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Incarnate Poster

Incarnate

Faith has failed us.
2016 | 87m | English

(14623 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Brad Peyton
Writer: Ronnie Christensen
Staring:
Details

An exorcist comes up against an evil from his past when he uses his skills to enter the mind of a nine year old boy.
Release Date: Dec 01, 2016
Director: Brad Peyton
Writer: Ronnie Christensen
Genres: Horror, Thriller
Keywords wheelchair, possessed, exorcist, new york city, exorcism, scientist, vatican (holy see), wheelchair user , demon
Production Companies Blumhouse Productions, IM Global, WWE Studios
Box Office Revenue: $6,341,855
Budget: $5,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Aaron Eckhart Dr. Seth Ember
Natalija Nogulich Maggie
Keir O'Donnell Oliver
Catalina Sandino Moreno Camilla
Carice van Houten Lindsey
Matt Nable Dan
Mark Henry Bouncer #2
Breanne Hill Ilsa
Karolina Wydra Anna
Vera Miao Michelle
Emily Jackson Riley
Paul Vincent O'Connor Priest
Vanya Asher Jogger
Tomas Arana Felix
Emjay Anthony Jake
David Mazouz Cameron
John Pirruccello Henry
Petra Sprecher Homeless Woman
Carlease Burke Woman at Carnival
Mark Steger Maggie (Demon)/Luka
Tim Sitarz Bouncer #1
Josue Aguirre E.M.T. #2
Name Job
Brad Peyton Director
Mona May Costume Design
Sharon Bialy Casting
Dana Gonzales Director of Photography
Marty Eli Schwartz First Assistant Director
John Dixon Stunts
Zac Henry Stunts
Seth Duhame Stunts
Ronnie Christensen Screenplay
Gary Warshaw Art Direction
Jonathan Chibnall Editor
Jason Garner Art Direction
Lisa Norcia Costume Design
Todd E. Miller Editor
Ben Benesh Key Grip
Gary Ramirez Property Master
Renetta G. Amador Script Supervisor
Sherry Thomas Casting
Jacqueline Aronson Costume Supervisor
Emanuel Millar Wigmaker, Hair Department Head
Theodora Katsoulogiannakis Key Hair Stylist
Dominic Bartolone Camera Operator, Steadicam Operator
Dwight Elliott Stone Rigging Grip
Jeff Lichtfuss Visual Effects Supervisor
Kaylene Carlson Unit Production Manager
James Sbardellati First Assistant Director
Robert Eber Production Sound Mixer
Tony Rivetti Jr. Still Photographer
Christopher Taylor Additional Photography
Brandon Parvini Visual Effects Supervisor
Russell Scott Casting Associate, Casting
Traci Kirshbaum Set Decoration
Mathew Severns Rigging Grip
Matt Kennedy Still Photographer
Tina Harrelson Key Makeup Artist
Matt Primm Visual Effects Producer
Jeff Webster Gaffer
Greg Hale Second Assistant Director
Tony Roman Post Production Supervisor
Scott Edelson Boom Operator
Rico Burgos Stunts
Paul Anthony Scott Stunt Double
David Edsall First Assistant "A" Camera
Andrew Laboy First Assistant "B" Camera
Greg Simone Assistant Chief Lighting Technician
Zachary Helmer Lighting Technician
Augustus Gordon Rigging Gaffer
Yoshi Isomura Grip
Libby Anderson Production Supervisor
Mark Amos Production Accountant
Allison Isenberg Assistant Art Director
Joe Bergman Leadman
Adolfo Castanon Greensman
Stacia Kimler Casting Assistant
J. Tom Jones Transportation Captain
William Yeh Additional Editor
Steve M. Ngo First Assistant Editor
Aimee Jennings First Assistant Editor
Paul Hackner Supervising Sound Editor, Sound Re-Recording Mixer
Malcolm Fife Sound Effects Editor
Robert Chen ADR Editor
Diego S. Staub Foley Mixer
Judah Getz ADR Mixer
Trampas Thompson Stunt Coordinator
Brian Collins Stunts
Courtney Schwartz Stunt Double
Joseph Joyce Second Assistant "A" Camera
Gary Bevans Second Assistant "B" Camera
Zak Knight Special Effects Supervisor
Dimitri Andrade Lighting Technician
Chris Cogan Best Boy Grip
Michael Santoro Rigging Grip
Nacoma Whobrey Makeup Department Head
Peter Beck Storyboard Artist
Jamie McElrath Scenic Artist
James G. Brill Transportation Coordinator
Jimmy A. Rivas Transportation Co-Captain
Nathan Godley First Assistant Editor
Jim Schulte First Assistant Editor
Matthew Prescott Assistant Editor
Justin Dzuban Dialogue Editor
Miguel Barbosa Foley Artist
Thomas J. O'Connell ADR Mixer
Andrew Lockington Original Music Composer
Bill Boes Production Design
Jennifer Scudder Trent Post Production Supervisor
Christopher Leps Stunt Double
Joey Kennedy Lighting Technician
Sam Patton Production Secretary
Andy Koyama Sound Re-Recording Mixer
Al Nelson Sound Designer
Name Title
Jason Blum Producer
Stuart Ford Executive Producer
Charles Layton Executive Producer
Brad Peyton Executive Producer
Marty Eli Schwartz Co-Producer
Robyn Marshall Co-Producer
Jeannette Brill Executive Producer
Steven Squillante Co-Executive Producer
Kaylene Carlson Co-Producer
Matt Kaplan Executive Producer
Michael J. Luisi Executive Producer
Trevor Engelson Producer
Couper Samuelson Executive Producer
Michael Seitzman Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 34 11
2024 5 22 28 14
2024 6 19 34 11
2024 7 21 41 12
2024 8 18 34 9
2024 9 11 18 6
2024 10 19 39 6
2024 11 12 24 9
2024 12 11 15 7
2025 1 15 31 8
2025 2 9 16 3
2025 3 5 16 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 2 1
2025 7 1 2 0
2025 8 1 2 0
2025 9 3 4 3

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Reviews

Rangan
7.0

**Almost like any other horror film, but enjoyable.** From the director of 'San Andreas'. The film released after a couple of years delay. I don't know what's the reason, but surprisingly it was a much better film than I expected. It had a decent cast, particularly for a small budget horror, it w ... as a well made film. Even the screen-writing was good. They should have improved it a bit, but still not a bad film with all the fine performances. This is about a man who can enter the minds of the possessed ones by the evil spirits. Like most of the horror films, the exorcist has a person feud with one particular spirit. So after searching for it many years, he finds that a boy was possessed by the same spirit. Now it's his time to avenge whatever he had suffered from earlier in his life. The horror film fans and film fanatics might think it is an average, but for the common people it will work fine. There are some good moments in the film. Overall, well designed film in those crucial parts. You are going to see totally a different Aaron Eckhart, especially being in the lead. So I feel it is worth a try. _6½/10_

May 16, 2024
FilipeManuelNeto
6.0

**A film good enough to watch once or twice, but not more.** The universe of horror films about demons, and demonic possession, now seems to be a little overloaded, and the lack of capacity for creative ideas, or those that justify yet another film, invariably leads to the emergence of some bizar ... re things. This is the case in this film, where Dr. Ember, a man who has psychic powers and can project outside the body, fights the devil directly, going to meet him and helping the soul of the person he is trying to deceive. Don't get me wrong: the film has its merits and entertains its audience in a pretty decent way. As a horror film, and despite never scaring anyone, it achieves the necessary tension to work and is able to maintain it throughout the action. I just found it bizarre, but that's a matter of personal taste and not a defect. Let me develop: by placing at the center of the action a psychic who uses rational and scientific methods to combat Evil, I felt that the film tried to take a “scientific approach” to demonic possession and, perhaps, reach a wider audience, those skeptic who does not so easily believe in the effectiveness of religious rituals. I could be wrong, but that was the feeling I got. After that, the script introduces more things and, then, there are more serious problems: did anyone really buy that whole story about Dr. Ember already knowing that demon and chasing him for years? A personal crusade? Seriously? And does anyone really believe that the Catholic Church is going to call in a scientist because they think their rituals won't work? The film ends with an attempted twist that we see coming from miles away. On a technical level, the film doesn't really have much to present to us: most of the aspects that we usually appreciate are almost all within the standards of common popcorn cinema, which we watch without thinking much about and forget about five minutes after finishing. Cinematography, sets, costumes, editing, filming… everything is up to standards. There are no major errors nor any particular merit. The visual effects and CGI team is a different case: there are some well-achieved, albeit discreet, effects, especially towards the end. The cast is one of the film's strong points: Aaron Eckhart did a decent job, but what he does is quite far from the best he's ever done in cinema. He is a solid, charismatic and competent protagonist, but he does not have material capable of imposing demands on him and forcing him to make additional efforts. Carice Van Houten (who became particularly famous after her work on the series “Game of Thrones”) is convincing as the anguished mother of the boy targeted for possession, but despite this, she is very underutilized. Catalina Moreno, who I met in “Maria Full of Grace”, at the beginning of her career, does interesting work and provides welcome support.

May 16, 2024