 
  Popularity: 3 (history)
| Director: | Paul Bogart, Gordon Douglas | 
|---|---|
| Writer: | Peter Stone | 
| Staring: | 
| Quincy Drew and Jason O’Rourke, a pair of friends and con men—the former white, the latter a Northern-born free Black man— travel from town to town in the pre–Civil War American West. In their scam, Quincy sells Jason into slavery, frees him, and the two move on to the next town of suckers . . . until a con gone wrong leads Jason into real danger. | |
| Release Date: | Sep 30, 1971 | 
|---|---|
| Director: | Paul Bogart, Gordon Douglas | 
| Writer: | Peter Stone | 
| Genres: | Comedy, Action, Western | 
| Keywords | con man, slave | 
| Production Companies | Warner Bros. Pictures, Cherokee Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 15, 2024 | 
| Name | Character | 
|---|---|
| James Garner | Quincy Drew | 
| Louis Gossett Jr. | Jason O'Rourke | 
| Susan Clark | Ginger | 
| Brenda Sykes | Naomi | 
| Ed Asner | Plunkett | 
| Andrew Duggan | Howard Calloway | 
| Henry Jones | Sam Cutler | 
| Neva Patterson | Mrs. Claggart | 
| Parley Baer | Mr. Claggart | 
| George Tyne | Henry P.Bonner | 
| Royal Dano | John Brown | 
| J. Pat O'Malley | William | 
| Joel Fluellen | Uncle Abram | 
| Napoleon Whiting | Ned | 
| Juanita Moore | Viney | 
| Bob Steele | Bidder (uncredited) | 
| Dort Clark | Pennypacker | 
| Robert Foulk | Sheriff | 
| Athena Lorde | Margaret | 
| George D. Wallace | Auctioneer | 
| James McCallion | Stanfil | 
| Tracy Bogart | Lizabeth | 
| Mary Rings | Emaline | 
| Jason Wingreen | 2nd Speaker | 
| Bill Terrell | The Songhais | 
| Richard Farnsworth | Man in Saloon fight (uncredited) | 
| Claude Stroud | Fred (uncredited) | 
| Name | Job | 
|---|---|
| Peter Stone | Writer | 
| Paul Bogart | Director | 
| Fred J. Koenekamp | Director of Photography | 
| Gordon Douglas | Co-Director | 
| David Shire | Original Music Composer | 
| Walter Thompson | Editor | 
| Herman A. Blumenthal | Art Direction | 
| James W. Payne | Set Decoration | 
| Clifford C. Coleman | Assistant Director | 
| Name | Title | 
|---|---|
| James Garner | Executive Producer | 
| Harry Keller | Producer | 
| Meta Rosenberg | Executive Producer | 
| Paul M. Heller | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 8 | 17 | 4 | 
| 2024 | 5 | 9 | 14 | 5 | 
| 2024 | 6 | 8 | 27 | 3 | 
| 2024 | 7 | 7 | 22 | 3 | 
| 2024 | 8 | 6 | 14 | 3 | 
| 2024 | 9 | 4 | 8 | 2 | 
| 2024 | 10 | 5 | 9 | 2 | 
| 2024 | 11 | 4 | 8 | 2 | 
| 2024 | 12 | 4 | 8 | 2 | 
| 2025 | 1 | 4 | 11 | 2 | 
| 2025 | 2 | 3 | 6 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 1 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Skin Con! Skin Game is predominantly directed by Paul Bogart and written by Richard Alan Simmons and Peter Stone. It stars James Garner, Louis Gossett Jr., Susan Clark, Brenda Sykes, Edward Asner and Andrew Duggan. Music is by David Shire and cinematography by Fred J. Koenekamp. Slavery era Am ... erica and two interracial con-men travel from town to town duping white folk into purchasing black Jason O'Rourke (Gossett Jr,). After Quincy Drew (Garner) strikes a deal, with money in hand, the pair meet up later to scarper and split the profits. A nice con, that is until ladies and savvy outsiders enter the fray... A lovely Panavision/Technicolor production, Skin Game is a little remembered comedy Oater, not because it's poor, but more than likely because it has been shunted to one side due to what is now perceived as political incorrectness. Which is a shame, for although it doesn't fully exploit the premise it is working with, it's a very likable pic that's propped up by strong lead performances. As the not so intrepid duo move from town to town, places with great names like Dirty Shame and Bitter End, a number of funny scenes keep things perky, be it bath time, Jason crying or the verbal jousting rumbling on, the comedy is subtle and easy to digest. The introduction of Clark lifts the pic higher, for she's a bigger rogue than Quincy and Jason, adding more cream to an already amusing pudding. It's all very improbable as such, so we are not surprised when things inevitably go belly up, while the intention to probe the bile of the era in question doesn't make a telling mark. But the pros of the piece far outweigh the cons to give us a film worth tracking down. 7/10