Popularity: 1 (history)
Director: | Francis Ford Coppola |
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Writer: | Francis Ford Coppola, Mario Puzo, William Kennedy, Jim Haskins |
Staring: |
Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide. | |
Release Date: | Dec 14, 1984 |
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Director: | Francis Ford Coppola |
Writer: | Francis Ford Coppola, Mario Puzo, William Kennedy, Jim Haskins |
Genres: | Drama, Crime |
Keywords | jazz, nightclub, gang war, jazz singer or musician, musical, jazz club, mafia, song and dance, mob boss, harlem, new york city, trumpet player, 1920s, 1930s, mob, hot jazz, race relations, prohibition, tap dancer |
Production Companies | American Zoetrope, Totally Independent, PSO, Robert Evans Productions |
Box Office |
Revenue: $25,928,721
Budget: $58,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Richard Gere | Richard 'Dixie' Dwyer |
Gregory Hines | Delbert 'Sandman' Williams |
Diane Lane | Vera Cicero |
Lonette McKee | Lila Rose Oliver |
Bob Hoskins | Owney Madden |
James Remar | Dutch Schultz |
Nicolas Cage | Vincent Dwyer |
Allen Garfield | Otto 'Abbadabba' Berman |
Fred Gwynne | Frenchy Demange |
Gwen Verdon | Tish Dwyer |
Lisa Jane Persky | Frances Flegenheimer |
Maurice Hines | Clay Williams |
Julian Beck | Sol Weinstein |
Novella Nelson | Madame St. Clair |
Laurence Fishburne | Bumpy Rhodes |
John P. Ryan | Joe Flynn |
Tom Waits | Irving Stark |
Ron Karabatsos | Mike Best |
Glenn Withrow | Ed Popke |
Jennifer Grey | Patsy Dwyer |
Wynonna Smith | Winnie Williams |
Thelma Carpenter | Norma Williams |
Charles "Honi" Coles | Suger Coates |
Larry Marshall | Cab Calloway |
Joe Dallesandro | Charles 'Lucky' Luciano |
Diane Venora | Gloria Swanson |
Tucker Smallwood | Kid Griffin |
Marc Coppola | Ted Husing |
Robert Earl Jones | Stage Door Joe |
Sofia Coppola | Child in Street |
Tracey Ross | Dancer |
Mario Van Peebles | Dancer |
Ed O'Ross | Monk |
Frederick Downs Jr. | Sullen Man |
Woody Strode | Holmes |
Bill Graham | J.W. |
Dayton Allen | Solly |
Kim Chan | Ling |
Ed Rowan | Messiah |
Leonard Termo | Danny |
Brian Tarantina | Vince Hood |
Bruce MacVittie | Vince Hood |
James Russo | Vince Hood |
Giancarlo Esposito | Bumpy Hood |
Rony Clanton | Caspar Holstein |
Damien Leake | Bub Jewett |
Bill Cobbs | Big Joe Ison |
Joe Lynn | Marcial Flores |
Oscar Barnes | Spanish Henry |
Ed Zang | Hotel Clerk |
Sandra Beall | Myrtle Fay |
Zane Mark | Duke Ellington |
Paul Herman | Policeman #1 |
Randle Mell | Policeman #2 |
Gregory Rozakis | Charlie Chaplin |
Vincent Jerman-Jerosa | James Cagney |
Rosalind Harris | Fanny Brice |
Jackée Harry | Dancer |
Sonya Hensley | Dancer |
Valarie Pettiford | Dancer |
Kimberly Dorsey | Joan Blondell (uncredited) |
Anton Evangelista | Ownie Hood (uncredited) |
Nicholas J. Giangiulio | Screen Test Thug (uncredited) |
Suzanne Kaaren | The Duchess of Park Avenue (uncredited) |
Robin Karfo | Vera's Sidekick / Banville Club (uncredited) |
Mark Margolis | Charlie Workman (uncredited) |
Naylon Mitchell | Busboy (uncredited) |
Ray Negron | Waiter (uncredited) |
Kirk Taylor | Cotton Club Waiter (uncredited) |
Rick Washburn | Hitman (uncredited) |
Linda Gillen | voice (uncredited) |
Rima Vetter | Dancer |
Name | Job |
---|---|
John Barry | Original Music Composer |
David Chapman | Art Direction |
Francis Ford Coppola | Director, Screenplay, Story |
Stephen Goldblatt | Director of Photography |
Robert Q. Lovett | Editor |
Milena Canonero | Costume Design |
Louis D'Esposito | Second Assistant Director |
Mario Puzo | Story |
Michael Haley | Other |
Lois Planco | Casting |
George Gaines | Set Decoration |
Barry Malkin | Editor |
Leslie Bloom | Set Decoration |
Richard Sylbert | Production Design |
David Wagreich | First Assistant Camera |
Jimmy Raitt | Property Master |
Donald Sweeney | Second Unit Director of Photography |
Victor Magnotta | Stunt Coordinator |
Michael Stone | Camera Operator |
David Golden | Unit Production Manager |
William Kennedy | Screenplay, Story |
Gretchen Rennell | Casting |
Adger W. Cowans | Still Photographer |
Jack C. Jacobsen | Sound Mixer |
Henry J. Bronchtein | Second Assistant Director |
Robert V. Girolami | First Assistant Director |
Margaret B. Hunnewell | Unit Production Manager |
Lyndell Quiyou | Key Hair Stylist |
Lynn Lewis Lovett | Continuity |
Gregory Bolton | Art Direction |
Kerry Orent | Post Production Supervisor |
Nathan Boxer | Boom Operator |
Christopher Cronyn | Unit Production Manager |
Norman Hollyn | Music Editor |
Craig Lyman | Key Makeup Artist |
Edward Swanson | Carpenter |
David Carroll | Sound |
Jim Haskins | Author |
Judianna Makovsky | Assistant Costume Designer |
Name | Title |
---|---|
Robert Evans | Producer |
Francis Ford Coppola | Producer |
Organization | Category | Person | |
---|---|---|---|
BAFTA Awards | Best Actress | Diane Lane | Nominated |
BAFTA Awards | Best Supporting Actress | Dianne Wiest | Nominated |
Spirit Awards | Best Picture | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 18 | 25 | 13 |
2024 | 5 | 19 | 28 | 12 |
2024 | 6 | 17 | 27 | 10 |
2024 | 7 | 18 | 39 | 10 |
2024 | 8 | 15 | 24 | 9 |
2024 | 9 | 11 | 19 | 7 |
2024 | 10 | 26 | 55 | 10 |
2024 | 11 | 14 | 35 | 7 |
2024 | 12 | 12 | 18 | 7 |
2025 | 1 | 14 | 22 | 9 |
2025 | 2 | 11 | 17 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 3 | 8 | 1 |
2025 | 5 | 2 | 8 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 3 | 2 |
2025 | 10 | 3 | 4 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 926 | 926 |
And all - that - jazz! Far better than its iffy reputation suggests, The Cotton Club is guilty of being stuffed to the gills, but it also contains mighty fine film making that shows craft both behind and in front of the camera. Set in late 1920s Harlem, the pitch is an area of New York rife wi ... th swinging jazz, racism, crooks and gangsters. Prohibition and the depression fill the air just as the talkie movie bursts out of the silver screen. The Cotton Club of the title is the focal point for many of the key character's lives, so Francis Coppola, who stepped in at the eleventh hour of the troubled production, has many threads to juggle. He drops the odd one, but never to the detriment of the verve and swagger of the pic. Violence comes and goes, song and dance often dazzles the eyes and ears, and a cast of hundreds induces that good old game of spot the stars - past, present and future. The narrative has strength via the observations of a major part of America in great transition, with the art design ops and tech crew beavers aiding him considerably via some superb period flavourings There is no getting away from the slightness of some character strands, the director and co choosing to insert another, all be it delightful, dance or song number to fill the void, but the core of the story remains strong throughout. The underworld always looms large, the seedy side of the era pulses away continuously, while the cast enjoy the dressage and frontage of a key time in America's history. Flaws for sure but made with skill and passion and it never bores. Bravo! 7.5/10