Popularity: 6 (history)
| Director: | Tarsem |
|---|---|
| Writer: | Àlex Pastor, David Pastor |
| Staring: |
| An extremely wealthy elderly man dying from cancer undergoes a radical medical procedure that transfers his consciousness to the body of a healthy young man but everything may not be as good as it seems when he starts to uncover the mystery of the body's origins and the secret organization that will kill to keep its secrets. | |
| Release Date: | Jul 10, 2015 |
|---|---|
| Director: | Tarsem |
| Writer: | Àlex Pastor, David Pastor |
| Genres: | Action, Science Fiction, Mystery, Thriller |
| Keywords | lie, immortality, terminal illness, laboratory, cancer, doctor, body-swap, death, rich, false memory, soul transference, rich man, mind transfer, host body, body snatching, eternal |
| Production Companies | Endgame Entertainment, Ram Bergman Productions |
| Box Office |
Revenue: $31,807,156
Budget: $26,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ryan Reynolds | Young Damian |
| Ben Kingsley | Damian |
| Natalie Martinez | Madeline |
| Matthew Goode | Albright |
| Michelle Dockery | Claire |
| Melora Hardin | Judy |
| Victor Garber | Martin |
| Sam Page | Carl |
| Derek Luke | Anton |
| Mariana Paola Vicente | Leah |
| Jaynee-Lynne Kinchen | Anna |
| Brendan McCarthy | Anton 2 |
| Thomas Francis Murphy | Dr. Jensen |
| Sandra Ellis Lafferty | Phyllis Jensen |
| Emily Tremaine | Mallory |
| Griff Furst | EMT #1 |
| Cedric Palmisano | EMT #2 |
| Tom Waite | Ambulance Driver |
| Douglas M. Griffin | Doctor X-Ray |
| Marcus Lyle Brown | Lab Technician |
| Teri Wyble | Andrea |
| Gary Weeks | Chauffeur |
| Kristin Erickson | Gate Agent |
| Dakota Buchanan | Dickish Cousin |
| Robert Harvey | Retirement Home Manager |
| Jimmy Gonzales | Recovery Mercenary |
| Jesica Ahlberg | Beautiful Girl #1 |
| Dacia Fernandez | Beautiful Girl #2 |
| Hannah Jelinovic | Beautiful Girl #3 |
| Ashley Laliberty | Beautiful Girl #4 |
| Anna Dudnik | Beautiful Girl #5 |
| Big Freedia | Big Freedia |
| Antionique Price | Dancer #1 |
| Stephanie Bertrand | Dancer #2 |
| Shelby Skipper | Dancer #3 |
| Alvin Santana | Tap Dancer #1 |
| Rashod Singleton | Tap Dancer #2 |
| Keiton Crump | Tap Dancer #3 |
| Clay Chamberlin | Hallway Lab Tech |
| Kate Ransome Wilcox | Coalition Volunteer |
| Julian Niccolini | Maitre'd |
| Mariah Quintana | |
| Steffie Grote | Jazz Club Waitress (uncredited) |
| Claire McReynolds | Park Kid (uncredited) |
| Lola Phillips | School Girl (uncredited) |
| Anne Speed | Nurse (uncredited) |
| Katherine Grace Yeaton | Cemetery Girl (uncredited) |
| Christopher Heskey | Medical Orderly (uncredited) |
| Dylan Lowe | Tony |
| Ronn Surels | Mercenary (uncredited) |
| Name | Job |
|---|---|
| Robert Duffy | Editor |
| Tom Foden | Production Design |
| Brendan Galvin | Director of Photography |
| David Pomier | Line Producer |
| Venus Kanani | Casting |
| Josue Clotaire Fleurimond | Conceptual Design |
| Shay Cunliffe | Costume Design |
| Tim Beach | Art Direction |
| Cindy Carr | Set Decoration |
| Debra Schutt | Set Decoration |
| Jeremiah Hansen | Art Department Coordinator |
| Chuck Stringer | Construction Coordinator |
| Andree Fortier | Costume Supervisor |
| Megan Richardson | Set Costumer |
| Richard Henderson | Music Editor |
| Rick Nelson | Music Editor, Sound Recordist |
| Robin Whittaker | Music Editor |
| Jason Rhein | Music Director, Sound Recordist |
| Jean-Paul Chreky | Script Supervisor |
| Alexander B. Hill | Script Supervisor |
| Voni Hinkle | Hair Department Head |
| Carl G. Variste | Key Hair Stylist |
| Vivian Baker | Makeup Department Head |
| Stacy Kelly | Makeup Artist |
| Melissa Kennelly | Foley |
| Vince Nicastro | Foley |
| Robert L. Sephton | Supervising Sound Editor, Sound Designer |
| Joe Lemola | Sound Effects Editor |
| Kevin O'Connell | Sound Re-Recording Mixer |
| Steven Ticknor | Supervising Sound Editor, Sound Re-Recording Mixer |
| Ryan Markley | 3D Artist |
| Rif Dagher | CG Supervisor |
| Raoul Bolognini | Visual Effects Producer |
| Kim Church | Visual Effects Producer |
| Adam Howard | Visual Effects Supervisor |
| Curt Miller | Visual Effects Supervisor |
| Ray McIntyre Jr. | Visual Effects Supervisor |
| Culley Bunker | Visual Effects Supervisor |
| David K. Nami | Special Effects Coordinator |
| Hilary Bronwyn Gayle | Additional Still Photographer |
| Patrick Longman | Aerial Camera |
| Corey Erwin | Best Boy Electric |
| Jerry M. Jacob | Camera Operator |
| Jody Miller | Steadicam Operator |
| Jaron Presant | Second Unit Director of Photography |
| Shawn Stone | Dolly Grip |
| Peter Bulavinetz | Dolly Grip |
| Bob Bates | Gaffer |
| Declan Ryan | Gaffer |
| Danny Brazen | Key Grip |
| Brendon Malone | Key Grip |
| Jim Grout | Lighting Technician |
| Jonathan Terpstra | Lighting Technician |
| Troy Anderson | Rigging Gaffer |
| Duane Cooper | Rigging Grip |
| Alan Markfield | Still Photographer |
| Billy Green | Additional Photography |
| Bryn Everett | Casting Assistant |
| Alexis Cadorette-Vigneau | Digital Intermediate |
| Carissa Clark | Digital Intermediate |
| Carl S.G. Moore | Digital Intermediate |
| Tony Bacigalupi | First Assistant Editor |
| Fulvio Valsangiacomo | Assistant Editor |
| Stephen LeBlanc | Location Manager |
| Al Cerullo | Pilot |
| Paul Barth | Pilot |
| Daniela Kriston | Researcher |
| Evan Trent | Script Editor |
| Diane Slattery | Unit Publicist |
| James Morioka | Dialogue Editor |
| Michael Ortiz | Stunts |
| Andy Abele | Stunts |
| Brook Yeaton | Property Master |
| Tarsem | Director |
| Àlex Pastor | Screenplay |
| David Pastor | Screenplay |
| Dudu Aram | Original Music Composer |
| Antonio Pinto | Original Music Composer |
| Mary Vernieu | Casting |
| Toby Bronson | Set Costumer |
| John Houlihan | Music Supervisor |
| Eric VanArsdale | Stunts |
| Carl Anthony Nespoli | Stunts |
| John Bernecker | Stunt Double |
| Chris J. Fanguy | Stunt Double |
| Carlos Guity | Stunt Double |
| Theo Kypri | Stunt Double |
| Vanessa Motta | Stunt Double |
| Ronn Surels | Stunts |
| Eric Acsell | VFX Artist |
| Marshall T. Broyles | Special Effects Technician |
| Name | Title |
|---|---|
| Nikos Karamigios | Co-Producer |
| James D. Stern | Producer |
| Cameron Jewell | Co-Producer |
| Nico Soultanakis | Co-Producer |
| Ram Bergman | Producer |
| Peter Schlessel | Producer |
| Lia Buman | Executive Producer |
| Julie Goldstein | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 44 | 68 | 30 |
| 2024 | 5 | 54 | 103 | 32 |
| 2024 | 6 | 42 | 60 | 23 |
| 2024 | 7 | 50 | 89 | 24 |
| 2024 | 8 | 45 | 84 | 23 |
| 2024 | 9 | 27 | 45 | 18 |
| 2024 | 10 | 48 | 90 | 19 |
| 2024 | 11 | 28 | 48 | 19 |
| 2024 | 12 | 26 | 40 | 19 |
| 2025 | 1 | 31 | 58 | 22 |
| 2025 | 2 | 23 | 41 | 5 |
| 2025 | 3 | 10 | 30 | 2 |
| 2025 | 4 | 4 | 6 | 3 |
| 2025 | 5 | 4 | 4 | 3 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 5 | 6 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 7 | 12 | 4 |
| 2025 | 10 | 6 | 8 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 997 | 997 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 361 | 683 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 423 | 590 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 885 | 885 |
> Not very innovative, as well as not that bad. Like the previous year, the 2015 was also considered the year of sci-fi in the film world. Plenty of large and small scale flicks came out and among them I was eagerly waiting for this one. If the story is what you always prefer with a fine producti ... on quality, then this film won't disappoint you. The performances were also well supported. Then what was this film's issue? The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it. Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well. People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film. My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so. 7/10