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The Cotton Club Poster

The Cotton Club

It was the jazz age. It was an era of elegance and violence. The action was gambling. The stakes were life and death.
1984 | 139m | English

(20747 votes)

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Popularity: 1 (history)

Details

Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
Release Date: Dec 14, 1984
Director: Francis Ford Coppola
Writer: Francis Ford Coppola, Mario Puzo, William Kennedy, Jim Haskins
Genres: Drama, Crime
Keywords jazz, nightclub, gang war, jazz singer or musician, musical, jazz club, mafia, song and dance, mob boss, harlem, new york city, trumpet player, 1920s, 1930s, mob, hot jazz, race relations, prohibition, tap dancer
Production Companies American Zoetrope, Totally Independent, PSO, Robert Evans Productions
Box Office Revenue: $25,928,721
Budget: $58,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Richard Gere Richard 'Dixie' Dwyer
Gregory Hines Delbert 'Sandman' Williams
Diane Lane Vera Cicero
Lonette McKee Lila Rose Oliver
Bob Hoskins Owney Madden
James Remar Dutch Schultz
Nicolas Cage Vincent Dwyer
Allen Garfield Otto 'Abbadabba' Berman
Fred Gwynne Frenchy Demange
Gwen Verdon Tish Dwyer
Lisa Jane Persky Frances Flegenheimer
Maurice Hines Clay Williams
Julian Beck Sol Weinstein
Novella Nelson Madame St. Clair
Laurence Fishburne Bumpy Rhodes
John P. Ryan Joe Flynn
Tom Waits Irving Stark
Ron Karabatsos Mike Best
Glenn Withrow Ed Popke
Jennifer Grey Patsy Dwyer
Wynonna Smith Winnie Williams
Thelma Carpenter Norma Williams
Charles "Honi" Coles Suger Coates
Larry Marshall Cab Calloway
Joe Dallesandro Charles 'Lucky' Luciano
Diane Venora Gloria Swanson
Tucker Smallwood Kid Griffin
Marc Coppola Ted Husing
Robert Earl Jones Stage Door Joe
Sofia Coppola Child in Street
Tracey Ross Dancer
Mario Van Peebles Dancer
Ed O'Ross Monk
Frederick Downs Jr. Sullen Man
Woody Strode Holmes
Bill Graham J.W.
Dayton Allen Solly
Kim Chan Ling
Ed Rowan Messiah
Leonard Termo Danny
Brian Tarantina Vince Hood
Bruce MacVittie Vince Hood
James Russo Vince Hood
Giancarlo Esposito Bumpy Hood
Rony Clanton Caspar Holstein
Damien Leake Bub Jewett
Bill Cobbs Big Joe Ison
Joe Lynn Marcial Flores
Oscar Barnes Spanish Henry
Ed Zang Hotel Clerk
Sandra Beall Myrtle Fay
Zane Mark Duke Ellington
Paul Herman Policeman #1
Randle Mell Policeman #2
Gregory Rozakis Charlie Chaplin
Vincent Jerman-Jerosa James Cagney
Rosalind Harris Fanny Brice
Jackée Harry Dancer
Sonya Hensley Dancer
Valarie Pettiford Dancer
Kimberly Dorsey Joan Blondell (uncredited)
Anton Evangelista Ownie Hood (uncredited)
Nicholas J. Giangiulio Screen Test Thug (uncredited)
Suzanne Kaaren The Duchess of Park Avenue (uncredited)
Robin Karfo Vera's Sidekick / Banville Club (uncredited)
Mark Margolis Charlie Workman (uncredited)
Naylon Mitchell Busboy (uncredited)
Ray Negron Waiter (uncredited)
Kirk Taylor Cotton Club Waiter (uncredited)
Rick Washburn Hitman (uncredited)
Linda Gillen voice (uncredited)
Rima Vetter Dancer
Name Job
John Barry Original Music Composer
David Chapman Art Direction
Francis Ford Coppola Director, Screenplay, Story
Stephen Goldblatt Director of Photography
Robert Q. Lovett Editor
Milena Canonero Costume Design
Louis D'Esposito Second Assistant Director
Mario Puzo Story
Michael Haley Other
Lois Planco Casting
George Gaines Set Decoration
Barry Malkin Editor
Leslie Bloom Set Decoration
Richard Sylbert Production Design
David Wagreich First Assistant Camera
Jimmy Raitt Property Master
Donald Sweeney Second Unit Director of Photography
Victor Magnotta Stunt Coordinator
Michael Stone Camera Operator
David Golden Unit Production Manager
William Kennedy Screenplay, Story
Gretchen Rennell Casting
Adger W. Cowans Still Photographer
Jack C. Jacobsen Sound Mixer
Henry J. Bronchtein Second Assistant Director
Robert V. Girolami First Assistant Director
Margaret B. Hunnewell Unit Production Manager
Lyndell Quiyou Key Hair Stylist
Lynn Lewis Lovett Continuity
Gregory Bolton Art Direction
Kerry Orent Post Production Supervisor
Nathan Boxer Boom Operator
Christopher Cronyn Unit Production Manager
Norman Hollyn Music Editor
Craig Lyman Key Makeup Artist
Edward Swanson Carpenter
David Carroll Sound
Jim Haskins Author
Judianna Makovsky Assistant Costume Designer
Name Title
Robert Evans Producer
Francis Ford Coppola Producer
Organization Category Person
BAFTA Awards Best Actress Diane Lane Nominated
BAFTA Awards Best Supporting Actress Dianne Wiest Nominated
Spirit Awards Best Picture N/A Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 18 25 13
2024 5 19 28 12
2024 6 17 27 10
2024 7 18 39 10
2024 8 15 24 9
2024 9 11 19 7
2024 10 26 55 10
2024 11 14 35 7
2024 12 12 18 7
2025 1 14 22 9
2025 2 11 17 3
2025 3 5 15 1
2025 4 3 8 1
2025 5 2 8 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 3 3 2
2025 10 3 4 1

Trending Position


Year Month High Avg
2025 5 926 926

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Reviews

John Chard
8.0

And all - that - jazz! Far better than its iffy reputation suggests, The Cotton Club is guilty of being stuffed to the gills, but it also contains mighty fine film making that shows craft both behind and in front of the camera. Set in late 1920s Harlem, the pitch is an area of New York rife wi ... th swinging jazz, racism, crooks and gangsters. Prohibition and the depression fill the air just as the talkie movie bursts out of the silver screen. The Cotton Club of the title is the focal point for many of the key character's lives, so Francis Coppola, who stepped in at the eleventh hour of the troubled production, has many threads to juggle. He drops the odd one, but never to the detriment of the verve and swagger of the pic. Violence comes and goes, song and dance often dazzles the eyes and ears, and a cast of hundreds induces that good old game of spot the stars - past, present and future. The narrative has strength via the observations of a major part of America in great transition, with the art design ops and tech crew beavers aiding him considerably via some superb period flavourings There is no getting away from the slightness of some character strands, the director and co choosing to insert another, all be it delightful, dance or song number to fill the void, but the core of the story remains strong throughout. The underworld always looms large, the seedy side of the era pulses away continuously, while the cast enjoy the dressage and frontage of a key time in America's history. Flaws for sure but made with skill and passion and it never bores. Bravo! 7.5/10

May 16, 2024