Popularity: 1 (history)
Director: | Alex Merkin |
---|---|
Writer: | Jesse Mittelstadt, Julien Schwab, Alex Merkin |
Staring: |
Convinced that his fiancee is cheating on him, a man follows her to a hotel and calls his best friend to help him avoid a calamity. | |
Release Date: | Aug 27, 2009 |
---|---|
Director: | Alex Merkin |
Writer: | Jesse Mittelstadt, Julien Schwab, Alex Merkin |
Genres: | Mystery, Thriller |
Keywords | love triangle, hotel, hotel room, jealousy, male friendship, revenge motive, neo-noir, murder suspect, jealous friend, accidental shooting, waiting for revenge, jealous boyfriend |
Production Companies | Godfather Entertainment, Voltage Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mike Vogel | Julian |
Brittany Murphy | June |
Danny Pino | Terry |
Brad Greenquist | The Porter |
Arie Verveen | Lucas |
Natalie Smyka | Anna |
Guillermo Díaz | The Cook |
Dov Davidoff | The Bellhop |
William Stanford Davis | Custodian |
Erika Ringor | Detective |
Mark Engelhardt | Officer |
Chase Kim | Police Officer |
Erika Seifred | Dominatrix |
Cameron Cash | Georgie (uncredited) |
Name | Job |
---|---|
Jesse Mittelstadt | Screenplay |
Julien Schwab | Screenplay |
Bobby Tahouri | Original Music Composer |
Andrew Carranza | Cinematography |
Barbara Fiorentino | Casting |
Rebecca Mangieri | Casting |
Wendy Weidman | Casting |
Roy Rede | Production Design |
Nathan Lay | Art Direction |
Dea Jensen | Set Decoration |
Yasmine Mustaklim | Costume Design |
Leslie Borchard | Hairstylist |
Myke Michaels | Makeup Department Head |
Janette Nielsen | Makeup Artist |
Richard Wetzel | Key Makeup Artist |
Alex Merkin | Writer, Director, Editor |
Name | Title |
---|---|
Jeff Bowler | Producer |
Steven Bowler | Associate Producer |
Elton Brand | Executive Producer |
Ian Colhoun | Co-Executive Producer |
Jeo Colon | Associate Producer |
Stephen Fromkin | Producer |
Marco Garibaldi | Producer |
Gary Gimelfarb | Executive Producer |
Ari Palitz | Producer |
Bret Saxon | Producer |
Jimmy Scaf | Associate Producer |
Gene Scher | Executive Producer |
Randy Charach | Executive Producer |
Evan Ferrante | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 10 | 16 | 6 |
2024 | 5 | 10 | 14 | 8 |
2024 | 6 | 11 | 22 | 5 |
2024 | 7 | 12 | 29 | 6 |
2024 | 8 | 10 | 16 | 5 |
2024 | 9 | 9 | 18 | 5 |
2024 | 10 | 18 | 45 | 6 |
2024 | 11 | 8 | 22 | 4 |
2024 | 12 | 8 | 11 | 5 |
2025 | 1 | 9 | 16 | 5 |
2025 | 2 | 7 | 11 | 3 |
2025 | 3 | 4 | 7 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 2 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Art Deco Neo-Noir has more style than substance? Across the Hall is directed by Alex Merkin and Merkin co-writes the screenplay with Jesse Mittelstadt and Julien Schwab. It is adapted from Merkin's short film of the same name that aired in 2005. It stars Mike Vogel, Brittany Murphy, Danny Pino, N ... atalie Smyka and Brad Greenquist. Music is by Bobby Tahouri and cinematography by Andrew Carranza. The Riverview Hotel, and Terry (Pino) has rented the room opposite the room where he believes his fiancée June (Murphy) is cheating on him... Alex Merkin clearly loves film noir and knows his noir onions, this is not in doubt due to the twisty story, characterisations and superb stylistics on offer here. And just in case anyone is in any doubt about this, the keen of noir eye will notice the film showing at the theatre next to the Riverview Hotel is Nightmare Alley, the brilliant Tyrone Power noir pic from 1947. On the style front the production is top draw, Carranza's photography is both beautiful and ghostly, creating a brooding atmosphere befitting the plot machinations. The look is supplemented considerably by Tahouri's edgy pulse like musical score, while the Art Deco design of the Riverview is a splendid accompaniment to dark deeds unfolding. As a story we are served up standard fare, the insertion of twisters and linear jumps not really lifting it out of its predictable trajectory. Which is a shame, because performances are solid and Merkin obviously has love for noir as a film making style. The resolution is expected but handled well enough to pay off the patient, but as a whole Across the Hall just about rises above average, but really this is more down to style than substance. 6/10