Popularity: 2 (history)
Director: | Kevin Costner |
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Writer: | Lauran Paine, Craig Storper |
Staring: |
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman. | |
Release Date: | Aug 11, 2003 |
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Director: | Kevin Costner |
Writer: | Lauran Paine, Craig Storper |
Genres: | Action, Drama, Romance, Western |
Keywords | gunslinger, montana, horse, beef, ranger, revenge, shootout, doctor, cattle, thunderstorm, cowboy, crooked sheriff, civil war veteran, 19th century, land baron, vengeance, lawman, violence |
Production Companies | Tig Productions, Touchstone Pictures, Beacon Pictures, Cobalt Media Group |
Box Office |
Revenue: $68,296,293
Budget: $22,000,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Kevin Costner | Charley Waite |
Robert Duvall | Boss Spearman |
Michael Gambon | Denton Baxter |
Michael Jeter | Percy |
Diego Luna | Button |
James Russo | Sheriff Poole |
Abraham Benrubi | Mose |
Kim Coates | Butler |
Annette Bening | Sue Barlow |
Dean McDermott | Doc Barlow |
Herb Kohler | Café Man |
Peter MacNeill | Mack |
Cliff Saunders | Ralph |
Patricia Stutz | Ralph's Wife |
Julian Richings | Wylie |
Ian Tracey | Tom |
Rod Wilson | Gus |
Diego Diablo Del Mar | Ballester |
Patricia Benedict | Café Woman |
Tim Koetting | Bartender Bill |
Tom Carey | Ray |
Kurtis Sanheim | Cory |
Billy Morton | Junior |
Alex Zahara | Chet |
Chad Camilleri | Ace |
Greg Schlosser | Pete |
Guy Bews | Roy |
Lorette Clow | Mack's Wife |
Alexis Cerkiewicz | Mack's Daughter |
Name | Job |
---|---|
Michael Kamen | Original Music Composer, Orchestrator, Conductor |
Mindy Marin | Casting |
Jackie Lind | Casting |
Michael Winder | Carpenter |
Kevin Costner | Director |
Kimberley Zaharko | Art Department Assistant |
Guy Bews | Stunt Coordinator |
Chad Camilleri | Stunts |
Norman Howell | Stunt Coordinator |
Shawn C. Orr | Stunts |
Tom Boyd | Musician |
Robert Elhai | Orchestrator |
Matthias Gohl | Music Producer, Orchestrator |
Ilan Eshkeri | Orchestrator |
J. Michael Muro | Director of Photography |
Lauran Paine | Novel |
Miklos Wright | Editor |
Michael J. Duthie | Editor |
Ramiro Belgardt | Music Editor |
Heike Brandstatter | Casting |
Coreen Mayrs | Casting |
John Bloomfield | Costume Design |
Craig Storper | Writer |
Gae S. Buckley | Production Design |
Mary-Lou Storey | Set Decoration |
Gary Myers | Art Direction |
Cristina Weigmann | Script Supervisor |
Brenda Boutet | Assistant Hairstylist |
Cathy Olshaski | Assistant Hairstylist |
Pearl Louie | Key Makeup Artist |
Elle Elliott | Hairstylist, Hair Designer |
Tania El Zahr | Assistant Makeup Artist |
Jon C. White | Key Hair Stylist |
Aristidi Georgiopoulos | Additional First Assistant Camera |
Harald Ortenburger | Camera Operator |
Gordon Schmidt | Grip |
Richard Long | Assistant Editor |
Christine Thomson | Costumer |
Mike Friesen | Special Effects Assistant |
Barry Cameron | Special Effects Technician |
Ron Darby | Construction Buyer |
Laura Cuthill | Set Decoration Buyer |
Carey Toner | "B" Camera Operator, Steadicam Operator |
Marc Lord | Special Effects Assistant |
Tracey Baryski | Assistant Art Director |
Scott Storm | Grip |
Paul Brebner | Second Assistant Camera |
Chris Large | Still Photographer |
Barbara Gordon | Costumer |
Scott Cameron | Special Effects Assistant |
David Vernerey | Rigging Gaffer |
David Orr | Color Timer |
Jon Doyle | Digital Compositor |
Carolynn Brocke | Additional Second Assistant Camera |
Rocco Larizza | Special Effects Technician |
Bob Trevino | Pyrotechnician |
Colleen Bryant | Tailor |
Gerry Martins | Special Effects Technician |
Sloane U'Ren | Set Designer |
Francisco X. Pérez | Makeup Designer |
Michael Hentges | Painter |
Tom Lamb | Digital Compositor |
Martin Keough | Gaffer |
Robert Sheridan | Special Effects Technician |
Lizzie McGovern | Assistant Costume Designer |
Warren Langford | First Assistant Editor |
Mo Henry | Negative Cutter |
Tim Ranson | Costumer |
Tara Charran | Wardrobe Coordinator |
David Fogg | Digital Compositor |
Dean Goodine | Property Master |
Darek Wyszynski | First Assistant Camera |
Rick D. Schmidt | Key Grip |
Michael Maloney | Digital Compositor |
Petra Holtorf | Visual Effects Producer |
Alan Love | Special Effects Assistant |
Alfred A. Arndt | Construction Coordinator |
Mykel Thuncher | Color Timer |
Allan Cotter | Pyrotechnician |
Steve Wood | Special Effects Assistant |
Tim Milligan | Dolly Grip |
John Buckley | Gaffer |
Shelley Bakus | First Assistant Editor |
Louise Mackiewicz | Extras Casting |
Steve Wright | Digital Compositor |
David J. Negrón Jr. | Second Unit Director, Visual Effects Supervisor, Storyboard Artist |
David Neil Trifunovich | Special Effects Supervisor |
George Griffiths | Standby Painter |
Tom Johnson | Paint Coordinator |
Michelle Butler | Digital Compositor |
Alan Geoffrion | Actor's Assistant, Assistant Director Trainee |
Karla Pospisil | Makeup Artist |
Omar Roessler | Makeup Artist |
Stacey Butterworth | Wigmaker |
Christy Dimmig | Post Production Supervisor |
Brian Leslie Parker | Unit Production Manager |
L. David Silva | First Assistant Director |
Darren Robson | Third Assistant Director |
Kathy Ringer | Third Assistant Director |
Brad Moerke | Second Assistant Director |
Devin Hillier | Third Assistant Director |
Cheryl Allsen | Greensman |
Rick Barrett | Carpenter |
Deborah Day | Greensman |
Floris Dewit | Carpenter |
Kieran Gelfand | Leadman |
Celine Godberson | Assistant Property Master |
Ted Haigh | Graphic Designer |
Octavia Holden | Carpenter |
Loyola Lewis | Standby Painter |
Robert Littlechild | Carpenter |
Johan McCroy | Carpenter |
Aaron McCullough | Scenic Artist |
Erin Olinger | Art Department Trainee |
Travis Ontkean | Carpenter |
Troy Pohl | Carpenter |
Dana Rainer | Greensman |
Christopher J.A. Smith | On Set Dresser |
Peter Topp | Greensman |
Rob Welter | Carpenter |
Geordin Zee | Carpenter |
James Bailey | Foley Artist |
Steve Bartkowicz | Sound Re-Recording Mixer |
Stu Bernstein | Sound Editor |
Barney Cabral | Supervising Sound Editor |
Claudia Carle | ADR Recordist |
Matt Colleran | Sound Re-Recording Mixer |
Patrick Cyccone Jr. | Sound Re-Recording Mixer |
James Doyle | Sound Mix Technician |
Rickley W. Dumm | First Assistant Sound Editor, Sound Effects Editor |
Richard Dwan Jr. | Sound Editor |
Glen Gauthier | Production Sound Mixer |
Peter Gleaves | ADR Mixer |
Nick Neutra | Foley Mixer |
Perry Robertson | Supervising Sound Editor |
Scott Sanders | Sound Editor, Sound Designer |
Adam Sharpe | ADR Mixer |
Frederick H. Stahly | Sound Editor |
Trent Stewart | Boom Operator |
Steve Switzer | Boom Operator |
Kevin Zimmerman | Assistant Sound Editor |
Maurice Routly | Special Effects Manager |
Jim McGillivary | Special Effects Coordinator |
Jim McFall | Special Effects Best Boy |
Elika Burns | Rotoscoping Artist |
Sarah Coatts | Visual Effects Producer |
Robert Cribbett | Compositing Lead |
Cameron MacDonald | VFX Director of Photography, Additional Photography |
Steve Miller | Visual Effects Assistant Editor |
Sheila Molnar | Rotoscoping Artist |
Danny Albano | VFX Artist |
Dave Badgerow | Stunts |
Dwight Beard | Stunts |
Don Bland | Stunts |
Jim Finkbeiner | Stunts |
Don Gillespie | Stunts |
Ben Louis | Stunts |
J.R. Reding | Stunts |
Gary Robert | Utility Stunts |
Mark Stewart | Stunts |
Dwayne Wiley | Stunts |
Dominic Bartolone | Camera Production Assistant |
Lee Blasingame | First Assistant "A" Camera |
Mark Cohen | "B" Camera Operator, Assistant Camera |
Douglas Craik | "B" Camera Operator |
Junichi Hosoi | "B" Camera Operator |
Sacha Fassaert | First Assistant "C" Camera |
Alex Martinez | Assistant Camera |
Chris Speers | Best Boy Grip |
Heather Moore | Truck Costumer |
Tracey Wadmore-Smith | Associate Editor |
Judith Babcock | Post Production Coordinator |
Mike Sowa | Colorist |
Grant Wilkinson | Post Production Assistant |
Brian Dunne | Assistant Location Manager |
Peter Horn | Location Manager |
Angelique Silberman | Location Coordinator |
Peter Boyer | Orchestrator |
Rupert Christie | Orchestrator |
Michael Nomad Ripoll | Musician |
Tom Villano | Music Editor |
Jake Walker | Musician |
Brad Warnaar | Orchestrator |
Jeremy Rubolino | Orchestrator |
Jasa Abreo | Producer's Assistant |
Peter Bews | Animal Wrangler |
John Gaskin | Production Accountant |
Jan Gillan | First Assistant Accountant |
Matthew Kershaw | Production Assistant |
Karen MacDonald | Animal Wrangler |
Leslie Maynes | Payroll Accountant |
Lee Anne Muldoon | Unit Publicist |
Jason Nolan | Production Assistant |
Paige Palmer | Production Coordinator |
Eera Sherrington | Assistant Production Coordinator |
Joshua Spencer | Visual Effects Production Assistant |
David M. Taylor | Second Assistant Accountant |
Mark Thomason | Stand In |
Marla Touw | Trainee Production Coordinator |
Cathy Vayda | Animal Wrangler |
Rita Wong | Accounting Trainee |
Jay Johnson | Title Designer |
Joanne Jacobsen | Assistant Makeup Artist |
Julie Hewett | Makeup Artist |
Marc Wielage | Digital Intermediate Colorist |
Barbara Harris | ADR Voice Casting |
Michael Keller | Sound Re-Recording Mixer |
Stephen McLaughlin | Music Producer, Scoring Mixer |
Blake Neely | Orchestrator |
Name | Title |
---|---|
David Valdes | Producer |
Kevin Costner | Producer |
Jake Eberts | Producer |
Armyan Bernstein | Executive Producer |
Craig Storper | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 47 | 21 |
2024 | 5 | 29 | 44 | 22 |
2024 | 6 | 24 | 37 | 15 |
2024 | 7 | 33 | 62 | 21 |
2024 | 8 | 27 | 59 | 14 |
2024 | 9 | 18 | 31 | 11 |
2024 | 10 | 23 | 45 | 10 |
2024 | 11 | 17 | 33 | 11 |
2024 | 12 | 17 | 42 | 10 |
2025 | 1 | 20 | 39 | 12 |
2025 | 2 | 14 | 20 | 3 |
2025 | 3 | 6 | 18 | 1 |
2025 | 4 | 3 | 8 | 1 |
2025 | 5 | 3 | 7 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 2 | 4 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 912 | 912 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 370 | 667 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 593 | 703 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 984 | 984 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 530 | 785 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 886 | 936 |
I ain't going to meet my maker without knowing your real name. It's purely my own opinion of course, but Open Range is a modern day genre classic that stands up to repeat viewings. It's not a flawless Western the Western historians will tell you, and some will pick out the hats or the impact of a ... rifle to mark the film down, but really we should be embracing a genre piece in the modern age that is clearly being directed with love and respect by the director. It's story is of course a simply structured tale of the underdog rising up against the fat cats who want it all in the name of tyranny. But on its side is the fact that its characters are so interestingly engaging. Within a short time frame I feel that Kevin Costner manages to put us in the saddle with the main protagonists, we understand these guys without actually knowing them, and that is quite an achievement I feel. The film does flesh them out to enhance the film without boring the pants off the viewer, and it's only come the final reel that you realise you have been engaged in a very human and honest Western film. Most of the cast do great here, both Robert Duvall & Kevin Costner bounce of each other with moody and world wise aplomb as the two main leads, while in the sole female role of note, Annette Bening is gusto beautiful personified. Sadly it's hard for me to write that Michael Gambon as the villain of the piece is not only underused, but also something of a let down. Such an accomplished actor should know better than to overdo it in the context of this particular story. Yes we get the need for villainy, but gurning and frothing doesn't quite make the grade here. It's a little surprising that director Costner didn't utilise Gambon more wisely. Still, I say the film is a wondrous experience because it is, a film to have you cheering and booing in equal measure, and in the main the work on it is top dollar. Some of the shots are gorgeous, the framing that Costner uses in close ups is excellent, and the final reel shoot out ranks as one of the best in Western genre history. So all in all it's a modern day genre piece that actually sits nicely with the best from the golden era. 9/10
I ain't going to meet my maker without knowing your real name. It's purely my own opinion of course, but Open Range is a modern day genre classic that stands up to repeat viewings. It's not a flawless Western the Western historians will tell you, and some will pick out the hats or the impact of a ... rifle to mark the film down, but really we should be embracing a genre piece in the modern age that is clearly being directed with love and respect by the director. It's story is of course a simply structured tale of the underdog rising up against the fat cats who want it all in the name of tyranny. But on its side is the fact that its characters are so interestingly engaging. Within a short time frame I feel that Kevin Costner manages to put us in the saddle with the main protagonists, we understand these guys without actually knowing them, and that is quite an achievement I feel. The film does flesh them out to enhance the film without boring the pants off the viewer, and it's only come the final reel that you realise you have been engaged in a very human and honest Western film. Most of the cast do great here, both Robert Duvall & Kevin Costner bounce of each other with moody and world wise aplomb as the two main leads, while in the sole female role of note, Annette Bening is gusto beautiful personified. Sadly it's hard for me to write that Michael Gambon as the villain of the piece is not only underused, but also something of a let down. Such an accomplished actor should know better than to overdo it in the context of this particular story. Yes we get the need for villainy, but gurning and frothing doesn't quite make the grade here. It's a little surprising that director Costner didn't utilise Gambon more wisely. Still, I say the film is a wondrous experience because it is, a film to have you cheering and booing in equal measure, and in the main the work on it is top dollar. Some of the shots are gorgeous, the framing that Costner uses in close ups is excellent, and the final reel shoot-out ranks as one of the best in Western genre history. So all in all it's a modern day genre piece that actually sits nicely with the best from the golden era. 9/10
**_Now THIS is a Western_** Four cowboys & their cattle are traveling through the Hammondville, Montana, region in 1882 when they discover that the leaders of the town don’t like free grazers. It escalates into a life or death situation. Robert Duvall and Kevin Costner play the two main cowboys w ... hile Annette Bening appears as a doctor and Michael Gambon a land baron. “Open Range” (2003) automatically brings to mind “Dances With Wolves” (1990) because they’re the only two Westerns Costner has both starred in and directed. While not quite as good, this one is still a great modern Western and nigh epic. The theme revolves around how noble Westerners like the protagonists don't seek violence, but it's sometimes necessary to make a stand for justice, even if the local law is bought and corrupt. I like the way the movie confidently takes its time and fleshes out the characters with insightful bits here and there. It feels like the way it was in the Old West and the characters speak the way you know they spoke back then. The mood is increasingly tense, but most of the action is saved for the last act when everything explodes, reminiscent of the real-life gunfight at the O.K. Corral, just longer. As such, viewers who need quick-editing and constant thrills to be entertained will likely find it boring. Mature-minded viewers, however, will appreciate the realism and the slowly developed characters, as well as the well-done romance angle. The big rancher is pompous because his arrogance has built up over the course of decades and he thinks he owns the town. But does he? In his own mind he’s King Sheet because he’s gotten away with injustice due to his power and influence. But what happens when noble citizens say “Enough”? While “Open Range” deals with dark, challenging things, it has a warm, redeemable heart, unlike “Unforgiven” (1992), which wallows in ugliness (although it’s still a worthy Western, as long as you can stomach the ugliness). The film runs 2 hours, 19 minutes, and was shot at Stoney Indian Reserve in Alberta, Canada. GRADE: A-