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The Ten Commandments Poster

The Ten Commandments

1923 | 136m | English

(2895 votes)

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Popularity: 2 (history)

Details

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.
Release Date: Nov 23, 1923
Director: Cecil B. DeMille
Writer: Jeanie Macpherson
Genres: Fantasy, Drama
Keywords dancing, moses, hunger, cathedral, stowaway, army, sin, money, black and white, church, slave, dog, dead boy, silent film, pearl necklace, newspaper article, pharaoh, passover
Production Companies Paramount Pictures
Box Office Revenue: $0
Budget: $1,800,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

No trailers or extras available.

International Posters

Full Credits

Name Character
Theodore Roberts Moses - The Lawgiver
Charles De Rochefort Rameses - the Magnificent: Prologue
Estelle Taylor Miriam - the Sister of Moses: Prologue
Julia Faye The Wife of Pharaoh
Pat Moore The Son of Pharaoh - Prologue
James Neill Aaron - Brother of Moses: Prologue
Lawson Butt Dathan - The Discontented
Clarence Burton The Taskmaster - Prologue
Noble Johnson The Bronze Man - Prologue
Edythe Chapman Mrs. Martha McTavish
Richard Dix John McTavish
Rod La Rocque Dan McTavish
Leatrice Joy Mary Leigh
Nita Naldi Sally Lung - a Eurasian
Robert Edeson Redding - an Inspector
Charles Ogle The Doctor
Agnes Ayres The Outcast
Genevieve Belasco (uncredited)
Wilson Benge Extra (uncredited)
Virginia Bradford Extra (uncredited)
Arthur Edmund Carewe Israelite Slave (uncredited)
Gino Corrado Extra (uncredited)
Dorothy Dale Egyptian Girl (uncredited)
Cecilia de Mille Extra (uncredited)
Attilio Degasparis Child Extra (uncredited)
Louise Emmons Elderly Israelite (uncredited)
Charles Farrell Israelite Slave (uncredited)
Viscount Glerawly Extra (uncredited)
Rex Ingram Israelite Slave (uncredited)
Roscoe Karns The Boy in the Rain (uncredited)
Jack Montgomery Israelite Slave (uncredited)
Kathleen O'Shee Israelite Slave (uncredited)
Jack Padjan Israelite Slave (uncredited)
Eugene Pallette Israelite Slave (uncredited)
John J. Richardson Israelite Slave (uncredited)
Mabel Richardson Israelite Woman (uncredited)
Robert St. Angelo Extra (uncredited)
Name Job
Paul Iribe Art Direction
Eugene Richee Still Photographer
Bert Glennon Director of Photography
Cecil B. DeMille Director
Jeanie Macpherson Story
Anne Bauchens Editor
Name Title
Cecil B. DeMille Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 23 6
2024 5 18 37 9
2024 6 14 23 7
2024 7 18 29 9
2024 8 15 26 8
2024 9 12 26 6
2024 10 23 71 8
2024 11 12 26 6
2024 12 12 20 7
2025 1 10 18 7
2025 2 9 14 2
2025 3 4 11 1
2025 4 2 5 1
2025 5 2 5 1
2025 6 2 4 1
2025 7 1 4 0
2025 8 1 3 0
2025 9 1 3 1
2025 10 1 2 1

Trending Position


Year Month High Avg
2025 3 542 707

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Reviews

Geronimo1967
7.0

Essentially two separate stories, this shows well the aspirational brilliance of Cecil B. De Mille as well as his complete inability to condense anything! The first part depicts the Exodus and Leviticus books from the Old Testament - the story of Moses leading the slaves from their somewhat brutal e ... xistence in Egypt and the passing down of the Ten Commandments to the people as they build the great Tabernacle. The second part modernises the application of the Commandments and applies them to a family in 1920's America with two brothers who vie for the affections of the same girl whilst one seeks fame and fortune, the other a more contented existence. Both stories exhort the import of the Commandments as the basic tenets of human decency and values - and shy not from visiting severe punishments on those who transgress. The former story includes a wonderful score and, for the time, some pretty impressive special effects - especially the parting of the Red Sea. The second story is less impressive - more a slightly over-moralistic tale of greed and avarice that was hardly unusual then (or is now). The budget - some $1.8m was enormous for the time and the scale of the cinematography, extras etc. in phase one is impressive and convincing; the acting comes into it's own a bit more in the second act - with Richard Dix and Rod La Rocque playing the brothers well, and Nita Naldi shining as the Eurasian temptress "Sally Lung". As with so many silent films, it's all in their faces - and this one doesn't disappoint - even if there is a little too much theatrical gesturing and posturing now and again. On balance I probably prefer the 1956 iteration, again by De Mille, but there is little in it and if you do get a spare 2¼ hours then this is certainly a superb example of grand cinema from a visionary director.

Jun 06, 2022