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The Female Animal Poster

The Female Animal

It is said that when a woman fights for a man, she is like an ANIMAL!
1958 | 84m | English

(730 votes)

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Popularity: 2 (history)

Details

Jaded movie star Vanessa Windsor, saved from a studio accident by handsome extra Chris Farley, pursues him, and soon he's the 'caretaker' of her beach house. Vanessa's sexy, alcoholic adult daughter Penny accidentally meets Chris, who rescues her from an 'octopus' boyfriend. Before you know it, Chris is involved with both mother and daughter, and his only way out is to take a job in a Mexican picture about man-eating orchids...
Release Date: Jan 22, 1958
Director: Harry Keller
Writer: Albert Zugsmith, Robert Hill
Genres: Drama, Romance
Keywords film noir
Production Companies Universal International Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: May 08, 2024
Entered: Apr 26, 2024
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Full Credits

Name Character
Hedy Lamarr Vanessa Windsor
Jane Powell Penny Windsor
Jan Sterling Lily Frayne
George Nader Chris Farley
Jerry Paris Hank Lopez
Gregg Palmer Piggy
Mabel Albertson Irma Jones
James Gleason Tom Maloney
Richard H. Cutting Dr. John Ramsay
Ann Doran Nurse
Yvonne Peattie Hairdresser
Max Showalter Charlie Grant
Douglas Evans The Director
Aram Katcher Mischa Boroff
Gertrude Astor Actress on Movie Set (uncredited)
Richard Avonde Lily's Gigolo Pepe (uncredited)
Robert Brubaker Bartender (uncredited)
Hal K. Dawson Assistant Director Eddie (uncredited)
Isabelle Dwan Masseuse (uncredited)
William Henry Delivery Man (uncredited)
George Hickman Observer at Lighting Accident (uncredited)
Walter Kelley Assistant Director (uncredited)
Kenner G. Kemp Stagehand (uncredited)
William Meader Barnes the Chauffeur (uncredited)
Laurie Mitchell Manicurist (uncredited)
Almira Sessions Mabel (uncredited)
Frank Sully Taxicab Driver (uncredited)
John Truax Observer at Lighting Accident (uncredited)
Sailor Vincent Observer at Lighting Accident (uncredited)
Robert Wegner Coffee-Wagon Attendant (uncredited)
Name Job
Harry Keller Director
Solly Martino Props
Max Nippell Electrician
Milton Carruth Editor
Albert Zugsmith Story
Robert Hill Screenplay
Russell Metty Director of Photography
Hans J. Salter Original Music Composer
Robert Clatworthy Art Direction
Alexander Golitzen Art Direction
Russell A. Gausman Set Decoration
Julia Heron Set Decoration
Ruby R. Levitt Set Decoration
Bill Thomas Costume Design
Bud Westmore Makeup Artist
Lillian Burkhart Hairstylist
Nick Marcellino Makeup Artist
Vincent Romaine Makeup Artist
Sergei Petschnikoff Unit Production Manager
Gordon McLean Assistant Director
Wilbur Mosier Assistant Director
Ed Case Props
Glenn E. Anderson Sound
Leslie I. Carey Sound
Perry Devore Sound
John Oliver Sound
Frank H. Wilkinson Sound
Name Title
Albert Zugsmith Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 3 6 1
2024 5 5 11 2
2024 6 5 11 3
2024 7 6 17 1
2024 8 3 6 2
2024 9 3 7 2
2024 10 4 8 2
2024 11 3 5 2
2024 12 2 4 1
2025 1 3 7 1
2025 2 2 3 1
2025 3 2 3 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 2 1
2025 10 1 3 0

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Reviews

Geronimo1967
6.0

Somehow this might have had more impact had the squabbling women been arguing over Errol Flynn or Clark Cable. George Nader, well he just doesn't really cut it as the hunky object of the desires of the fading Hollywood star "Vanessa" (Hedy Lamarr) whom he has saved from an accident at the studio. Qu ... ickly, his allure extends to that women's dipso daughter "Penny" (June Powell) whom he also manages to rescue - this time from a guest at a party who has wandering hands. What now ensues sees poor old "Chris" try to juggle the affections of both women whilst keeping safely distant from some hungry man-eating flowers. It probably isn't quite fair to describe this soap, but it isn't far off. The plot has the odd, semi-comic, twist as we head down a well travelled road of familial discord, a little bit of familial rivalry before an ending that offers little by way of innovation. There is something honest about Lamarr here, though. Perhaps her role suited her actual declining status in Hollywood, so she maybe felt free to let the badger loose a bit. Also worth noting is Jan Sterling's rather acerbic contribution as "Lily" - a woman never far away from her next put-down. Oddly enough, I found myself wondering how much better this might have been had it been made pre-code, and the strong - almost salacious - sexual elements of the plot been permitted to develop a bit more, bit as it is, it is all rather procedural. Watchable, though.

Sep 25, 2022