Popularity: 4 (history)
| Director: | John Guillermin |
|---|---|
| Writer: | Lorenzo Semple Jr., David Newman, Leslie Stevens |
| Staring: |
| Sheena's parents are killed while on Safari. She is raised by the mystical witch woman of an African tribe. When her foster mother is framed for the murder of a political leader, Sheena and a newsman, Vic Casey, are forced to flee while pursued by the mercenaries hired by the real killer, who hopes to assume power. Sheena's ability to talk to the animals and knowledge of jungle lore give them a chance against the high tech weapons of the mercenaries. | |
| Release Date: | Aug 17, 1984 |
|---|---|
| Director: | John Guillermin |
| Writer: | Lorenzo Semple Jr., David Newman, Leslie Stevens |
| Genres: | Fantasy, Adventure, Action |
| Keywords | africa, mercenary, based on comic, female hero, jungle girl |
| Production Companies | Columbia Pictures, Delphi II Productions, Colgems Productions Ltd. |
| Box Office |
Revenue: $58,000,000
Budget: $25,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tanya Roberts | Sheena |
| Ted Wass | Vic Casey |
| Donovan Scott | Fletcher ("Fletch") |
| Elizabeth of Toro | Shaman |
| France Zobda | Countess Zanda |
| Trevor Thomas | Prince Otwani |
| Clifton Jones | King Jabalani |
| John Forgeham | Colonel Jorgensen |
| Errol John | Bolu |
| Sylvester Williams | Juka |
| Bob Sherman | Grizzard |
| Michael Shannon | Phillip Ames |
| Nancy Paul | Betsy Ames |
| Kathryn Gant | Child Sheena |
| Kirsty Lindsay | Young Sheena |
| Nick Brimble | Wadman |
| Paul Gee | Blau |
| Dave Cooper | Anders |
| Tim Ward-Booth | Helicopter Pilot |
| Wilbur Nyabungo | Pilot |
| Oliver Litondo | Haromba |
| Louis Mahoney | Elder 1 |
| Shane Mwigerere | Elder 2 |
| Tom Mwangi | African Native |
| Margarita Ndisi | Receptionist |
| Joseph Olita | 1st Policeman |
| Lenny Juma | 2nd Policeman |
| William Allot | Prison Sergeant |
| Lucy Wangiu Gishomo | Old Lady |
| Mick Ndisho | Mechanic |
| Name | Job |
|---|---|
| Jimmy Turrell | Camera Operator |
| Bernard Gough | Hairdresser |
| Jak King | Production Accountant |
| Liz Kerry | Production Coordinator |
| Joy Helman | Publicist |
| Paula Connor | Assistant Sound Editor |
| Peter Hutchinson | Special Effects Supervisor |
| David Sharpe | Assistant Sound Editor |
| Richard Hartley | Conductor, Original Music Composer |
| John Wood | Assistant Art Director |
| Peter Murton | Production Design |
| Matthew Kipoin | Location Manager |
| Annalisa Nasalli-Rocca | Costume Design |
| Ian Watson | Set Decoration |
| Patrick Clayton | First Assistant Director |
| Jane Feinberg | Casting |
| Cesare Allione | Camera Operator |
| Gloria Fava | Makeup Artist |
| Tom Mwangi | Assistant Director |
| Bill Mizel | Second Assistant Director |
| Stefano Fava | Makeup Supervisor |
| Brian Hathaway | Transportation Coordinator |
| Fiorangelo Plocco | Gaffer |
| Derek Trigg | Sound Editor |
| Pat Gilbert | Assistant Sound Editor |
| Jack Couffer | Second Unit Director |
| Sarah Thomas | Assistant Sound Editor |
| Dominique Julienne | Stunts |
| Billy Bates | Stunts |
| Jason White | Stunts |
| Ray Lovejoy | Editor |
| Aldo Colanzi | Key Grip |
| Malcolm Middleton | Art Direction |
| Peter Cotton | Location Manager |
| Caroline Sax | Continuity |
| Brian Simmons | Sound Mixer |
| Maggie Cartier | Casting |
| Danny ben Menahem | Unit Manager |
| Gary Weir | Boom Operator |
| Christine Allsopp | Makeup Artist |
| Arthur Wicks | Property Master |
| Luciano Leoni | Gaffer |
| Laurie Shane | Gaffer |
| David Farrell | Still Photographer |
| Don Sharpe | Supervising Sound Effects Editor |
| Michael Clifford | Music Editor |
| Mike Potter | Stunts |
| Cheryl Harris | Stunts |
| Sadie Eden | Stunts |
| Joëlle Baland | Stunts |
| Paul Smith | Sound Editor |
| Robert Nugent | Special Effects Coordinator |
| Phil Sanderson | Assistant Editor |
| Terry Forrestal | Stunts |
| Brian Bowes | Stunts |
| Malcolm Weaver | Stunts |
| John Guillermin | Director |
| Lorenzo Semple Jr. | Screenplay |
| David Newman | Screenplay, Story |
| Pasqualino De Santis | Director of Photography |
| Leslie Stevens | Story |
| Mike Fenton | Casting |
| Callum McDougall | Third Assistant Director |
| Roy Scammell | Stunt Coordinator |
| Franco Bruni | Camera Operator |
| Norman Howell | Utility Stunts |
| Tracey Eddon | Stunts |
| Rémy Julienne | Stunts |
| Jean-Claude Lagniez | Stunts |
| Name | Title |
|---|---|
| Paul Aratow | Producer |
| Christian Ferry | Associate Producer |
| Yoram Ben-Ami | Executive Producer |
| Alan Rinzler | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 38 | 18 |
| 2024 | 5 | 27 | 43 | 15 |
| 2024 | 6 | 20 | 29 | 11 |
| 2024 | 7 | 24 | 36 | 11 |
| 2024 | 8 | 22 | 32 | 14 |
| 2024 | 9 | 15 | 24 | 10 |
| 2024 | 10 | 21 | 38 | 7 |
| 2024 | 11 | 14 | 22 | 9 |
| 2024 | 12 | 14 | 19 | 8 |
| 2025 | 1 | 18 | 30 | 10 |
| 2025 | 2 | 11 | 18 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
_**Just imagine a female Tarzan**_ With slight modifications, Sheena is basically a female version of Tarzan and was the first female comic book character with her own title, debuting in 1937 in Great Britain and 1938 in America. The first jungle girl in adventure fiction was Rima from the 1904 ... book by William Henry Hudson “Green Mansions,” which was made into a movie starring Audrey Hepburn as Rima in 1959. DC Comics later had a short-lived series called “Rima the Jungle Girl” in 1974-75. Model Irish McCalla depicted Sheena in a TV series that aired for one season from 1955-1956. Meanwhile Marvel Comics developed their own Sheena-like jungle girl named Shanna the She-Devil, which debuted in a short-lived series in late 1972; she was subsequently a guest character in issues of Ka-Zar and Daredevil. Lorna, Nyoka and Jana (aka Jungle Girl) are other comic book jungle heroines, amidst others. I note the history of jungle females to illustrate their comic book ties. It’s no surprise, therefore, that the movie “Sheena,” aka “Sheena, Queen of the Jungle” (1984) plays like a comic book on screen. Everyone knows going in that the plot, dialog and acting of a film like this will be of the comic book variety with a similar tone to Tarzan flicks or Indiana Jones. What's magnificent, awe-inspiring and "A" level are the African locations (Kenya), the entertaining array of animals, the grand score and Tanya Roberts in the titular role. As far as the African locations go, if you're bored with your every-day locale, this movie is the perfect antidote. It's virtually a two-hour tour of some of the most gorgeous African scenery you'll ever feast your eyes on. Concerning the animals, there are elephants, rhinos, hippos, chimps, giraffes and more; all real and no CGI. As for the score, it's pleasant and meditative; reminiscent of "Chariots of Fire." And Tanya Roberts, what can I say? She's a stunning example of womanhood; so is France Zobda as Zanda, but she’s a villain. I never concern myself with ratings when watching films, but I couldn't help but be a little surprised by the PG rating here because Sheena (Roberts) is shown TOTALLY nude on a few occasions and prances around throughout the flick in a ridiculously skimpy leather bikini (Zanda is also shown nude getting a massage). Yet it struck me that the nakedness/semi-nakedness is portrayed in an inoffensive way like Eve in Eden before the fall and the consequent awareness of evil. In other words, there's an almost child-like innocence and purity to Sheena even though she's a quite skilled jungle warrior. I commend the filmmakers for capturing this quality. For this reason I don't feel the movie is inappropriate for kids, despite the nudity. While Siskel & Ebert laughed at “Sheena” on their show in 1984 and wrote it off as a “bad movie,” it’s very effective for what it is: a comic-based flick about a beautiful, but formidable jungle woman, a journalist she meets (Ted Wass) and their fight against evil oppressors. What were they expecting, “Chariots of Fire” or “Gandhi”? Films should be critiqued according to what they ARE and aspire to achieve, not what they aren’t. My appraisal reflects the happy medium between the Grade B plot, dialog & acting and the Grade A African locations, animals, score and Ms. Roberts. The film runs 117 minutes. GRADE: B