Popularity: 2 (history)
Director: | Michael Mann |
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Writer: | Michael Mann, F. Paul Wilson |
Staring: |
Set during World War II, a German army garrison is sent to guard a mountain pass in a village in Romania's Carpathian mountains and sets up barracks in an ancient stone fortress. Two of the soldiers unwittingly release a mysterious entity that kills or corrupts those within its influence, drawing the attention of a Gestapo commander, a Jewish scholar and a mysterious traveller. | |
Release Date: | Dec 16, 1983 |
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Director: | Michael Mann |
Writer: | Michael Mann, F. Paul Wilson |
Genres: | Fantasy, Horror |
Keywords | ss (nazi schutzstaffel), nazi, demon |
Production Companies | Paramount Pictures, Associated Capital, Capital Equipment Leasing, Howard W. Koch Productions, Gene Kirkwood Productions |
Box Office |
Revenue: $3,661,757
Budget: $6,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Scott Glenn | Glaeken Trismegestus |
Alberta Watson | Eva Cuza |
Jürgen Prochnow | Captain Klaus Woermann |
Robert Prosky | Father Mihail Fonescu |
Gabriel Byrne | Major Kaempffer |
Ian McKellen | Dr. Theodore Cuza |
William Morgan Sheppard | Alexandru |
Royston Tickner | Tomescu |
Michael Carter | Radu Molasar |
John Vine | Lutz |
Wolf Kahler | S.S. Adjutant |
Jona Jones | Otto |
Rosalie Crutchley | Josefa |
Frederick Warder | Border Guard 1 |
Bruce Payne | Border Guard 2 |
David Cardy | Alexandru's Son |
John Eastham | Alexandru's Second Son |
Philip Bloomfield | Josefa's Son |
Yashaw Adem | Carlos |
Stephen Whittaker | S.S. Kommando |
Ian Ruskin | S.S. Kommando |
Stephen Jenn | S.S. Kommando |
Benedick Blythe | S.S. Kommando |
Robin Langford | S.S. Kommando |
Renny Krupinski | Wehrmacht Soldier |
Peter Guinness | Wehrmacht Soldier |
Sean Baker | Wehrmacht Soldier |
Timothy Block | Wehrmacht Soldier |
Owain Griffiths | Wehrmacht Soldier (uncredited) |
Ralph G. Morse | Wehrmacht Soldier (uncredited) |
Doug Robinson | Guard (uncredited) |
Peter Ross-Murray | Nazi Soldier (uncredited) |
Name | Job |
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George Dean | Painter |
Dov Hoenig | Editor |
John Box | Production Design |
Michael Seirton | Set Decoration |
Beryl Lerman | Makeup Artist |
Vicki Deason | Production Assistant |
Robin Browne | Visual Effects Supervisor |
Barbara Ritchie | Key Hair Stylist |
Anthony Mendleson | Costume Design |
Herbert Westbrook | Art Direction |
Richard Mills | Makeup Artist |
Nick Maley | Creature Design, Makeup Designer |
Wally Veevers | Visual Effects Supervisor |
Alan Tomkins | Art Direction |
Robin Gregory | Sound Mixer |
Chris Kelly | Associate Editor |
Michael Mann | Director, Screenplay |
F. Paul Wilson | Novel |
Alex Thomson | Director of Photography |
Nick Allder | Special Effects Supervisor |
Noel Davis | Casting |
Nancy Klopper | Casting |
Bonnie Timmermann | Casting |
Edgar Froese | Original Music Composer |
Christopher Franke | Original Music Composer |
Johannes Schmölling | Original Music Composer |
Paddy Ryan | Stunts |
Tracey Eddon | Stunts |
Doug Robinson | Stunts |
Alf Joint | Stunt Coordinator |
Jim Dowdall | Stunts |
Andy Bradford | Stunts |
Nick Hobbs | Stunts |
Name | Title |
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Gene Kirkwood | Producer |
Hawk Koch | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 17 | 29 | 9 |
2024 | 5 | 22 | 42 | 14 |
2024 | 6 | 18 | 30 | 10 |
2024 | 7 | 18 | 28 | 10 |
2024 | 8 | 16 | 39 | 8 |
2024 | 9 | 10 | 18 | 6 |
2024 | 10 | 14 | 30 | 6 |
2024 | 11 | 12 | 22 | 7 |
2024 | 12 | 18 | 32 | 9 |
2025 | 1 | 15 | 34 | 8 |
2025 | 2 | 10 | 15 | 3 |
2025 | 3 | 6 | 15 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 1 | 1 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 656 | 790 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 235 | 655 |
**_Arty fantasy/horror taking place at a citadel in Romania during WW2_** In late 1941, a motorized German infantry unit holds a pass in the Carpathian Mountains by occupying a strange fortress that’s “built backwards,” as the captain observes (Jürgen Prochnow). When soldiers start mysteriousl ... y dying, it draws a ruthless Nazi commander into the fray (Gabriel Byrne), as well as a Hebrew professor and his daughter (Ian McKellen & Alberta Watson). A strange nomad is also attracted to the proceedings (Scott Glenn). Based on the 1981 book of the same name, "The Keep" (1983) is a supernatural thriller set in WW2, one of director Michael Mann’s early flicks before his great success with films like “The Last of the Mohicans” (1992). While this was a flop at the box office, it has since developed a cult following. It was no cheapo movie, costing a whopping $11 million at the time and hence has quality production values, especially for an early 80’s horror flick. It’s comparable to a late-era Hammer movie, just made on a huge budget and without Cushing or Lee. There are elements of “Altered States” (1980), “The Formula” (1980), “The Seventh Sign” (1988) and “Howling V: The Rebirth” (1989) so, if you like those films, check it out (and, yes, I realize those last two came out 5-6 years later). The production was troubled with Mann’s original edit being 3.5 hours, which is well over TWICE as long as the version released to theaters (!). This has caused critics to denounce “The Keep” as a jaggedly-edited outlandish mess that attempts to be an art film, a horror flick and a WW2 movie without really succeeding at any. The film’s peculiarity is augmented by a dream-like score by Tangerine Dream. Nevertheless, there’s enough good here to entertain open-minded viewers. While there are obvious cut parts, the story isn’t hard to fill-in the blanks. There is a creature and it’s easily the most intriguing part (in later scenes it sorta rips-off of Jack Kirby’s Darkseid). Yet I found the characters played by Prochnow, Byrne and McKellen interesting too. Scott Glenn’s role would’ve been better if he was fleshed out more. He was the protagonist of the book, but his scenes were cut. What we are left with is an enigmatic traveler with glowing eyeballs and a magic stick who has no qualms about jumping into bed with a woman he barely knows (in defense of this sequence, he instinctively KNOWS her and vice versa to a degree). The film runs 1 hour, 36 minutes, and was shot in Blaenau Ffestiniog & Llanberis in northwestern Wales, as well as England at Shepperton Studios, just west of London, and Kent (the concentration camp); with Spain standing in for Greece in one scene. GRADE: B-