 
  Popularity: 6 (history)
| Director: | Àlex Pastor, David Pastor | 
|---|---|
| Writer: | Àlex Pastor, David Pastor | 
| Staring: | 
| A deadly virus has spread across the globe. Contagion is everywhere, no one is safe, and no one can be trusted. Four friends race through the back roads of the American West on their way to a secluded utopian beach in the Gulf of Mexico where they could peacefully wait out the pandemic. Their plans take a grim turn when their car breaks down on an isolated road starting a chain of events that will seal their fates. | |
| Release Date: | Sep 04, 2009 | 
|---|---|
| Director: | Àlex Pastor, David Pastor | 
| Writer: | Àlex Pastor, David Pastor | 
| Genres: | Action, Science Fiction, Drama, Horror, Thriller | 
| Keywords | beach, infection, survival, biohazard, disease, trust, virus, pandemic | 
| Production Companies | Paramount Vantage, Likely Story, Ivy Boy Productions, This is that | 
| Box Office | Revenue: $5,805,279 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Lou Taylor Pucci | Danny Green | 
| Chris Pine | Brian Green | 
| Piper Perabo | Bobby | 
| Emily VanCamp | Kate | 
| Christopher Meloni | Frank Holloway | 
| Kiernan Shipka | Jodie Holloway | 
| Ron McClary | Preacher | 
| Mark Moses | Doctor | 
| Josh Berry | Survivalist | 
| Tim Janis | Survivalist | 
| Dylan Kenin | Tom | 
| LeAnne Lynch | Rose | 
| Dale O´Malley | Survivalist | 
| Name | Job | 
|---|---|
| Àlex Pastor | Writer, Director | 
| Michael R. Williams | Line Producer | 
| Peter Nashel | Original Music Composer | 
| Marjorie Ergas | Unit Production Manager | 
| Gabriella Villarreal | Set Decoration | 
| Michael A. Chavez | Second Unit Director of Photography, Camera Operator | 
| Beau Chaput | Steadicam Operator, First Assistant "B" Camera | 
| Reynaldo Villalobos | Second Unit Director of Photography | 
| Lorey Sebastian | Still Photographer | 
| Judi Townsend | Script Supervisor | 
| Lori Dovi | Sound Mixer | 
| Stephan Dupuis | Key Makeup Artist | 
| Lori Ann Baker | Hair Department Head | 
| Yvette Meely | Key Hair Stylist | 
| Jeanne McCarthy | Casting | 
| Jill Newell | Costume Design | 
| Tracy McKnight | Music Supervisor | 
| Clark Hunter | Production Design | 
| Stephanie Stokes | Stunts | 
| Norman Douglass | Stunts | 
| Aaron Caldwell | Stunts | 
| Jon Recher | Second Assistant Director | 
| Juan Souter | Leadman | 
| Michael Lovato | Set Dresser | 
| Jason Mack | Set Dresser | 
| Sara M. Pennington | Art Department Coordinator | 
| Tony Villalobos | First Assistant "A" Camera | 
| Ryan Eustis | Second Assistant "A" Camera | 
| Charlie Newberry | Second Assistant "A" Camera | 
| Chip Byrd | First Assistant "B" Camera | 
| Alan Keffer | First Assistant "B" Camera | 
| Georgia Packard | Additional Camera | 
| Steven Litecky | Chief Lighting Technician | 
| David Melito | Production Accountant | 
| Rebecca Hilliard | Production Coordinator | 
| Joe Arnold | Property Master | 
| Josiah O'Neil | Assistant Property Master | 
| Richard Lange | Costume Supervisor | 
| Paul Hsu | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Branka Mrkic | Dialogue Editor | 
| Deborah Wallach | ADR Supervisor | 
| Marissa Littlefield | ADR Editor | 
| Jamie Baker | Foley Editor | 
| Reuben Simon | Foley Editor | 
| Sara Stern | Assistant Sound Editor | 
| Marko Costanzo | Foley Artist | 
| George A. Lara | Foley Mixer | 
| Bob Baron | ADR Mixer | 
| Michael Barry | Sound Re-Recording Mixer | 
| Bob Chefalas | Sound Re-Recording Mixer | 
| Steve F.B. Smith | Dolby Consultant | 
| E. Gedney Webb | Music Editor | 
| Missy Cohen | Music Editor | 
| David Pastor | Director, Writer | 
| Craig McKay | Editor | 
| Brian Smyj | Stunt Coordinator | 
| David Allen Cluck | First Assistant Director | 
| Todd McIntosh | Makeup Department Head | 
| Benoît Debie | Director of Photography | 
| Danny Downey | Stunts | 
| Al Goto | Stunts | 
| Name | Title | 
|---|---|
| Ray Angelic | Producer | 
| Robert Velo | Producer | 
| Stefanie Azpiazu | Associate Producer | 
| Anthony Bregman | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 30 | 40 | 22 | 
| 2024 | 5 | 33 | 43 | 23 | 
| 2024 | 6 | 35 | 57 | 24 | 
| 2024 | 7 | 38 | 59 | 23 | 
| 2024 | 8 | 31 | 49 | 21 | 
| 2024 | 9 | 27 | 57 | 18 | 
| 2024 | 10 | 29 | 52 | 15 | 
| 2024 | 11 | 29 | 71 | 19 | 
| 2024 | 12 | 30 | 75 | 16 | 
| 2025 | 1 | 38 | 54 | 27 | 
| 2025 | 2 | 24 | 38 | 4 | 
| 2025 | 3 | 9 | 31 | 3 | 
| 2025 | 4 | 3 | 4 | 2 | 
| 2025 | 5 | 4 | 9 | 3 | 
| 2025 | 6 | 3 | 4 | 2 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 4 | 5 | 3 | 
| 2025 | 10 | 4 | 6 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 887 | 887 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 402 | 798 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 532 | 532 | 
***Post-Apocalyptic Horror*** "Carriers" (2009) is easily one of the best post-apocalyptic films. The story involves four youths in Southwest USA seeking sanctuary from a lethal virus that has wiped out much of the population and continues to do so. To all intents and purposes Government no longe ... r exists and society is now a world without laws. To survive, they live by a set of rules of their own making: Avoid anyone with the disease, trust no one (not even your friends/family), immediately sterilize anything a carrier touches and realize that anyone with the disease is already dead. The four youths are Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), his girlfriend Bobby (Piper Perabo) and Danny's school friend Kate (Emily VanCampo). Over the course of a handful of days they are continually forced to make difficult moral decisions that no human being should ever have to make. They soon discover that the real enemy is not the sinister pandemic, but the darkness within their own hearts. Unlike semi-goofy post-apocalyptic films like the Mad Max series, "Carriers" is deadly serious from beginning to end. This works in the film's favor because if the filmmakers take the material seriously the viewer can as well. One of the moral conundrums explored is what do you do if a loved one gets the disease? Since anyone with the disease is as good as dead, do you mercifully kill them? Leave them behind to suffer and die alone? Or stay with them, which is tantamount to suicide since you'll catch the virus as well? The film also explores one's reaction to such a pandemic: Do we forsake all sense of morality in an attempt to survive -- lie, steal, forsake and murder -- or do we hold on to our moral compass, come what may? Is life worth living if you must become an immoral, wicked savage to survive? Isn't it better to live with dignity at all costs -- fight with nobility and die with dignity when and if we must? "Carriers" is to be commended for provoking such poignant questions. Some denounce the film on the grounds that it's too downbeat and depressing, but wouldn't a lawless society with a highly contagious lethal virus on the loose be a very dire situation? In other words, the downbeat vibe reflects the reality of the story. This doesn't mean that every character has to be some moralless savage, as one of the main characters becomes, but it definitely makes the proceedings believable for the viewer. That said, I admit that I would have preferred if the film offered more glimpses of hope, faith and human dignity, but the filmmakers obviously wanted to explore the element of a near-hopeless-situation and the film should be accepted and respected on that level. One obvious plothole is the perfectly maintained lawn of the golf course at the abandoned resort. The film was shot in desolate regions of New Mexico & Texas and runs a short-but-sweet 84 minutes. FINAL SAY: "Carriers" is an excellent -- albeit decidedly melancholic -- depiction of a post-apocalyptic world where conventional law & order are non-existent. The film successfully stimulates moral reflection and is engrossing from beginning to end. Although it looses points for being too downbeat... ***ENDING SPOILER ALERT*** ...especially the climax. C'mon, the dude makes it to the remote beach and he has a hot lass at his side; they could be the new Adam & Eve, but all he does is whine like it's the end of the world or something. GRADE: A-