 
  Popularity: 5 (history)
| Director: | Stephen Hopkins | 
|---|---|
| Writer: | Akiva Goldsman, Irwin Allen | 
| Staring: | 
| The prospects for continuing life on Earth in the year 2058 are grim. So the Robinsons are launched into space to colonize Alpha Prime, the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space. | |
| Release Date: | Apr 03, 1998 | 
|---|---|
| Director: | Stephen Hopkins | 
| Writer: | Akiva Goldsman, Irwin Allen | 
| Genres: | Adventure, Science Fiction | 
| Keywords | future, time travel, robot, sabotage, deep space, 2050s | 
| Production Companies | New Line Cinema, Irwin Allen Productions, Prelude Pictures, Saltire Entertainment | 
| Box Office | Revenue: $136,159,423 Budget: $80,000,000 | 
| Updates | Updated: Aug 09, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| William Hurt | Prof. John Robinson | 
| Matt LeBlanc | Maj. Don West | 
| Mimi Rogers | Dr. Maureen Robinson | 
| Heather Graham | Dr. Judy Robinson | 
| Gary Oldman | Dr. Zachary Smith | 
| Lacey Chabert | Penny Robinson | 
| Jack Johnson | Will Robinson | 
| Jared Harris | Older Will Robinson | 
| Mark Goddard | General | 
| Lennie James | Jeb Walker | 
| Marta Kristen | Reporter #1 | 
| June Lockhart | Principal Cartwright | 
| Adam Sims | Lab Technician | 
| Angela Cartwright | Reporter #2 | 
| John Sharian | Noah Freeman | 
| Abigail Canton | Annie Tech | 
| Richard Saperstein | Global Sedition attack pilot | 
| Dick Tufeld | Rambler-Crane series Robot (voice) | 
| Gary A. Hecker | Blarp (voice) | 
| Edward Fox | Businessman | 
| Kamay Lau | Space Cadet Reporter | 
| Name | Job | 
|---|---|
| Stephen Hopkins | Director | 
| Akiva Goldsman | Screenplay | 
| Mike Fenton | Casting | 
| Mary Selway | Casting | 
| Michael Schlingmann | Animation | 
| Jack English | Still Photographer | 
| Stefan Adams | Property Buyer | 
| Allison Cowitt | Casting | 
| Vin Burnham | Costume Design | 
| Alan Greenham | Standby Painter | 
| Peter Levy | Director of Photography | 
| Ray Lovejoy | Editor | 
| Nick Palmer | Art Direction | 
| Mike Roberts | Camera Operator | 
| Steve Shapland | Underwater Camera | 
| David Lee | Art Direction | 
| Steven Lawrence | Art Direction | 
| Peter Bowen | Painter | 
| Sarah Robinson | Craft Service | 
| Brian Atkinson | Driver | 
| Norman Garwood | Production Design | 
| Rosemary Burrows | Costume Supervisor | 
| Keith Barton | Systems Administrators & Support | 
| Tim Caplan | I/O Supervisor | 
| Carmila Gittens | Special Effects Coordinator | 
| Elena Azuola | Production Controller | 
| Billy Merrell | Best Boy Electric | 
| Colin Alway | Digital Compositors | 
| Kim Amis | Sculptor | 
| Rodney Bowers | Post Production Assistant | 
| Clive Copland | Boom Operator | 
| Andy Fowler | Visual Effects Producer | 
| Robert Bell | Costume Design | 
| Brent Brooks | Music Editor | 
| Tim Field | Production Manager | 
| Thom 'Coach' Ehle | Dolby Consultant | 
| Peter Holt | Foley Editor | 
| Louis Elman | ADR Voice Casting | 
| Pauline Hume | Title Designer | 
| Gary Hutchings | Grip | 
| Pauline Griffiths | Foley Artist | 
| John Stephenson | Second Unit Director | 
| Pete Cavaciuti | Steadicam Operator | 
| Colin Manning | Key Grip | 
| Steve Alder | Carpenter | 
| Sue Hausner | Construction Coordinator | 
| Phil Attfield | Digital Effects Supervisor | 
| Kevin Ahern | Visual Effects Editor | 
| David Combs | Studio Teachers | 
| Gina De Ferrer | Researcher | 
| Iain Anderson | 3D Supervisor | 
| Nikki Clapp | Script Supervisor | 
| Paul Apted | First Assistant Sound Editor | 
| Julian Caldow | Production Illustrator | 
| Jerry Connelly | Electrician | 
| Nigel Egerton | Assistant Costume Designer | 
| John Heath | Color Timer | 
| Anne-Marie Challen | Stand In | 
| Ronald Eng | Sound Editor | 
| Sarah Franzl | Stunts | 
| Lee Millham | Utility Stunts | 
| Scott Sidey | Unit Manager | 
| Paul Grace | Technical Supervisor | 
| Deanna Gould | Digital Effects Producer | 
| Andrew Daffy | CG Animator | 
| Renée Tondelli | Supervising ADR Editor | 
| Philip Alton | ADR Editor | 
| Tom Debenham | Visual Effects Designer | 
| David Balfour | Property Master | 
| Teri E. Dorman | Dialogue Editor | 
| David A. Arnold | Dialogue Editor | 
| Jane Royle | Assistant Makeup Artist | 
| Alex Howe | Focus Puller | 
| Toby Earle | Floor Runner | 
| Tracey Gibbons | Post Production Coordinator | 
| Marlon Cole | Dressing Prop | 
| Skip Margetts | Clapper Loader | 
| Steve Brooke Smith | Second Assistant Camera | 
| Nick Heather | Wardrobe Assistant | 
| Simon Downes | Third Assistant Director | 
| Ted Swanscott | ADR Recordist | 
| Brian Mcgivern | Generator Operator | 
| Derek Walker | Camera Loader | 
| Sharon Lark | Line Producer | 
| Ben Koeller | Video Assist Operator | 
| Kirstie Stephenson | Art Department Coordinator | 
| Cheryl Bickerton | Visual Effects Coordinator | 
| Simon Lucas | Rigging Gaffer | 
| Bruce Babcock | Orchestrator | 
| Yvonne Coppard | Makeup Artist | 
| Martin Gabriel | Production Coordinator | 
| Angus Bickerton | Visual Effects Supervisor | 
| Dennis Davidson | Public Relations | 
| Mike McGillivray | Gaffer | 
| Bruce Everett | Post Production Supervisor | 
| Jane Body | Hairstylist | 
| Keith Pain | Supervising Art Director | 
| Graeme Crowther | Stunt Coordinator | 
| Scott G.G. Haller | Sound Effects Editor | 
| Patric Scott | Unit Publicist | 
| Lee Clayton | Tailor | 
| Julie Wright | Prosthetic Makeup Artist | 
| Robert Grayson | Third Assistant Director | 
| Clare Macdonald | Assistant Production Coordinator | 
| Steve Mair | Musician | 
| Patricia Carlin | Music Editor | 
| Ed Colyer | Foley Mixer | 
| Suhail Kafity | Dialogue Editor | 
| Ed Hawkins | Compositing Supervisor | 
| Dean Forster | Stunt Double | 
| Simon Leech | Effects Supervisor | 
| Melissa Byers | Camera Trainee | 
| Ken Coles | Additional Director of Photography | 
| Mark Goldberg | Rotoscoping Artist | 
| Julian Crowe | Digital Colorist | 
| Gabriel Wells | Visual Effects Production Manager | 
| Bob Bowen | Music Coordinator | 
| Robb Bihun | Storyboard Artist | 
| William McPhail | Wardrobe Master | 
| Mike Sowa | Digital Color Timer | 
| Colin Clarke | Carpenter | 
| Stefna Borges | First Assistant Editor | 
| Brenda Coxon | Accountant | 
| Micky Woolaard | Additional Gaffer | 
| Darren Howat | Graphic Designer | 
| Michelle Corney | Production Assistant | 
| Adrian Kays | Assistant Editor | 
| Richard Grills | Production Runner | 
| Matthew Glen | Associate Editor | 
| Chrissie Richardson | Assistant Accountant | 
| Graham Weames | Key Carpenter | 
| Stephen Bettles | Special Effects Technician | 
| Ian Green | Supervising Carpenter | 
| Peter Talbot | Lighting Camera | 
| Irwin Allen | Screenplay | 
| Bruce Broughton | Conductor, Original Music Composer | 
| David White | Prosthetic Supervisor | 
| Ron Bartlett | Sound Re-Recording Mixer | 
| Uli Meyer | Animation Supervisor | 
| Nick Allder | Special Effects Supervisor | 
| Cliff Lanning | Second Assistant Director | 
| Paula Boram | Foley Artist | 
| Andrew Jack | Dialogue Coach | 
| Greg Powell | Stunt Coordinator | 
| David Holmes | Stunts | 
| George Cottle | Stunts | 
| Anna Pinnock | Set Decoration | 
| Eddy Joseph | Supervising Sound Editor | 
| Chris Carreras | First Assistant Director | 
| Nik Korda | Unit Production Manager | 
| Chris Lyons | Special Effects Makeup Artist | 
| Diane Kingston | Production Runner | 
| Drew Jones | Visual Effects | 
| Chuck Finch | Gaffer | 
| Name | Title | 
|---|---|
| Stephen Hopkins | Producer | 
| Carla Fry | Producer | 
| Kris Wiseman McIntyre | Co-Producer | 
| Michael Ilitch Jr. | Co-Executive Producer | 
| Mark W. Koch | Producer | 
| Mace Neufeld | Executive Producer | 
| Tim Hampton | Co-Producer | 
| Robert Rehme | Executive Producer | 
| Richard Saperstein | Executive Producer | 
| Akiva Goldsman | Producer | 
| Michael De Luca | Executive Producer | 
| Chris Carreras | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 27 | 41 | 18 | 
| 2024 | 5 | 31 | 44 | 21 | 
| 2024 | 6 | 24 | 40 | 14 | 
| 2024 | 7 | 27 | 44 | 16 | 
| 2024 | 8 | 25 | 43 | 12 | 
| 2024 | 9 | 19 | 31 | 12 | 
| 2024 | 10 | 39 | 93 | 16 | 
| 2024 | 11 | 24 | 51 | 15 | 
| 2024 | 12 | 21 | 32 | 15 | 
| 2025 | 1 | 21 | 32 | 16 | 
| 2025 | 2 | 14 | 22 | 3 | 
| 2025 | 3 | 6 | 17 | 1 | 
| 2025 | 4 | 2 | 3 | 2 | 
| 2025 | 5 | 9 | 30 | 2 | 
| 2025 | 6 | 10 | 42 | 2 | 
| 2025 | 7 | 2 | 6 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 3 | 5 | 2 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
Good watch, could watch again, and can recommend. This feels a little dated, given the more recent "Lost in Space" series, and given the original series it certainly feels like a very different angle. The cast is great, but doesn't quite feel like it gels well, especially sense it is supposed ... to be (mostly) a family unit. Mat LeBlanc actually surprises me by showing he has some action range, a young Lacey Chabert comes off much more obnoxious than I would have expected, and solid, if expected, performances from William Hurt, Heather Graham, and Gary Oldman. There is just very little that goes beyond expectations. Don't get me wrong there are some very interesting sequences and effects, but just nothing impressive I'm going to remember down the line. In the end I had a good time, and I'd do it again, but I'd rather see a more modern or higher production version of this like "Voyager".
**_Thirty years after the TV show, Lost in Space debuts at the cinema_** In 2058, Professor John Robinson (William Hurt) and his family (Mimi Rogers, Heather Graham, Lacey Chabert, etc.) take a mission to travel to the nearest inhabitable planet to set-up a hypergate so humans can easily transpor ... t there. At the last minute, a hotshot flyboy is assigned to pilot the Jupiter II (Matt LeBlanc). Unfortunately, they’re forced to enact hyperdrive due to the interference of Dr. Smith (Gary Oldman), which flings them to an uncharted part of the galaxy. “Lost in Space” (1998) is the serious movie version of the cheesy television series modeled after The Swiss Family Robinson that ran for three seasons from 1965-1968. The late 90’s sci-fi sets & costumes are great while there’s a lot of action and the movie respects the intelligence of the viewer. Although Hurt is relatively boring in the role of the Robinson patriarch, he’s respectfully stalwart, and I’m sure his role would’ve evolved in the planned three sequels, which never manifested because the film underperformed at the box office. I was never a fan of LeBlanc (or Friends), but he’s great here as the flying ace. Too bad he’s given really eye-rolling lines as he courts Judy (Graham) like a clueless Neanderthal. Speaking of Heather, she looks great as usual while Chabert (Penny) was only 15 during filming. Too bad the director didn’t know how to shoot women. I’ve heard critics complain about the drab, murky palette. Sure, the movie’s dark because it takes place in deep space but, otherwise, I found the colors nice ‘n’ bright. I could do without the time-travel element, but it’s alright if you roll with it. And I liked the surprise Dr. Doom-ish character in the last act that turns out even worse. The film runs 2 hours, 10 minutes, and was shot at Century Fox Studios in Los Angeles, with some scenes done at Red Rock Canyon State Park, which is 90 miles north. GRADE: B-