Popularity: 3 (history)
Director: | Tom McCarthy |
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Writer: | Tom McCarthy, Paul Sado |
Staring: |
Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are. | |
Release Date: | Sep 11, 2014 |
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Director: | Tom McCarthy |
Writer: | Tom McCarthy, Paul Sado |
Genres: | Comedy, Fantasy, Drama |
Keywords | new york city, gang leader, cobbler, jewish family, body switch, shoes, lower east side, jewish neighborhood, magical |
Production Companies | Voltage Pictures, Golden Spike (II), Next Wednesday Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Jay Peck | Foley Artist |
Mary A. Kelly | Script Supervisor |
Cesar Baptista | Key Grip |
Andrew Pang | First Assistant Editor |
John Debney | Original Music Composer |
Leo Corey Castellano | Makeup Effects, Special Effects Makeup Artist |
Paul Schnee | Casting |
Kerry Barden | Casting |
Erin Hicks | Hair Setup, Hair Department Head |
Marie Lynn Wagner | Art Direction |
Taurance F. Williams | Hairstylist |
Sanja Milic | Makeup Artist |
Ashley Ryan | Makeup Artist |
Stephen H. Carter | Production Design |
Sarah E. McMillan | Set Decoration |
Macall B. Polay | Still Photographer |
Andy Kris | Dialogue Editor, Sound Re-Recording Mixer |
Rachel Jablin | Post Production Supervisor |
Matthew Haasch | Foley Mixer |
Gavin Hecker | Foley Mixer |
Warren Shaw | Sound Effects Editor |
Kris Chevannes | ADR Mixer |
Timothy J. Wood | Transportation Captain |
James Sarzotti | Makeup Department Head |
Diana Burton | Property Master |
Chris Ann Pappas | Assistant Costume Designer |
Kelly Solomon | Art Department Coordinator |
Michael Bederman | Unit Production Manager |
Stephen Apicella | First Assistant Director |
Matt Power | Second Assistant Director |
Jake Braver | Visual Effects Supervisor |
Lisa Nilsson | Assistant Set Decoration |
Tom Conway | Leadman |
Patrick Campbell | Storyboard Artist |
Caroline Quiroga | Assistant Costume Designer |
Damian Canelos | Sound Mixer |
Vince Reed Camuto | Boom Operator |
Ann Carton | Stunts |
Jen Egan | Stunt Driver |
Jeffrey Lee Gibson | Stunt Coordinator |
Gene Harrison | Stunt Driver |
Luke Lesko | Stunt Double, Stunts |
Drew Jiritano | Special Effects Coordinator |
Canella Williams | Production Supervisor |
Kyle Rudolph | Steadicam Operator, "A" Camera Operator |
Dan Hersey | First Assistant "A" Camera |
Kyle Repka | Second Assistant "A" Camera |
James Strosahl | Digital Imaging Technician |
Michael Berg | "B" Camera Operator |
Charles Libin | Second Unit Director of Photography, "B" Camera Operator |
Erin Henning | First Assistant "B" Camera |
Eddy Rodriguez | First Assistant "B" Camera |
Caitlin Machak | Second Assistant "B" Camera |
Kris Enos | Second Assistant "B" Camera |
Catriona Crosby | Set Dresser |
Craig Horan | Set Dresser |
Michael Saari | Set Dresser |
Ioannis Sochorakis | Art Department Assistant |
Jodi Baldwin | Wardrobe Supervisor |
Rebecca Edmonston | Key Costumer |
Richard P. Ulivella | Gaffer |
John Alcantara | Best Boy Electric |
Josh Fisher | Electrician |
Thomas O'Connor | Rigging Gaffer |
Brien Sauchelli | Best Boy Grip |
Dan Trauger | Dolly Grip |
Carissa Spatcher | Grip |
Lauren Heath | Production Coordinator |
Mackenzie Luzzi | Assistant Production Coordinator |
Jordyn Acconcia | Assistant Production Coordinator |
Wyatt Cain | Production Secretary |
Steven Weisberg | Location Manager |
Ana Laura Pulido | Assistant Location Manager |
Sara Kelley | Location Coordinator |
Ryan Gomez | Production Accountant |
Imran Yusufzai | First Assistant Accountant |
Yolan Fisher | Assistant Property Master |
Luke Crawford | Second Second Assistant Director |
Joey Montenarello | Casting Assistant |
Malcolm Reid | Construction Coordinator |
Thomas Lindsay | Assistant Editor |
Stuart Stanley | ADR Editor, Foley Editor |
Lola Debney | Music Coordinator |
Nick Urata | Original Music Composer |
Tom McCarthy | Writer, Director |
Paul Sado | Writer |
Allison Estrin | Casting |
Tom McArdle | Editor |
W. Mott Hupfel III | Director of Photography |
Melissa Toth | Costume Design |
Mary Ramos | Music Supervisor |
Steven Cachie Brown | Utility Stunts |
Trevor E. Dickerson | Stunt Double |
Thomas Place | Stunts |
Derrick Simmons | Stunts |
Brian Smyj | Stunt Coordinator, Stunts |
Jen Weissenberg | Stunt Driver |
Caroline Vexler | Stunts |
Name | Title |
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Kate Churchill | Co-Producer |
Dominic Rustam | Co-Producer |
Michael Bederman | Executive Producer |
Nicolas Chartier | Executive Producer |
Zev Foreman | Executive Producer |
Mary Jane Skalski | Producer |
Tom McCarthy | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 49 | 18 |
2024 | 5 | 35 | 88 | 21 |
2024 | 6 | 26 | 34 | 17 |
2024 | 7 | 33 | 66 | 18 |
2024 | 8 | 27 | 42 | 15 |
2024 | 9 | 19 | 30 | 12 |
2024 | 10 | 37 | 92 | 16 |
2024 | 11 | 23 | 47 | 14 |
2024 | 12 | 20 | 24 | 14 |
2025 | 1 | 25 | 48 | 15 |
2025 | 2 | 17 | 31 | 3 |
2025 | 3 | 8 | 24 | 1 |
2025 | 4 | 5 | 12 | 2 |
2025 | 5 | 3 | 4 | 3 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 3 | 3 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 4 | 765 | 790 |
I don't know what's really going on with Adam Sandler in the recent years, he was actually out of the league for a while from entertaining his fans. All he did was overdose comedies which were below par compared to his earlier movies. I said in 'Blended' review that I'm tired of his movie, but watch ... ed it only because of the director. All his films were very impressive and I believed him on this one, more than the Sandler. Otherwise, it would have been undoubtedly a skippable flick. As expected the movie was good, but not without the flaws, I mean the major ones because there are many unanswered stuffs that leaves viewers go either way from thinking all the possibility to create their own imagination. Hope that's not the case, the writers do not want to be that smart otherwise it will be a messed up movie with having a wonderful theme idea. Yeah, I liked the concept, but it should have been a bit detail while exploring the story and exhibiting the characters. I still feel it can be covered in the follow-up, so from that perspective, the movie was decent. Especially highlighting one of the social issue was a nice addition, but the portrayal of family affair was a disappointment. It's that kind of story demanded in a like manner, but that does not convince me at all. From the Adam Sandler's perspective the movie was much better, because of his series of recent fails. At the same time it was a bit letdown from the perspective of the director known for his cool works. Overall, it lays on 50-50, and mostly favours on the positive side because of the narration of the dark comedy in a style. And again, I felt the end was terrible with cliche. I definitely give thumbs up to go for it, even though the loopholes the creative concept draws our attention. 6.5/10