 
  Popularity: 3 (history)
| Director: | Anthony Mann | 
|---|---|
| Writer: | John C. Higgins, Leopold Atlas | 
| Staring: | 
| Joe Sullivan is itching to get out of prison. He's taken the rap for his accomplice Rick, a sadistic mobster who owes him $50,000 from the job they pulled. Rick sets up an escape for Joe, assuming that Joe will be killed while fleeing. But with the help of his love-struck girl Pat and his sympathetic legal caseworker Ann, Joe gets further than Rick intended... | |
| Release Date: | May 21, 1948 | 
|---|---|
| Director: | Anthony Mann | 
| Writer: | John C. Higgins, Leopold Atlas | 
| Genres: | Crime, Thriller | 
| Keywords | prison, gangster, getaway car, man between two women, revenge, film noir, prison break, moll, police manhunt, woman's story | 
| Production Companies | Eagle-Lion Films, Edward Small Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Dennis O'Keefe | Joe Sullivan | 
| Claire Trevor | Pat Cameron | 
| Marsha Hunt | Ann Martin | 
| John Ireland | Fantail | 
| Raymond Burr | Rick Coyle | 
| Curt Conway | Spider | 
| Chili Williams | Marcy | 
| Richard Fraser | Fields | 
| Whit Bissell | Murderer | 
| Cliff Clark | Gates | 
| Gregg Barton | |
| Robert Bice | |
| David Clarke | |
| Victor Cutler | |
| Alexis Davidoff | |
| Abe Dinovitch | |
| Tom Fadden | |
| Vincent Graeff | |
| Ilka Grüning | |
| Frank Hyers | |
| Richard Irving | |
| Bill Kennedy | |
| Paul Kruger | |
| Mike Lally | |
| Carey Loftin | |
| James Magill | |
| Joan Myles | |
| Edna Ryan | |
| Cap Somers | (uncredited) | 
| Ray Teal | (uncredited) | 
| Regis Toomey | (uncredited) | 
| Harry Tyler | (uncredited) | 
| Robert B. Williams | (uncredited) | 
| John Daheim | (uncredited) | 
| Beverly Wills | (uncredited) | 
| Name | Job | 
|---|---|
| Anthony Mann | Director | 
| John Alton | Director of Photography | 
| Armor Marlowe | Set Decoration | 
| Alfred DeGaetano | Editor | 
| Clarence Steensen | Set Decoration | 
| Ridgeway Callow | Assistant Director | 
| Ted Larsen | Makeup Artist | 
| Ern Westmore | Makeup Artist | 
| Leon Becker | Sound | 
| Edward L. Ilou | Art Direction | 
| James T. Vaughn | Production Supervisor | 
| John C. Higgins | Screenplay | 
| Joan St. Oegger | Hairstylist | 
| France Ehren | Costume Supervisor | 
| Irving Friedman | Music Director | 
| Paul Sawtell | Original Music Composer | 
| Leopold Atlas | Screenplay | 
| Anna Malin | Hairstylist | 
| Jack Rabin | Special Effects | 
| Earl Sitar | Sound | 
| Name | Title | 
|---|---|
| Edward Small | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 11 | 18 | 6 | 
| 2024 | 5 | 12 | 21 | 8 | 
| 2024 | 6 | 11 | 27 | 6 | 
| 2024 | 7 | 10 | 20 | 6 | 
| 2024 | 8 | 10 | 19 | 5 | 
| 2024 | 9 | 7 | 11 | 5 | 
| 2024 | 10 | 8 | 17 | 5 | 
| 2024 | 11 | 7 | 16 | 5 | 
| 2024 | 12 | 7 | 15 | 5 | 
| 2025 | 1 | 7 | 13 | 5 | 
| 2025 | 2 | 6 | 8 | 3 | 
| 2025 | 3 | 5 | 8 | 1 | 
| 2025 | 4 | 2 | 2 | 1 | 
| 2025 | 5 | 2 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 1 | 0 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Anthony Mann packs quite a lot into eighty minutes in this quickly paced and engagingly intricate film noir. "Joe" (Dennis O'Keefe) faces festering in jail for years after helping out his duplicitous pal "Coyle" (Raymond Burr) who now owes him $50k. An escape plan almost goes awry and reveals to "Jo ... e" and feisty girlfriend "Pat" (Claire Trevor) that his friend is not exactly trustworthy. What now ensues drags in poor "Ann" (Marsha Hunt) as "Joe" tries to exact his revenge, get his cash, and escape to Mexico - all whilst being pursued by hitman "Fantail" (an adequate John Ireland). What's a little unique about this, is that the two women have stronger - and more independent - storylines. They both fall for "Joe", and are both aware that the other has an interest, but these are no shrinking violets and though of completely differing characters, there is plenty of attitude on display to complement the more traditional (and predictable) elements of the chase. Burr was never very good at menacing, and here is no different but he only features sparingly as we gradually discover whether or not "Joe" is really a brute. It's not too wordy, there is enough action and counter-plotting to keep it interesting and I'd say - if you like the genre - is at the better end of the spectrum and well worth a watch.