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Clouds of Sils Maria Poster

Clouds of Sils Maria

2014 | 124m | English

(32249 votes)

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Popularity: 2 (history)

Director: Olivier Assayas
Writer: Olivier Assayas
Staring:
Details

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
Release Date: Aug 20, 2014
Director: Olivier Assayas
Writer: Olivier Assayas
Genres: Drama
Keywords suicide, mountain, aging, divorce, alps mountains, personal assistant, gender ideals
Production Companies ARTE France Cinéma, Les Films du Losange, Pallas Film, ZDF/Arte, SRG SSR, RTS, Orange Studio, CAB Productions, CG Cinéma, Vortex Sutra, Ezekiel Film Production
Box Office Revenue: $1,851,517
Budget: $6,600,000
Updates Updated: Aug 09, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Juliette Binoche Maria Enders
Kristen Stewart Valentine
Chloë Grace Moretz Jo-Ann Ellis
Lars Eidinger Klaus Diesterweg
Johnny Flynn Christopher Giles
Angela Winkler Rosa Melchior
Hanns Zischler Henryk Wald
Nora Waldstätten Actress in Sci-Fi movie
Brady Corbet Piers Roaldson
Aljoscha Stadelmann Urs Kobler
Claire Tran Maria's London assistant
Stuart Manashil Maria's agent
Péter Farkas Journalist in Zürich
Ben Posener Journalist in London
Ricardia Bramley Talk show host
Luise Berndt Urs' assistant
Gilles Tschudi Mayor of Zürich
Benoit Peverelli Berndt
Caroline De Maigret Chanel PR
Arnold Gramara Waldhaus concierge
Sean McDonagh London theater assistant
Valery Bukreev Wilhelm Melchior
Katrin Schmidt Dorothea von Duisburg
Phoebe Lin Cello player (concert at the Waldhaus)
Katarzyna Nawrotek Violin player (concert at the Waldhaus)
David Seghezzo Oboe player (concert at the Waldhaus)
Claire-Anne Piguet Harpsichord player (concert at the Waldhaus)
Jerry Kwarteng Journalist (uncredited)
Jakob Köhn Jo-Ann's Manager (uncredited)
Steffen Mennekes Journalist (uncredited)
Wilhelm J. Reitzenstein Paparazzo (uncredited)
Rosa Schrehardt Kellnerin (uncredited)
Name Job
Martin Hampel Line Producer
Marion Monnier Editor
Daniel Sobrino Sound
Nicolas Moreau Sound
Yorick Le Saux Director of Photography
François-Renaud Labarthe Production Design
Jürgen Doering Costume Design
David Seghezzo Musician
Gabriele Wolff Set Decoration
Phoebe Lin Musician
Claire-Anne Piguet Musician
Gabriella Ausonio Art Direction
Dominique Delany First Assistant Director
Anja Dihrberg Casting Director
Katarzyna Nawrotek Musician
Christelle Meaux Script Supervisor
Antoinette Boulat Casting Director
Olivier Assayas Director, Writer
Name Title
Charles Gillibert Producer
Thanassis Karathanos Co-Producer
Karl Baumgartner Co-Producer
Jean-Louis Porchet Co-Producer
Antoun Sehnaoui Associate Producer
Rémi Burah Co-Producer
Gérard Ruey Co-Producer
Sylvie Barthet Co-Producer
Frédérique Dumas-Zajdela Producer
Olivier Père Co-Producer
Organization Category Person
Venice Film Festival Best Actress Kristen Stewart Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 14 20 9
2024 5 17 24 11
2024 6 16 27 7
2024 7 21 46 9
2024 8 13 19 9
2024 9 11 22 7
2024 10 15 32 5
2024 11 11 16 7
2024 12 9 13 6
2025 1 11 16 6
2025 2 9 15 3
2025 3 5 13 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 1 2 0
2025 8 2 2 1
2025 9 3 5 2
2025 10 4 5 2

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Reviews

Rangan
6.0

**The actors and their generation difference, evolution of cinema and the beauty of nature.** This is about a middle aged actress who spends in the Swiss Alps with her personal assistant while preparing for the upcoming project. During that time, she receives a news that the author of the book wh ... ich was adapted for the screen 20 years ago where she play a main role and now in its remake, she's doing another part, while a young sensation playing the main part. This is more like the evolution of cinema. The 20 years is too soon for her, while the cinema and its trend advanced rapidly. Precisely to say, the commercial films and young actors taking over the art films and true artists' places respectively. If you at least 30 years old, you would get this film more than others. Because while I was growing up in the 90s, the cinema was so different. I'm not talking about the technology like computer graphics, but the story and how it was narrated for the screen. Now the science- fiction and dystopian themes taking over with the young audience and social media support. I think it was a quite meaningful film, particularly if you adore films like the recent evolution in cinema was so faster than ever. The negatives were, the film was too long, slow pace and too simple drama. The positives were, the actors and their performances, the locations, theme and some of the dialogues. Directed by a French filmmaker, this is an international project with a few guest appearances. Most of the film was set in the Alps. Totally different than what I was anticipating, but I still like, except in a few parts where I got bored for its weak development. So this is for the selected audience, that mean it will be appreciated by a very few and I'm kind of neutral with mostly in its favour. _6/10_

May 16, 2024
MaxTyrone
8.0

On the way to accept an award from the playwright that discovered her - the very same man who suddenly passes away before the ceremony - acclaimed actress, Maria Enders, is forced to reconcile both her age and her role in contemporary art. While rehearsing for a role, of which she has no choice taki ... ng due to her age, she has to reckon with the young actress playing her old role. This is a slow-paced movie, that is, it takes its time revealing the deteriorating confidence of an aging actress. What accentuates her strife are the locations: the lonesome mountains, long winding roads, both straddled by rolling, ground-smothering fog and clouds. Great lingering shots and cinematography eases the eye, as Maria rehearses and incrementally loses her mind with her young assistant, Valentine. Although her assistant attempts to defend what her boss deems as insufficient art (or cinema) and unprofessional (particularly the young costar of the upcoming play), Maria threshes with the stifling fact that her roles - both her role in the play and in the world of art - are changing without her control or consideration. The acting in this film is commendable, with a solid performance from Juliette Binoche (as always) and a surprising effort from Kristen Stewart. These two carry the movie with palpable chemistry - so much so that every turn in their relationship dictates not only the environment of the film, but also the audience. This film is for the patient, and for those who don't mind huge questions.

Jun 23, 2021
badelf
10.0

“We're not allowed to regret anything. If we're sincere, then we're the sum total of our experiences ... with no exceptions.” Art and Reality - one imitates the other. But which is the imitator and which is the creator? That invisible thread between art and reality is the heart of this film. Oliv ... ier Assayas has created a complex, intelligent, layered psychological drama, where the "stage script" and the film are connected by the gossamer art-reality thread. Juliette Binoche and Kristen Stewart delivered masterful performances with all the nuances required to bring Assayas' vision to life. The first third of the movie appeared to be bland, disjointed, and even on the edge of ennui. At the end, I realized the brilliance of this work that, in fact, there were no unnecessary scenes.

Aug 16, 2024