Boom Operator
Kevin Zimmerman Assistant Sound Editor
Maurice Routly Special Effects Manager
Jim McGillivary Special Effects Coordinator
Jim McFall Special Effects Best Boy
Elika Burns Rotoscoping Artist
Sarah Coatts Visual Effects Producer
Robert Cribbett Compositing Lead
Cameron MacDonald VFX Director of Photography, Additional Photography
Steve Miller Visual Effects Assistant Editor
Sheila Molnar Rotoscoping Artist
Danny Albano VFX Artist
Dave Badgerow Stunts
Dwight Beard Stunts
Don Bland Stunts
Jim Finkbeiner Stunts
Don Gillespie Stunts
Ben Louis Stunts
J.R. Reding Stunts
Gary Robert Utility Stunts
Mark Stewart Stunts
Dwayne Wiley Stunts
Dominic Bartolone Camera Production Assistant
Lee Blasingame First Assistant "A" Camera
Mark Cohen "B" Camera Operator, Assistant Camera
Douglas Craik "B" Camera Operator
Junichi Hosoi "B" Camera Operator
Sacha Fassaert First Assistant "C" Camera
Alex Martinez Assistant Camera
Chris Speers Best Boy Grip
Heather Moore Truck Costumer
Tracey Wadmore-Smith Associate Editor
Judith Babcock Post Production Coordinator
Mike Sowa Colorist
Grant Wilkinson Post Production Assistant
Brian Dunne Assistant Location Manager
Peter Horn Location Manager
Angelique Silberman Location Coordinator
Peter Boyer Orchestrator
Rupert Christie Orchestrator
Michael Nomad Ripoll Musician
Tom Villano Music Editor
Jake Walker Musician
Brad Warnaar Orchestrator
Jeremy Rubolino Orchestrator
Jasa Abreo Producer's Assistant
Peter Bews Animal Wrangler
John Gaskin Production Accountant
Jan Gillan First Assistant Accountant
Matthew Kershaw Production Assistant
Karen MacDonald Animal Wrangler
Leslie Maynes Payroll Accountant
Lee Anne Muldoon Unit Publicist
Jason Nolan Production Assistant
Paige Palmer Production Coordinator
Eera Sherrington Assistant Production Coordinator
Joshua Spencer Visual Effects Production Assistant
David M. Taylor Second Assistant Accountant
Mark Thomason Stand In
Marla Touw Trainee Production Coordinator
Cathy Vayda Animal Wrangler
Rita Wong Accounting Trainee
Jay Johnson Title Designer
Joanne Jacobsen Assistant Makeup Artist
Julie Hewett Makeup Artist
Marc Wielage Digital Intermediate Colorist
Barbara Harris ADR Voice Casting
Michael Keller Sound Re-Recording Mixer
Stephen McLaughlin Music Producer, Scoring Mixer
Blake Neely Orchestrator
Name Title
David Valdes Producer
Kevin Costner Producer
Jake Eberts Producer
Armyan Bernstein Executive Producer
Craig Storper Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 30 47 21
2024 5 29 44 22
2024 6 24 37 15
2024 7 33 62 21
2024 8 27 59 14
2024 9 18 31 11
2024 10 23 45 10
2024 11 17 33 11
2024 12 17 42 10
2025 1 20 39 12
2025 2 14 20 3
2025 3 6 18 1
2025 4 3 8 1
2025 5 3 7 1
2025 6 2 5 1
2025 7 2 4 1
2025 8 2 3 1
2025 9 2 3 2
2025 10 2 2 2

Trending Position


Year Month High Avg
2025 9 912 912
Year Month High Avg
2025 8 370 667
Year Month High Avg
2025 7 593 703
Year Month High Avg
2025 5 984 984
Year Month High Avg
2025 4 530 785
Year Month High Avg
2025 2 886 936

Return to Top

Reviews

John Chard
10.0

I ain't going to meet my maker without knowing your real name. It's purely my own opinion of course, but Open Range is a modern day genre classic that stands up to repeat viewings. It's not a flawless Western the Western historians will tell you, and some will pick out the hats or the impact of a ... rifle to mark the film down, but really we should be embracing a genre piece in the modern age that is clearly being directed with love and respect by the director. It's story is of course a simply structured tale of the underdog rising up against the fat cats who want it all in the name of tyranny. But on its side is the fact that its characters are so interestingly engaging. Within a short time frame I feel that Kevin Costner manages to put us in the saddle with the main protagonists, we understand these guys without actually knowing them, and that is quite an achievement I feel. The film does flesh them out to enhance the film without boring the pants off the viewer, and it's only come the final reel that you realise you have been engaged in a very human and honest Western film. Most of the cast do great here, both Robert Duvall & Kevin Costner bounce of each other with moody and world wise aplomb as the two main leads, while in the sole female role of note, Annette Bening is gusto beautiful personified. Sadly it's hard for me to write that Michael Gambon as the villain of the piece is not only underused, but also something of a let down. Such an accomplished actor should know better than to overdo it in the context of this particular story. Yes we get the need for villainy, but gurning and frothing doesn't quite make the grade here. It's a little surprising that director Costner didn't utilise Gambon more wisely. Still, I say the film is a wondrous experience because it is, a film to have you cheering and booing in equal measure, and in the main the work on it is top dollar. Some of the shots are gorgeous, the framing that Costner uses in close ups is excellent, and the final reel shoot out ranks as one of the best in Western genre history. So all in all it's a modern day genre piece that actually sits nicely with the best from the golden era. 9/10

May 16, 2024
John Chard
10.0

I ain't going to meet my maker without knowing your real name. It's purely my own opinion of course, but Open Range is a modern day genre classic that stands up to repeat viewings. It's not a flawless Western the Western historians will tell you, and some will pick out the hats or the impact of a ... rifle to mark the film down, but really we should be embracing a genre piece in the modern age that is clearly being directed with love and respect by the director. It's story is of course a simply structured tale of the underdog rising up against the fat cats who want it all in the name of tyranny. But on its side is the fact that its characters are so interestingly engaging. Within a short time frame I feel that Kevin Costner manages to put us in the saddle with the main protagonists, we understand these guys without actually knowing them, and that is quite an achievement I feel. The film does flesh them out to enhance the film without boring the pants off the viewer, and it's only come the final reel that you realise you have been engaged in a very human and honest Western film. Most of the cast do great here, both Robert Duvall & Kevin Costner bounce of each other with moody and world wise aplomb as the two main leads, while in the sole female role of note, Annette Bening is gusto beautiful personified. Sadly it's hard for me to write that Michael Gambon as the villain of the piece is not only underused, but also something of a let down. Such an accomplished actor should know better than to overdo it in the context of this particular story. Yes we get the need for villainy, but gurning and frothing doesn't quite make the grade here. It's a little surprising that director Costner didn't utilise Gambon more wisely. Still, I say the film is a wondrous experience because it is, a film to have you cheering and booing in equal measure, and in the main the work on it is top dollar. Some of the shots are gorgeous, the framing that Costner uses in close ups is excellent, and the final reel shoot-out ranks as one of the best in Western genre history. So all in all it's a modern day genre piece that actually sits nicely with the best from the golden era. 9/10

May 16, 2024
Wuchak
8.0

**_Now THIS is a Western_** Four cowboys & their cattle are traveling through the Hammondville, Montana, region in 1882 when they discover that the leaders of the town don’t like free grazers. It escalates into a life or death situation. Robert Duvall and Kevin Costner play the two main cowboys w ... hile Annette Bening appears as a doctor and Michael Gambon a land baron. “Open Range” (2003) automatically brings to mind “Dances With Wolves” (1990) because they’re the only two Westerns Costner has both starred in and directed. While not quite as good, this one is still a great modern Western and nigh epic. The theme revolves around how noble Westerners like the protagonists don't seek violence, but it's sometimes necessary to make a stand for justice, even if the local law is bought and corrupt. I like the way the movie confidently takes its time and fleshes out the characters with insightful bits here and there. It feels like the way it was in the Old West and the characters speak the way you know they spoke back then. The mood is increasingly tense, but most of the action is saved for the last act when everything explodes, reminiscent of the real-life gunfight at the O.K. Corral, just longer. As such, viewers who need quick-editing and constant thrills to be entertained will likely find it boring. Mature-minded viewers, however, will appreciate the realism and the slowly developed characters, as well as the well-done romance angle. The big rancher is pompous because his arrogance has built up over the course of decades and he thinks he owns the town. But does he? In his own mind he’s King Sheet because he’s gotten away with injustice due to his power and influence. But what happens when noble citizens say “Enough”? While “Open Range” deals with dark, challenging things, it has a warm, redeemable heart, unlike “Unforgiven” (1992), which wallows in ugliness (although it’s still a worthy Western, as long as you can stomach the ugliness). The film runs 2 hours, 19 minutes, and was shot at Stoney Indian Reserve in Alberta, Canada. GRADE: A-

Jun 23, 2021