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The Wild and the Willing Poster

The Wild and the Willing

1962 | 110m | English

(201 votes)

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Popularity: 1 (history)

Details

Harry Brown is a somewhat rough and wild university student, who has the ability to win friends, especially the underdogs like Phil who doesn't play 'rugger' and can't sink a whole pint of beer, and African student Reggie. He also has a way with the girls....
Release Date: Oct 16, 1962
Director: Ralph Thomas
Writer: Robert Sloman, Nicholas Phipps, Mordecai Richler, Laurence Doble
Genres: Drama, Romance
Keywords
Production Companies The Rank Organisation, Betty E. Box-Ralph Thomas Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: May 07, 2024
Entered: May 01, 2024
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Full Credits

Name Character
Virginia Maskell Virginia Chown
Paul Rogers Professor George Chown
Ian McShane Harry Brown
Samantha Eggar Josie Stevens
Katherine Woodville Sarah
David Sumner John
John Hurt Phil Corbett
John Standing Arthur
Johnny Briggs Dai
Johnny Sekka Reggie
Jeremy Brett Andrew Gilby
Charles Kay Edgar Tibbs
Name Title
Betty E. Box Producer
Organization Category Person
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Popularity History


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Reviews

Geronimo1967
6.0

Knighthood-seeking university professor "Chown" (Paul Rogers) is married to "Virginia" (Virgina Maskell) who has a penchant, after the tiniest bit of persuasion, for his student "Brown" (Ian McShane). He is quite a compelling character who lives life on the edge and makes friends easily. When things ... come to a bit of an head, "Brown" and his friend "Phil" (John Hurt) decide that they are going to fly their rag flag from the top of the tower of the school - but might that be one risky venture too far for this man? I suppose it is trying to show us a clash of cultures and classes, but the undercooked writing is just too pedestrian and the acting doesn't ever allow the thing to catch fire. That's a problem with a film where lust, envy and forbidden romance is crucial to the characters' development, and though Rogers proves a safe enough pair of hands, the others only present us with something that could just as readily have been produced by the students the cast are trying to represent. It's perhaps not fair to be too critical, we have moved on considerably from the racist and ageist toxicity depicted here from 1962, but McShane, Hurt and a few other familiar faces just can't imbue this with any sense of reality. It scratches the surface of so many topics, but that's about the disappointing height of it.

Nov 19, 2024