Popularity: 2 (history)
Director: | Kevin Smith |
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Writer: | Kevin Smith |
Staring: |
Both dumped by their girlfriends, two best friends seek refuge in the local mall. Eventually, they decide to try and win back their significant others and take care of their respective nemeses. | |
Release Date: | Oct 20, 1995 |
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Director: | Kevin Smith |
Writer: | Kevin Smith |
Genres: | Comedy, Romance |
Keywords | game show, slacker, shopping, mall, ex-boyfriend ex-girlfriend relationship, silent man, coke, bandleader, aftercreditsstinger |
Production Companies | Gramercy Pictures, Alphaville Films, View Askew Productions |
Box Office |
Revenue: $2,122,561
Budget: $6,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Jason Lee | Brodie |
Jeremy London | T.S. Quint |
Shannen Doherty | Rene |
Claire Forlani | Brandi |
Ben Affleck | Shannon |
Joey Lauren Adams | Gwen |
Renée Humphrey | Tricia |
Kevin Smith | Silent Bob |
Jason Mewes | Jay |
Ethan Suplee | Willam |
Stan Lee | Stan Lee |
Priscilla Barnes | Ivannah |
Michael Rooker | Svenning |
Sven-Ole Thorsen | La Fours |
Carol Banker | Security Guard |
Steven Blackwell | Arresting Cop #2 |
Kyle Boe | Pull Toy Kid |
David Brinkley | TV Executive #1 |
Walt Flanagan | Fan Boy |
Ethan Flower | Guy Contestant #1 |
Chelsea Frye | Girl with Easter Bunny |
Jeff Gadbois | TV Executive #2 - Bentley Garrison |
Ed Hapstak | Guy Contestant #2 |
Terry Hempleman | Cop #1 |
Art James | Game Show Host |
Bryan Johnson | Steve Dave |
Mikey Kovar | Child at Kiosk #2 |
David Klein | Fan at Comic Store |
Scott Mosier | Roddy |
Crystal Muirhead-Manik | Saleslady at Lingerie Store |
Tyson Nassauer | Kid at Poster Kiosk |
Brian O'Halloran | Gill |
Aaron Preusse | Passerby in Parking Lot |
Britt Swenson | Child at Kiosk #1 |
Mary Woolever | Teacher |
Brad Fox | Team La Fours |
Gino Gori | Team La Fours |
Zach Perkins | Team La Fours |
Brad Giddings | Team La Fours |
Bryce Mack | Team La Fours |
Christopher O'Larkin | Team La Fours |
Earl R. Burt | Audience Member (uncredited) |
Tammara Melloy | Shopper (uncredited) |
Rachel Oliva | Screaming Girl in Audience (uncredited) |
Jessica Sibinski | Shoobie Shake Girl (uncredited) |
Joel Thingvall | Comic Book Fan (uncredited) |
Name | Job |
---|---|
Dina Lipton | Production Design |
Sue Savage | Art Direction |
William Hooper | Sound Editor |
Charles Maynes | Sound Editor, Sound Effects Editor |
Kevin Smith | Director, Writer |
Jose Araujo | Sound Mixer |
Chuck Zito | Stunts |
Carol Banker | Script Supervisor |
Shari Nicotero | Second Second Assistant Director, Stunts |
Gary Burritt | Negative Cutter |
Richard J. Rossi | First Assistant Editor |
Jake Crawford | Stunts |
Ethan Flower | Casting Assistant |
Eric D. Howell | Stunts |
Roseanne Fiedler | Set Costumer |
Elisa Cohen | Assistant Editor |
Dennis McNeill | Color Timer |
J.J. George | Supervising Music Editor |
John Hughes | Thanks |
Paul Dixon | Editor |
Mike Allred | Main Title Designer |
Dana Allyson | Costume Design |
Richard LeGrand Jr. | Supervising Sound Editor |
Harry E. Snodgrass | Sound Designer |
Crist Ballas | Prosthetic Makeup Artist |
Kristin Mosier | Hair Assistant |
Beth DePatie | Production Supervisor |
Laura Greenlee | Line Producer |
Toni G | Makeup Artist |
Brigette A. Myre | Key Makeup Artist |
Donna Smith | Executive In Charge Of Production |
James Bolt | Foley Mixer |
Anton Herbert | Boom Operator |
Matthew Magrattan | Cableman |
Michelle Pleis | Assistant Sound Editor |
David Klein | Director of Photography |
Diana Stoughton | Set Decoration |
William Jacobs | Sound Editor |
Don Phillips | Casting |
Sherry Heart | Hairstylist |
Terra Abroms | Post Production Supervisor |
Fernando Altschul | First Assistant Director |
Charlie Ajar Jr. | Sound Recordist |
Michael C. Casper | Sound Re-Recording Mixer |
Alan Holly | ADR Mixer |
Diane Marshall | Foley Artist |
Joan Rowe | Foley Artist |
Norval D. Crutcher III | Supervising ADR Editor |
Daniel J. Leahy | Sound Re-Recording Mixer |
Bob McNabb | ADR Editor |
Samuel Webb | Assistant Sound Editor |
Phil Chong | Stunts |
Dee Dee Wehle | Casting Associate |
Dana Kay Hart | Costume Supervisor |
Paul Kieran | Assistant Editor |
Bob Medcraft | Location Manager |
Kathy Nelson | Music Supervisor |
Ralph B. Meyer | Location Manager |
Don Nemitz | Orchestrator |
Lisa Bradley | Production Coordinator |
Jeff Saltzman | Music Supervisor |
Ira Newborn | Original Music Composer |
Dan Perri | Title Designer |
Louis Shaw Milito | Second Assistant Director |
Robert Apisa | Stunt Coordinator |
Carl Ciarfalio | Stunts |
Sven-Ole Thorsen | Stunts |
Name | Title |
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Scott Mosier | Producer |
James Jacks | Producer |
Caldecot Chubb | Executive Producer |
Sean Daniel | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 33 | 53 | 16 |
2024 | 5 | 41 | 65 | 29 |
2024 | 6 | 26 | 50 | 17 |
2024 | 7 | 21 | 41 | 13 |
2024 | 8 | 20 | 31 | 11 |
2024 | 9 | 14 | 22 | 10 |
2024 | 10 | 30 | 74 | 11 |
2024 | 11 | 17 | 31 | 9 |
2024 | 12 | 15 | 22 | 10 |
2025 | 1 | 18 | 32 | 12 |
2025 | 2 | 11 | 18 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 2 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 606 | 791 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 678 | 698 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 809 | 864 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 997 | 997 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 981 | 981 |
Only the second time seeing this (last was probably in the early 2000s on DVD) and thought it was okay but guess like others, this has grown on me. Laughed throughout even when the dialogue wasn't the greatest, but I have an appreciation for sarcasm so I gravitated towards Jason Lee's character the ... most. Not quite sure it's on the level of Clerks or Chasing Amy (have to re-visit those) but a solid comedy. **3.75/5**
**A comedy full of absurd jokes, which could work better if they weren't so aimed at niche audiences that most people don't really belong to.** From the same hand that gave us “Clerks” (director and screenwriter Kevin Smith) came this bizarre comedy, centered on two teenagers who have just lost t ... heir girlfriends. It is already known that we are going to see a film that is, to say the least, unorthodox and full of light-hearted jokes, allusions to pop culture and elements that would be easy to identify for the youth of the time. Maybe that's why the humor hardly works clearly: I could still understand most of the jokes minimally but, for example, I don't know anything about comics and all the jokes about that are unintelligible to me. I believe the same thing happens to a lot of people: we are not part of the target audience and the feeling is that of a somewhat dated, niche film that has not aged very well. The script has its moments: there are several conflicting plots, some of which (the boy obsessed with a painting where everyone sees a sailboat, for example) are very stupid and seem out of context. In fact, there seems to be no possible context for them! The same cannot be said about the main plots of the two couples at odds. We can say that they are absurd, but this is normal in the case of a movie that uses absurdity for a jocular purpose. For the rest, and even considering that I've seen better, it's not a film that I can say I hated seeing, although I don't intend to see it again. Claire Forlani, very young and beautiful, plays her role with panache alongside Jeremy London, Shannen Doherty and Jason Lee, three young promises who would not have a bright future as actors, even though they remain active and working. It's fair to say that everyone made their own effort and left a positive mark, but it's not fair to forget Stan Lee's contribution, in a very honorable special appearance, and the work developed by Ben Affleck, Michael Rooker, Jason Mewes and Kevin Smith. It's one of those films where the auxiliary cast has almost as much weight and relevance to the final product as the four protagonists. In fact, a large part of what makes the film work after so many years is, precisely, the quality of the characters and the way they manage to please us.