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The Krays Poster

The Krays

When people are afraid of you... you can do anything. Remember that.
1990 | 115m | English

(9457 votes)

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Popularity: 3 (history)

Director: Peter Medak
Writer: Philip Ridley
Staring:
Details

The Krays is a film based on the lives and crimes of the British gangsters Ronald and Reginald Kray, twins who are often referred to as The Krays and were active in London in the 1960s.
Release Date: Apr 27, 1990
Director: Peter Medak
Writer: Philip Ridley
Genres: Drama, Crime, History
Keywords 1960s, twins, gangster, gay theme, based on true story
Production Companies Fugitive Features, Parkfield Entertainment
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Gary Kemp Ronald Kray
Martin Kemp Reggie Kray
Billie Whitelaw Violet Kray
Tom Bell Jack 'The Hat' McVitie
Susan Fleetwood Rose
Charlotte Cornwell May
Kate Hardie Frances
Avis Bunnage Helen
Alfred Lynch Charlie Kray Snr
Gary Love Steve
Steven Berkoff George Cornell
Jimmy Jewel Cannonball Lee
John McEnery Eddie Pellam
Philip Bloomfield Charlie Pellam
Sadie Frost Sharon Pellam
Barbara Ferris Mrs. Lawson
Victor Spinetti Mr. Lawson
Brian Nickels Frank
Stephen Lewis Policeman
Sean Blowers Chris Ripley
Mark Burdis Mark
Chris Pitt Young Eddie
Ian Burfield Whip
Murray Melvin Newsagent
Norman Rossington Shopkeeper
Soo Drouet Jack's Girlfriend
Chrissie Cotterill Barmaid
Peter Turner Regal Manager
Michael Elphick George - Prisoner
Vernon Dobtcheff Teacher
Patti Love Iris
Roger Monk Charlie Kray Jnr
Michael Balfour Referee
Jimmy Flint Perry
Andrew Kitchen Dennis
Bob Brimson Grey
Russell Gold Terry
David Arlen Dickie
Joe McKenna Sam Ripley
John H. Stracey Boxer
David Fenwick Doctor
Laura Cox Ivy
Angus MacInnes Palendri
Michael Tezcan Italian Gangster
Richard Vanstone Man outside the Regal
Pete Gillett Man in Fight
Julie May Midwife
Jackie Downey Angry Customer
Ryan Ward Steve's Friend
Jimmy Batten Straker
Ben Mansworth Tom
Behrouz Behnejad Maltese Gangster
Simon Foy Lost Boy
Tony Sands Lost Boy
Matthew Barney Boy in Classroom
Benjamin Brazier Charlie aged 12
Jason Bennett Ron aged 12
Jamie Bennett Reg aged 12
Harlon Haveland Ron aged 8
Sam Haveland Reg aged 8
John-Paul White Ron aged 3
Michael White Reg aged 3
Lenny McLean Boxing Spectator (uncredited)
Michael Joseph Carr Eddie (as Michael Carr)
Dave Courtney Bill
Name Job
Philip Ridley Writer
Lindy Hemming Costume Design
Peter Medak Director
Alex Thomson Director of Photography
Noel Davis Casting
Michael Kamen Original Music Composer
Bernard Bellew Third Assistant Director
Michael Zimbrich First Assistant Director
Ken Shane Production Manager
Simon Moseley Second Assistant Director
Martin Walsh Editor
Jeremy Zimmermann Casting
Name Title
Ray Burdis Producer
Paul Cowan Producer
Paul Cowan Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 19 5
2024 5 14 23 10
2024 6 12 29 6
2024 7 13 24 7
2024 8 11 25 6
2024 9 7 10 5
2024 10 11 24 6
2024 11 9 24 6
2024 12 8 15 5
2025 1 9 19 5
2025 2 6 10 3
2025 3 5 7 3
2025 4 3 4 1
2025 5 2 4 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 2 0
2025 9 2 3 2

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Reviews

Geronimo1967
6.0

Despite the bests efforts of the usually reliable, if hardly versatile, Tom Bell to rescue this pedestrian story of London’s most infamous gangsters, this really doesn’t light any touch papers. Perhaps because neither Martin nor Gary Kemp are much good as actors, nor do either of them exude any sens ... e of menace as this rather tepid biopic trundles along for two hours. “Reggie” (Martin) and gay brother “Ronnie” (Gary) are determined to impress their mother (the underused Billie Whitelaw) with a criminal enterprise that was able to thrive as the city and the country strove to recover from the Second World War. What does work here is the exposure of the sub-culture of criminality that prevailed in what was little better than a lawless East End of London; where protection rackets, prostitution and illicit trading was rampant and where, to some extent, these two men were seen as benevolent influences amongst a community that likened them a little to Robin Hood. Indeed, it’s it’s very clumsy attempts to glamorise the violence with which they ruled the streets that might be it’s redeeming feature. The general population did not recoil from their brutal activities in anything like the fashion we might expect nowadays - but there’s nowhere near enough action of any kind here. Steven Berkoff pops up now and again but somehow his more innate characteristic of odiousness only serves to further show up the lack of that from the pristine Kemps who just looked great in their suits, but little else. Forgettable stuff, sadly.

May 29, 2025