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Macbeth

All hail Macbeth that shall be king
2015 | 113m | English

(61044 votes)

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Popularity: 2 (history)

Details

Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.
Release Date: Sep 22, 2015
Director: Justin Kurzel
Writer: Todd Louiso, Michael Lesslie, Jacob Koskoff
Genres: Drama, War
Keywords scotland, medieval, 11th century
Production Companies The Weinstein Company, StudioCanal, Film4 Productions, See-Saw Films, Creative Scotland, Anton Capital Entertainment, DMC Film
Box Office Revenue: $16,322,067
Budget: $15,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael Fassbender Macbeth
Marion Cotillard Lady Macbeth
Paddy Considine Banquo
Sean Harris Macduff
Jack Reynor Malcolm
Elizabeth Debicki Lady Macduff
David Thewlis Duncan
David Hayman Lennox
Maurice Roëves Menteith
Ross Anderson Rosse
James Harkness Angus
Jack Madigan Macbeth Child
Frank Madigan Macbeth Child
Lochlann Harris Fleance
Kayla Fallon Young Witch
Lynn Kennedy Middle-Aged Witch
Seylan Baxter Older Witch
Amber Rissmann Child Witch
Scot Greenan Young Boy Soldier
Hilton McRae Macdonwald
Brian Nickels Thane of Cawdor
Scott Dymond Seyton
Andrew Gourlay Ghost Soldier
Eleanor Stagg Macduff Child 1
William Stagg Macduff Child 2
Matthew Stagg Macduff Child 3
Rebecca Benson Maidservant
Gerard Miller Messenger
Roy Sampson Doctor
Phil Lonergan Masked Attacker
Barrie Martin Thane
Robert J. Fraser Macbeth Soldier (uncredited)
Name Job
Justin Kurzel Director
Adam Arkapaw Director of Photography
Jack English Still Photographer
Patrick Malone Digital Intermediate
Todd Louiso Screenplay
Michael Lesslie Screenplay
Jed Kurzel Original Music Composer
Katie Money Art Department Assistant
Lauren Briggs-Miller Art Direction
Georgina Gunner Costume Supervisor
Jo Beckett Script Supervisor
Anne Moralis Wigmaker
Nigel Hyams Set Costumer
Kathryn Fa Hairstylist
Joe Hopker Makeup Artist
Dan Johnson Armorer
Marc Pilcher Hairstylist
Nicky Ackland-Snow Construction Coordinator
Luan Placks Assistant Costume Designer
Jake Collier Set Costumer
Rosa Romero Additional Photography
Peter Robertson Camera Operator, Steadicam Operator
Lucy Ainsworth-Taylor Visual Effects Producer
Jina Jay Casting
Kirsty Mcqueen Makeup Artist
Rebecca Milton Art Direction
Jenny Shircore Hair Designer, Makeup Designer
Hannah Edwards Makeup Artist
Sinéad Kidao Assistant Costume Designer
Marco Anton Restivo Art Direction
Lee Walters Gaffer
Jonathan Collard Digital Intermediate
Jens Baylis Visual Effects Editor
Steve Single Sound Re-Recording Mixer, Supervising Sound Editor
Alan Hall First Assistant Camera
Rupert Davies Visual Effects Supervisor
Ricky Butt Foley
Gemma McKeon Digital Intermediate
Jonathan Olley Still Photographer
Alastair Sirkett Sound Designer
Rob Farris Digital Intermediate
Ross Busby Lighting Technician
James Osborn-Brown Electrician
Simone Nicholson Production Executive
Richard George Robert Scott Lighting Technician
Samantha Black Production Coordinator
Markus Stemler Sound Designer
Jan Guilfoyle Visual Effects Producer
Angela Barson Visual Effects Supervisor
Jo Dixon First Assistant Editor
Gilbert Lake Sound Re-Recording Mixer
Jacob Koskoff Screenplay
Sara Desmond Unit Production Manager
Lizzie Kelly Video Assist Operator
Nana Fischer Makeup & Hair
Nick Dent Supervising Art Director
Nuala Alen-Buckley Production Accountant
Kevin Fitzpatrick Electrician
Simon Tindall Second Unit Director of Photography
Samantha Joly Production Executive
Gavin Walters Rigging Gaffer
Arron Cuthbertson Extras Casting
Fiona Crombie Production Design
William Shakespeare Theatre Play
Chris Dickens Editor
Jacqueline Durran Costume Design
Alice Felton Set Decoration
Kate-Beth Walling Set Costumer
Mike Kelt Special Effects Supervisor
Darrell Warner Costume Illustrator
Olly Tellett First Assistant "A" Camera
Ryan Stuart Stunts
Name Title
Iain Canning Producer
Emile Sherman Producer
Tessa Ross Executive Producer
Bob Weinstein Executive Producer
Harvey Weinstein Executive Producer
Laura Hastings-Smith Producer
Jenny Borgars Executive Producer
Andrew Warren Co-Producer
Danny Perkins Executive Producer
Olivier Courson Executive Producer
Organization Category Person
Venice Film Festival Best Supporting Actor Alex Hassell Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 23 36 14
2024 5 26 56 14
2024 6 16 26 10
2024 7 19 40 9
2024 8 17 32 11
2024 9 11 16 8
2024 10 27 83 10
2024 11 15 34 9
2024 12 14 21 9
2025 1 17 41 9
2025 2 11 16 3
2025 3 5 18 1
2025 4 1 2 1
2025 5 2 2 1
2025 6 2 2 1
2025 7 2 2 1
2025 8 2 2 1

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Reviews

tanty
6.0

The directing and the photography are very good. The use of the color, the smoke and fog and the speed of the camera are very well chosen. Fassbender gives a very good performance, but it swallows everybody else in the movie. What I don't like that much of this version is that Lady Macbeth alm ... ost fades away. Her character is not as important as it should be and, in the end, everything is expected and everything becomes a bit boring.

Jun 23, 2021
Geronimo1967
6.0

The thing about this play is that it is almost impossible to distil it down to two hours. Like most of Shakespeare's tragedies, there is immense richness in the language; in the pace the story develops; in the nuanced characterisations and in the imagery. Sure, the medium can reduce the need for muc ... h of the more descriptive narrative but it still takes time for the plotting and scheming; the menace and the power lust to percolate through. Now this isn't a terrible interpretation. Michael Fassbender is reasonable as the ambitious Thane of Glamis. He is informed by three witches after a battle that his accession to King Duncan's throne is assured, and together with his equally determined wife (Marion Cotillard) he sets about expediting that process. Not everyone believes his feigned innocence though, and that means he has to start removing his detractors - not least Banquo (Paddy Considine) and the late king's son Malcolm (an oddly cast Jack Raynor), and it's at this point that their cunning plan begins to unravel. The film looks great, the soundtrack is eerie and effective and the costumes, scenery and lighting really do help to convey something of the real Scottish environment; but again the absence of many significant plot lines - the caveats with the witches' initial prophecy, for example, rob the storyline of much of it's complex potency. The character of Lady Macbeth is underused as an underpinning motivation for her husband's actions and essentially we are just left with a rather straightforward story of power-hungry murder. It is worth watching, but it is also underwhelming.

Apr 13, 2022