Popularity: 2 (history)
Director: | Justin Kurzel |
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Writer: | Todd Louiso, Michael Lesslie, Jacob Koskoff |
Staring: |
Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan. | |
Release Date: | Sep 22, 2015 |
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Director: | Justin Kurzel |
Writer: | Todd Louiso, Michael Lesslie, Jacob Koskoff |
Genres: | Drama, War |
Keywords | scotland, medieval, 11th century |
Production Companies | The Weinstein Company, StudioCanal, Film4 Productions, See-Saw Films, Creative Scotland, Anton Capital Entertainment, DMC Film |
Box Office |
Revenue: $16,322,067
Budget: $15,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Michael Fassbender | Macbeth |
Marion Cotillard | Lady Macbeth |
Paddy Considine | Banquo |
Sean Harris | Macduff |
Jack Reynor | Malcolm |
Elizabeth Debicki | Lady Macduff |
David Thewlis | Duncan |
David Hayman | Lennox |
Maurice Roëves | Menteith |
Ross Anderson | Rosse |
James Harkness | Angus |
Jack Madigan | Macbeth Child |
Frank Madigan | Macbeth Child |
Lochlann Harris | Fleance |
Kayla Fallon | Young Witch |
Lynn Kennedy | Middle-Aged Witch |
Seylan Baxter | Older Witch |
Amber Rissmann | Child Witch |
Scot Greenan | Young Boy Soldier |
Hilton McRae | Macdonwald |
Brian Nickels | Thane of Cawdor |
Scott Dymond | Seyton |
Andrew Gourlay | Ghost Soldier |
Eleanor Stagg | Macduff Child 1 |
William Stagg | Macduff Child 2 |
Matthew Stagg | Macduff Child 3 |
Rebecca Benson | Maidservant |
Gerard Miller | Messenger |
Roy Sampson | Doctor |
Phil Lonergan | Masked Attacker |
Barrie Martin | Thane |
Robert J. Fraser | Macbeth Soldier (uncredited) |
Name | Job |
---|---|
Justin Kurzel | Director |
Adam Arkapaw | Director of Photography |
Jack English | Still Photographer |
Patrick Malone | Digital Intermediate |
Todd Louiso | Screenplay |
Michael Lesslie | Screenplay |
Jed Kurzel | Original Music Composer |
Katie Money | Art Department Assistant |
Lauren Briggs-Miller | Art Direction |
Georgina Gunner | Costume Supervisor |
Jo Beckett | Script Supervisor |
Anne Moralis | Wigmaker |
Nigel Hyams | Set Costumer |
Kathryn Fa | Hairstylist |
Joe Hopker | Makeup Artist |
Dan Johnson | Armorer |
Marc Pilcher | Hairstylist |
Nicky Ackland-Snow | Construction Coordinator |
Luan Placks | Assistant Costume Designer |
Jake Collier | Set Costumer |
Rosa Romero | Additional Photography |
Peter Robertson | Camera Operator, Steadicam Operator |
Lucy Ainsworth-Taylor | Visual Effects Producer |
Jina Jay | Casting |
Kirsty Mcqueen | Makeup Artist |
Rebecca Milton | Art Direction |
Jenny Shircore | Hair Designer, Makeup Designer |
Hannah Edwards | Makeup Artist |
Sinéad Kidao | Assistant Costume Designer |
Marco Anton Restivo | Art Direction |
Lee Walters | Gaffer |
Jonathan Collard | Digital Intermediate |
Jens Baylis | Visual Effects Editor |
Steve Single | Sound Re-Recording Mixer, Supervising Sound Editor |
Alan Hall | First Assistant Camera |
Rupert Davies | Visual Effects Supervisor |
Ricky Butt | Foley |
Gemma McKeon | Digital Intermediate |
Jonathan Olley | Still Photographer |
Alastair Sirkett | Sound Designer |
Rob Farris | Digital Intermediate |
Ross Busby | Lighting Technician |
James Osborn-Brown | Electrician |
Simone Nicholson | Production Executive |
Richard George Robert Scott | Lighting Technician |
Samantha Black | Production Coordinator |
Markus Stemler | Sound Designer |
Jan Guilfoyle | Visual Effects Producer |
Angela Barson | Visual Effects Supervisor |
Jo Dixon | First Assistant Editor |
Gilbert Lake | Sound Re-Recording Mixer |
Jacob Koskoff | Screenplay |
Sara Desmond | Unit Production Manager |
Lizzie Kelly | Video Assist Operator |
Nana Fischer | Makeup & Hair |
Nick Dent | Supervising Art Director |
Nuala Alen-Buckley | Production Accountant |
Kevin Fitzpatrick | Electrician |
Simon Tindall | Second Unit Director of Photography |
Samantha Joly | Production Executive |
Gavin Walters | Rigging Gaffer |
Arron Cuthbertson | Extras Casting |
Fiona Crombie | Production Design |
William Shakespeare | Theatre Play |
Chris Dickens | Editor |
Jacqueline Durran | Costume Design |
Alice Felton | Set Decoration |
Kate-Beth Walling | Set Costumer |
Mike Kelt | Special Effects Supervisor |
Darrell Warner | Costume Illustrator |
Olly Tellett | First Assistant "A" Camera |
Ryan Stuart | Stunts |
Name | Title |
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Iain Canning | Producer |
Emile Sherman | Producer |
Tessa Ross | Executive Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Laura Hastings-Smith | Producer |
Jenny Borgars | Executive Producer |
Andrew Warren | Co-Producer |
Danny Perkins | Executive Producer |
Olivier Courson | Executive Producer |
Organization | Category | Person | |
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Venice Film Festival | Best Supporting Actor | Alex Hassell | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 36 | 14 |
2024 | 5 | 26 | 56 | 14 |
2024 | 6 | 16 | 26 | 10 |
2024 | 7 | 19 | 40 | 9 |
2024 | 8 | 17 | 32 | 11 |
2024 | 9 | 11 | 16 | 8 |
2024 | 10 | 27 | 83 | 10 |
2024 | 11 | 15 | 34 | 9 |
2024 | 12 | 14 | 21 | 9 |
2025 | 1 | 17 | 41 | 9 |
2025 | 2 | 11 | 16 | 3 |
2025 | 3 | 5 | 18 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 2 | 2 | 1 |
2025 | 6 | 2 | 2 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
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2025 | 3 | 774 | 850 |
The directing and the photography are very good. The use of the color, the smoke and fog and the speed of the camera are very well chosen. Fassbender gives a very good performance, but it swallows everybody else in the movie. What I don't like that much of this version is that Lady Macbeth alm ... ost fades away. Her character is not as important as it should be and, in the end, everything is expected and everything becomes a bit boring.
The thing about this play is that it is almost impossible to distil it down to two hours. Like most of Shakespeare's tragedies, there is immense richness in the language; in the pace the story develops; in the nuanced characterisations and in the imagery. Sure, the medium can reduce the need for muc ... h of the more descriptive narrative but it still takes time for the plotting and scheming; the menace and the power lust to percolate through. Now this isn't a terrible interpretation. Michael Fassbender is reasonable as the ambitious Thane of Glamis. He is informed by three witches after a battle that his accession to King Duncan's throne is assured, and together with his equally determined wife (Marion Cotillard) he sets about expediting that process. Not everyone believes his feigned innocence though, and that means he has to start removing his detractors - not least Banquo (Paddy Considine) and the late king's son Malcolm (an oddly cast Jack Raynor), and it's at this point that their cunning plan begins to unravel. The film looks great, the soundtrack is eerie and effective and the costumes, scenery and lighting really do help to convey something of the real Scottish environment; but again the absence of many significant plot lines - the caveats with the witches' initial prophecy, for example, rob the storyline of much of it's complex potency. The character of Lady Macbeth is underused as an underpinning motivation for her husband's actions and essentially we are just left with a rather straightforward story of power-hungry murder. It is worth watching, but it is also underwhelming.