Strike is a young city drug pusher under the tutelage of drug lord Rodney Little. When a night manager at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Detective Rocco Klein doesn’t buy the story, however, setting out to find the truth, and it seems that all the fingers point toward Strike & Rodney. | |
Release Date: | Sep 15, 1995 |
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Director: | Spike Lee |
Writer: | Spike Lee, Richard Price |
Genres: | Drama, Crime, Mystery |
Keywords | drug pusher, train, drugs, drug lord, brooklyn, new york city, housing project, inner city life |
Production Companies | Universal Pictures, 40 Acres and a Mule Filmworks |
Box Office |
Revenue: $13,100,000
Budget: $25,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Harvey Keitel | Det. Rocco Klein |
John Turturro | Det. Larry Mazilli |
Delroy Lindo | Rodney Little |
Mekhi Phifer | Ronald 'Strike' Dunham |
Isaiah Washington | Victor Dunham |
Keith David | André the Giant |
Peewee Love | Tyrone 'Shorty' Jeeter |
Regina Taylor | Iris Jeeter |
Thomas Jefferson Byrd | Errol Barnes |
Sticky Fingaz | Scientific |
Fredro Starr | Go |
Elvis Nolasco | Horace |
Lawrence B. Adisa | Stan |
Hassan Johnson | Skills |
Frances Foster | Gloria |
Michael Imperioli | Detective Jo-Jo |
Lisa Arrindell | Sharon, Victor's Wife |
Paul Calderon | Jesus at Hambones |
Brendan Kelly | Big Chief |
Mike Starr | Thumper |
Graham Brown | Mr. Herman Brown |
Steve White | Darryl Adams |
Spike Lee | Chucky |
Shawn McLean | Solo |
Arthur J. Nascarella | Bartucci |
Harry Lennix | Bill Walker |
Bray Poor | Detective #1 |
Craig McNulty | Detective #2 |
Christopher Wynkoop | Detective #3 |
Paul Schulze | Detective #4 |
Donald Stephenson | Detective #5 |
John Fletcher | Medic A |
J.C. MacKenzie | Medic Frank |
David Evanson | Smart Mike |
Norman Matlock | Reverend Paul |
Isaac Flower | Charles |
Leonard L. Thomas | Onion, Bar Patron |
Maurice Sneed | Davis, Bartender |
Calvin Hart | Guard #1 |
Ginny Yang | Kiki |
Michael Badalucco | Cop #1 |
Rick Aiello | Cop #2 |
Scot Anthony Robinson | Earl |
Richard Ziman | Moe |
David Batiste | T |
Mar'qus Sample | Ivan |
Mar'rece Sample | Mark |
Ron Brice | Dead Man Begging |
Ken Garito | Louie |
Anthony Nocerino | Teen #1 |
Brian Konowal | Teen #2 |
Michael McGruther | Teen #3 |
Carlo Vogel | Teen #4 |
Harvey Williams | 'Pick Me Up' Kid |
Michael Cullen | Narc #1 |
Tim Kelleher | Narc #2 |
Skipp Sudduth | Narc #3 |
Larry Mullane | Narc Larry |
Patrick Ferraro | Bike Cop #1 |
L.B. Williams | Bike Cop #2 |
Jeff Ward | Bike Cop #3 |
Ronda Fowler | Bomb Girl |
Hal Sherman | Himself - Forensics Officer |
Marc Webster | EMS Technician |
James Saxenmeyer | EMS Attendant #1 |
Paul DuBois | EMS Attendant #2 |
Jordan Brown | EMS Attendant #3 |
Michael Marchetta | Corrections Officer #1 |
Joanna Gardner | Corrections Officer #2 |
Mark Howard | Baby Recruit #1 |
Michael Shepherd | Baby Recruit #2 |
Gerald King | Baby Recruit #3 |
Ronta Davis | Baby Recruit #4 |
Lord Kayson | T's Crewmember #1 |
Orran Farmer | T's Crewmember #2 |
Wayne Muhammed | Fruit of Islam Vendor |
Martin Jaffe | Street Vendor |
Freddie Velez | Pedro, Security Guard |
Name | Job |
---|---|
Spike Lee | Director, Screenplay |
Malik Hassan Sayeed | Director of Photography |
Andrew McAlpine | Production Design |
Tom Warren | Art Direction |
Debra Schutt | Set Decoration |
Tom Fleischman | Sound Re-Recording Mixer |
Diane Hammond | Key Makeup Artist |
Ina Mayhew | Art Direction |
Larry M. Cherry | Key Hair Stylist |
Eugene Gearty | Sound Effects Editor |
Tod A. Maitland | Sound Mixer |
Richard Price | Screenplay, Novel |
Sam Pollard | Editor |
Ruth E. Carter | Costume Design |
Skip Lievsay | Sound Designer |
Terence Blanchard | Original Music Composer |
Robi Reed | Casting |
Mike Ellis | First Assistant Director |
Jeff Ward | Stunt Coordinator |
Kevin Arbouet | Stunts |
Steve Kirshoff | Special Effects Coordinator |
Reginald F. Lake | Chief Lighting Technician |
Shari L. Carpenter | Script Supervisor |
Name | Title |
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Jon Kilik | Producer |
Spike Lee | Producer |
Martin Scorsese | Producer |
Monty Ross | Executive Producer |
Rosalie Swedlin | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 21 | 35 | 12 |
2024 | 5 | 22 | 34 | 13 |
2024 | 6 | 16 | 33 | 9 |
2024 | 7 | 15 | 32 | 7 |
2024 | 8 | 14 | 29 | 8 |
2024 | 9 | 13 | 25 | 8 |
2024 | 10 | 16 | 32 | 7 |
2024 | 11 | 10 | 22 | 6 |
2024 | 12 | 13 | 25 | 7 |
2025 | 1 | 12 | 28 | 7 |
2025 | 2 | 8 | 12 | 3 |
2025 | 3 | 5 | 11 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 2 | 1 |
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Spike Lee is an unfortunate instance of a very talented filmmaker who's obvious talent in craftsmanship doesn't come across in contemporary mainstream cinema because of issues having nothing to do with cinema itself. I realize that in becoming great at anything in one's life, other things have t ... o suffer, and with him it seems, at least to me, that for everything he has undoubtedly accomplished in the filmic realm, it's created a type of 'idiot savant' (it's simply an existing term--I certainly don't mean it pejoratively)--that is, in social skills, at least pertaining to self-marketing, or getting across one's persona in the field, he is lacking--and it negatively impacts his cinema. And that's a dirty rotten shame, because this was a fine film. He and his excellent approach to cinema remind me of the Heisenberg principle and make me: a) wish Lee could find more happiness in his life, so that he can come across better, and thus have his personality not negatively influence cinephiles like me; and b) wonder, like in 'A Beautiful Mind', if he was happier and more pleasant, if it would negatively impact his filmmaking? Philosophical questions such as this tend to keep me up at night, unless I have some red wine, milk or chamomile tea to wear me out and soothe me. 'Clockers' worked for me. Keitel was really on a roll when he worked in this, with 'Bad Lieutenant', 'Reservoir Dogs', 'Pulp Fiction' and 'Smoke' all around this time. It was certainly a great vintage for him, and a fine time to sample his acting.
This is a criminally underrated gem, a urban movie about drug dealers that feels nothin like your typical gangsta movie, it doesn't have constant rap playing the whole way through, but a poignant classical soundtrack from Blanchard, Albeit still great 90's hip hop in it. The emotion and color of the ... sets are tangible. I wouldn't really call this a Spike Lee joint, because Scorsese produced it, it has a much more professional and serious feel than Spikes previous corny work. The 90's Brooklyn hip hop street reality feel is there but this film hits a much deeper note in the soul, skip the mainstream trailer, it might be the reason this failed in the mainstream, when it sours with true underground heads.
Thought this movie would've been better. Pretty boring not much action or anything to keep you interested. ...