Redemption
1930 | 75m | English
Popularity: 3 (history)
| Director: | Lionel Barrymore, Fred Niblo |
|---|---|
| Writer: | Leo Tolstoy, Dorothy Farnum |
| Staring: |
| In Russia in the early 1900s, Fedya, a handsome, self-indulgent womanizer, falls in love with and marries Lisa, his friend Victor's fiancée. Fedya quickly tires of domestic life and resumes his profligate ways, drinking and gambling away his family's fortune. Lisa refuses to leave him despite his deplorable ways, so he takes drastic measures to ensure that she will no longer be harmed by his actions and reputation. | |
| Release Date: | Apr 05, 1930 |
|---|---|
| Director: | Lionel Barrymore, Fred Niblo |
| Writer: | Leo Tolstoy, Dorothy Farnum |
| Genres: | Drama |
| Keywords | gypsy, compulsive gambling, pre-code, unfaithful husband |
| Production Companies | Metro-Goldwyn-Mayer |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: May 08, 2024 Entered: Apr 26, 2024 |
| Name | Character |
|---|---|
| John Gilbert | Fedya Protasoff |
| Renée Adorée | Masha |
| Conrad Nagel | Victor Karenin |
| Eleanor Boardman | Lisa Protasoff |
| Claire McDowell | Anna Pavlovna |
| Nigel De Brulier | Petushkov |
| Tully Marshall | Artimiev |
| Mack Swain | Magistrate |
| Erville Alderson | Bearded Mariner in Cafe |
| Sidney Bracey | Waiter |
| Richard Alexander | Policeman |
| Geraldine Dvorak | Anna Pavlovna's Maid |
| Stanley Blystone | Minor Role (uncredited) |
| Lena Malena | Gypsy (uncredited) |
| Kit Wain | Boy (uncredited) |
| Name | Job |
|---|---|
| Arthur Hopkins | Theatre Play |
| Lionel Barrymore | Director |
| Fred Niblo | Director |
| Edwin Justus Mayer | Dialogue |
| Leo Tolstoy | Novel |
| Dorothy Farnum | Writer |
| Cedric Gibbons | Art Direction |
| Margaret Booth | Editor |
| Adrian | Costume Design |
| Percy Hilburn | Director of Photography |
| Name | Title |
|---|---|
| Arthur Hopkins | Producer |
| Irving Thalberg | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 8 | 1 |
| 2024 | 5 | 5 | 14 | 2 |
| 2024 | 6 | 6 | 24 | 1 |
| 2024 | 7 | 3 | 7 | 1 |
| 2024 | 8 | 4 | 7 | 1 |
| 2024 | 9 | 4 | 10 | 1 |
| 2024 | 10 | 5 | 18 | 1 |
| 2024 | 11 | 2 | 8 | 1 |
| 2024 | 12 | 1 | 4 | 1 |
| 2025 | 1 | 3 | 9 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 2 |
Trending Position
fbacher
3.0
An early talkie that was made very much in the style of a silent film, which is sadly very distracting. The dialogue is thin, very predictable and overly dramatic. The story drags on with one scene following predictably after another. One can see why John Gilbert fell out of favour after such a perf ... ormance, even if not his fault.
Jun 23, 2021