Popularity: 5 (history)
| Director: | Chris Weitz, Paul Weitz |
|---|---|
| Writer: | Chris Weitz, Paul Weitz, Nick Hornby, Peter Hedges |
| Staring: |
| Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up. | |
| Release Date: | Apr 26, 2002 |
|---|---|
| Director: | Chris Weitz, Paul Weitz |
| Writer: | Chris Weitz, Paul Weitz, Nick Hornby, Peter Hedges |
| Genres: | Comedy, Drama, Romance |
| Keywords | london, england, rock 'n' roll, single parent, based on novel or book, rap music, bachelor, becoming an adult, friendship, single, christmas |
| Production Companies | Universal Pictures, StudioCanal, Working Title Films, Tribeca Productions |
| Box Office |
Revenue: $129,000,000
Budget: $27,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Hugh Grant | Will Freeman |
| Nicholas Hoult | Marcus Brewer |
| Toni Collette | Fiona Brewer |
| Rachel Weisz | Rachel |
| Natalia Tena | Ellie |
| Victoria Smurfit | Suzie |
| Augustus Prew | Ali |
| Sharon Small | Christine |
| Madison Cook | Imogen |
| Jordan Cook | Imogen |
| Nicholas Hutchison | John |
| Ryan Speechley | Barney |
| Joseph Speechley | Barney |
| Denise Stephenson | Lindsey |
| Chris Webster | Ellie's Friend |
| Isabel Brook | Angie |
| Orlando Thor Newman | Louie, Angie's Kid |
| Paulette P. Williams | Bitter Ex-Girlfriend |
| Susannah Doyle | Bitter Ex-Girlfriend |
| Fritha Goodey | Bitter Ex-Girlfriend |
| Delma Walsh | Bitter Ex-Girlfriend |
| Peter Roy | Will's Dad |
| Rosalind Knight | Lindsey's Mum |
| Sian Ejiwunmi-Le Berre | Cute Waitress |
| Joanne Petitt | Hairdresser |
| Cathy Murphy | Nurse |
| Mark Heap | Math Teacher |
| Claire Harman | Skechers Shopgirl |
| Jason Salkey | Amnesty International Worker Tom |
| Annabelle Apsion | Amnesty International Worker |
| Russell Barr | Maitre D' |
| Joyce Henderson | Moira / SPAT |
| Jenny Galloway | Frances / SPAT |
| Janine Duvitski | Caroline / SPAT |
| Alex Kew | Simon Cosgrove |
| Murray Lachlan Young | New Year's Eve Party Guest |
| Matthew James Thomas | Candy Thrower |
| Aaron Keeling | Candy Thrower |
| Sidney Livingstone | Park Keeper |
| Bethany Muir | Child in Supermarket |
| Tessa Vale | Class Teacher |
| Name | Job |
|---|---|
| Priscilla John | Casting |
| Jim Clay | Production Design |
| Badly Drawn Boy | Original Music Composer |
| Graham Johnston | Makeup Designer, Hair Designer |
| Nick Angel | Music Supervisor |
| Bernard Bellew | Production Manager |
| Peter Robertson | Steadicam Operator, "A" Camera Operator |
| Rod McLean | Supervising Art Director |
| Tony Dawe | Sound Mixer |
| Neil Chaplin | Production Accountant |
| Nikki Clapp | Script Supervisor |
| Graham Stumpf | Post Production Supervisor |
| Ann Lynch | Production Coordinator |
| Ben Howarth | Second Assistant Director |
| Alex Oakley | Third Assistant Director |
| John Arnold | Key Grip |
| René Adefarasin | Camera Loader |
| Jaya Bishop | Boom Operator |
| Tarn Harper | Post Production Accountant |
| Steve Hart | Location Manager |
| Lucy Williams | Unit Manager |
| Laura Dickens | Casting Assistant |
| Simon Cozens | First Assistant Editor |
| Richard LeGrand Jr. | Supervising Sound Editor |
| Gary S. Gerlich | Sound Editor |
| William Hooper | Sound Editor |
| Patrick O'Sullivan | Sound Editor |
| Walter Spencer | Dialogue Editor |
| Bob McNabb | ADR Supervisor |
| Norval D. Crutcher III | ADR Editor |
| Samuel Webb | Assistant Sound Editor |
| Lee Gilmore | Apprentice Sound Editor |
| Marilyn Graf | Foley Editor |
| Charles Martin Inouye | Supervising Music Editor |
| Chris Carpenter | Sound Re-Recording Mixer |
| Lorna McGowan | Makeup Artist |
| Carmel Jackson | Makeup Artist |
| Guy Speranza | Assistant Costume Designer |
| Claire Finlay-Thompson | Costume Supervisor |
| Helen Mattocks | Key Set Costumer |
| Martin Chitty | Costume Assistant |
| Louise Egan | Costume Assistant |
| Rosie Hardwick | Assistant Art Director |
| John Bush | Set Decoration |
| Barry Gibbs | Property Master |
| Nick Goodall | Carpenter |
| Peter Duffy | Carpenter |
| Joseph Alley | Carpenter |
| Darryl Carter | Carpenter |
| Paul Duff | Standby Carpenter |
| David Williamson | Standby Carpenter |
| Jeff Sullivan | Painter |
| Jamie Mills | Electrician |
| Dave Moss | Electrician |
| Meghan Lyvers | Producer's Assistant |
| Jill McCullough | Dialogue Coach |
| Grahame Crowther | Stunt Coordinator |
| Stacy Mann | Unit Publicist |
| Laurie Sparham | Still Photographer |
| Bill Meadows | Sound Recordist |
| Ted Swanscott | ADR Mixer |
| Colin Cooper | ADR Recordist |
| Brendan Donnison | ADR Voice Casting |
| Vanessa Baker | ADR Voice Casting |
| Jim Passon | Color Timer |
| Theresa Repola Mohammed | Negative Cutter |
| Bryan Pennington | Dolby Consultant |
| Chris Weitz | Screenplay, Director |
| Paul Weitz | Screenplay, Director |
| Nick Hornby | Novel, Screenplay |
| Peter Hedges | Screenplay |
| Remi Adefarasin | Director of Photography |
| Nick Moore | Editor |
| Joanna Johnston | Costume Design |
| Christopher Newman | First Assistant Director |
| Andy Koyama | Sound Re-Recording Mixer |
| Gary Freeman | Art Direction |
| Sara Woodhatch | Actor's Assistant |
| Stephen McLaughlin | Scoring Mixer |
| Bill Hargreaves | Props |
| Name | Title |
|---|---|
| Brad Epstein | Producer |
| Nicky Kentish Barnes | Co-Producer |
| Hardy Justice | Co-Producer |
| Tim Bevan | Producer |
| Robert De Niro | Producer |
| Eric Fellner | Producer |
| Jane Rosenthal | Producer |
| Nick Hornby | Executive Producer |
| Lynn Harris | Executive Producer |
| Debra Hayward | Co-Producer |
| Liza Chasin | Co-Producer |
| Organization | Category | Person | |
|---|---|---|---|
| BAFTA Awards | Best Supporting Actress | Téa Leoni | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 24 | 12 |
| 2024 | 5 | 21 | 28 | 13 |
| 2024 | 6 | 19 | 30 | 10 |
| 2024 | 7 | 22 | 39 | 13 |
| 2024 | 8 | 17 | 29 | 9 |
| 2024 | 9 | 14 | 19 | 9 |
| 2024 | 10 | 21 | 48 | 10 |
| 2024 | 11 | 17 | 32 | 11 |
| 2024 | 12 | 17 | 22 | 11 |
| 2025 | 1 | 18 | 29 | 11 |
| 2025 | 2 | 13 | 23 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 3 | 5 | 2 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
It didn't kill me softly. Will is self centered and has cast off all his responsibilities. But during one of his more dubious scams to date single mothers, he is forced to reconsider his moral fibre after coming into contact with a 12 year old outcast named Marcus. Adapted from the massively ... popular book written by Nick Hornby ("Fever Pitch" & "High Fidelity") About A Boy easily translates well to the screen without truly breaking free of the modest premise. Oddly enough for such a British picture, this is directed by an American, Paul Weitz, who along with his brother Chris, brought the world "American Pie". It works, largely to the undervalued comic talents of one Hugh Grant (Will). I would go so far as to say that without Grant leading the film, this would have been a flop, all the highlights on offer are when Grant is on the screen. Expressive with his face and delivering his lines with a natural high, Grant nicely lures the audience into the less than admirable Will's hands. Which is quite a trick considering that Will is a morally dubious scum bag!. Nicholas Hoult (Marcus) is OK as child actors go, but here he is given far to much to do. Which is another reason why Grant is so important to the film being a success, he shoulders much of the emotional burden, letting Hoult breathe what life he can into poor young Marcus (worst hair cut on film ever). Solid support comes from Toni Collette and Rachael Weisz, and Weitz's direction is smooth and unobtrusive, with Badly Drawn Boy's score an integral part of the story. Yet as much as I enjoy the film myself, one still feels frustrated that it didn't turn out better than it did. A double handed narration from both lead characters intrudes on the flow of the plot, and the pay off is ultimately an "oh" moment. So to me it's an OK movie made into a good one courtesy of one of Britain's best light comedy actors. 7/10
"Will" (Hugh Grant) lives a life of leisure living off the royalties of a Christmas song written by his grandad. He dates a succession of women but usually neither party want much more than a quickie. He realises that all of the interesting people have grown up and into relationships, marriages and ... family life - so he decides that it's time for him to have a son too! An imaginary one. Then he encounters "Fiona" (Toni Collette) and her son "Marcus" (Nicholas Hoult) and they begin to bond a little - even if the boy does bring out his (and my) best Herod tendencies. Despite himself, "Will" isn't a complete waste of space and when a near tragedy strikes the life of the bullied "Marcus", the two start to bond over afternoon editions of "Countdown" on the television and slowly all concerned start to realise the benefits of family - shiny new trainers, warts and all. The dialogue is quite observationally witty here and as much of the story is told via a punchy narration from Grant and Hoult, we get an additional degree of honesty to their story that augments the acting quite amiably. Hoult is the star, no doubt about it. His characterisation of an increasingly savvy and persistent child is engaging to watch and though I really did struggle to get through the cheese-fest that is the conclusion I did rather find myself wanting an happy ending. It's easy to see why Grant was Hollywood material and here he effortlessly delivers a gentle feel-good film tinged with the odd bit of reality. One that still works well.
Really like this movie. Hugh Grant before he started playing himself. ...