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Clockers Poster

Clockers

When there’s murder on the streets, everyone is a suspect.
1995 | 128m | English

(24560 votes)

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Popularity: 1 (history)

Director: Spike Lee
Writer: Spike Lee, Richard Price
Staring:
Details

Strike is a young city drug pusher under the tutelage of drug lord Rodney Little. When a night manager at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Detective Rocco Klein doesn’t buy the story, however, setting out to find the truth, and it seems that all the fingers point toward Strike & Rodney.
Release Date: Sep 15, 1995
Director: Spike Lee
Writer: Spike Lee, Richard Price
Genres: Drama, Crime, Mystery
Keywords drug pusher, train, drugs, drug lord, brooklyn, new york city, housing project, inner city life
Production Companies Universal Pictures, 40 Acres and a Mule Filmworks
Box Office Revenue: $13,100,000
Budget: $25,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Harvey Keitel Det. Rocco Klein
John Turturro Det. Larry Mazilli
Delroy Lindo Rodney Little
Mekhi Phifer Ronald 'Strike' Dunham
Isaiah Washington Victor Dunham
Keith David André the Giant
Peewee Love Tyrone 'Shorty' Jeeter
Regina Taylor Iris Jeeter
Thomas Jefferson Byrd Errol Barnes
Sticky Fingaz Scientific
Fredro Starr Go
Elvis Nolasco Horace
Lawrence B. Adisa Stan
Hassan Johnson Skills
Frances Foster Gloria
Michael Imperioli Detective Jo-Jo
Lisa Arrindell Sharon, Victor's Wife
Paul Calderon Jesus at Hambones
Brendan Kelly Big Chief
Mike Starr Thumper
Graham Brown Mr. Herman Brown
Steve White Darryl Adams
Spike Lee Chucky
Shawn McLean Solo
Arthur J. Nascarella Bartucci
Harry Lennix Bill Walker
Bray Poor Detective #1
Craig McNulty Detective #2
Christopher Wynkoop Detective #3
Paul Schulze Detective #4
Donald Stephenson Detective #5
John Fletcher Medic A
J.C. MacKenzie Medic Frank
David Evanson Smart Mike
Norman Matlock Reverend Paul
Isaac Flower Charles
Leonard L. Thomas Onion, Bar Patron
Maurice Sneed Davis, Bartender
Calvin Hart Guard #1
Ginny Yang Kiki
Michael Badalucco Cop #1
Rick Aiello Cop #2
Scot Anthony Robinson Earl
Richard Ziman Moe
David Batiste T
Mar'qus Sample Ivan
Mar'rece Sample Mark
Ron Brice Dead Man Begging
Ken Garito Louie
Anthony Nocerino Teen #1
Brian Konowal Teen #2
Michael McGruther Teen #3
Carlo Vogel Teen #4
Harvey Williams 'Pick Me Up' Kid
Michael Cullen Narc #1
Tim Kelleher Narc #2
Skipp Sudduth Narc #3
Larry Mullane Narc Larry
Patrick Ferraro Bike Cop #1
L.B. Williams Bike Cop #2
Jeff Ward Bike Cop #3
Ronda Fowler Bomb Girl
Hal Sherman Himself - Forensics Officer
Marc Webster EMS Technician
James Saxenmeyer EMS Attendant #1
Paul DuBois EMS Attendant #2
Jordan Brown EMS Attendant #3
Michael Marchetta Corrections Officer #1
Joanna Gardner Corrections Officer #2
Mark Howard Baby Recruit #1
Michael Shepherd Baby Recruit #2
Gerald King Baby Recruit #3
Ronta Davis Baby Recruit #4
Lord Kayson T's Crewmember #1
Orran Farmer T's Crewmember #2
Wayne Muhammed Fruit of Islam Vendor
Martin Jaffe Street Vendor
Freddie Velez Pedro, Security Guard
Name Job
Spike Lee Director, Screenplay
Malik Hassan Sayeed Director of Photography
Andrew McAlpine Production Design
Tom Warren Art Direction
Debra Schutt Set Decoration
Tom Fleischman Sound Re-Recording Mixer
Diane Hammond Key Makeup Artist
Ina Mayhew Art Direction
Larry M. Cherry Key Hair Stylist
Eugene Gearty Sound Effects Editor
Tod A. Maitland Sound Mixer
Richard Price Screenplay, Novel
Sam Pollard Editor
Ruth E. Carter Costume Design
Skip Lievsay Sound Designer
Terence Blanchard Original Music Composer
Robi Reed Casting
Mike Ellis First Assistant Director
Jeff Ward Stunt Coordinator
Kevin Arbouet Stunts
Steve Kirshoff Special Effects Coordinator
Reginald F. Lake Chief Lighting Technician
Shari L. Carpenter Script Supervisor
Name Title
Jon Kilik Producer
Spike Lee Producer
Martin Scorsese Producer
Monty Ross Executive Producer
Rosalie Swedlin Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 35 12
2024 5 22 34 13
2024 6 16 33 9
2024 7 15 32 7
2024 8 14 29 8
2024 9 13 25 8
2024 10 16 32 7
2024 11 10 22 6
2024 12 13 25 7
2025 1 12 28 7
2025 2 8 12 3
2025 3 5 11 1
2025 4 2 6 1
2025 5 2 7 1
2025 6 1 3 1
2025 7 1 1 1
2025 8 1 2 0
2025 9 1 2 1
2025 10 1 2 1

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Reviews

talisencrw
7.0

Spike Lee is an unfortunate instance of a very talented filmmaker who's obvious talent in craftsmanship doesn't come across in contemporary mainstream cinema because of issues having nothing to do with cinema itself. I realize that in becoming great at anything in one's life, other things have t ... o suffer, and with him it seems, at least to me, that for everything he has undoubtedly accomplished in the filmic realm, it's created a type of 'idiot savant' (it's simply an existing term--I certainly don't mean it pejoratively)--that is, in social skills, at least pertaining to self-marketing, or getting across one's persona in the field, he is lacking--and it negatively impacts his cinema. And that's a dirty rotten shame, because this was a fine film. He and his excellent approach to cinema remind me of the Heisenberg principle and make me: a) wish Lee could find more happiness in his life, so that he can come across better, and thus have his personality not negatively influence cinephiles like me; and b) wonder, like in 'A Beautiful Mind', if he was happier and more pleasant, if it would negatively impact his filmmaking? Philosophical questions such as this tend to keep me up at night, unless I have some red wine, milk or chamomile tea to wear me out and soothe me. 'Clockers' worked for me. Keitel was really on a roll when he worked in this, with 'Bad Lieutenant', 'Reservoir Dogs', 'Pulp Fiction' and 'Smoke' all around this time. It was certainly a great vintage for him, and a fine time to sample his acting.

Jun 23, 2021
Badlands1
10.0

This is a criminally underrated gem, a urban movie about drug dealers that feels nothin like your typical gangsta movie, it doesn't have constant rap playing the whole way through, but a poignant classical soundtrack from Blanchard, Albeit still great 90's hip hop in it. The emotion and color of the ... sets are tangible. I wouldn't really call this a Spike Lee joint, because Scorsese produced it, it has a much more professional and serious feel than Spikes previous corny work. The 90's Brooklyn hip hop street reality feel is there but this film hits a much deeper note in the soul, skip the mainstream trailer, it might be the reason this failed in the mainstream, when it sours with true underground heads.

Jun 23, 2021
SoSmooth1982
5.0

Thought this movie would've been better. Pretty boring not much action or anything to keep you interested. ...

May 08, 2023