Popularity: 3 (history)
| Director: | Sandra Goldbacher |
|---|---|
| Writer: | Laurence Coriat, Sandra Goldbacher |
| Staring: |
| During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap. | |
| Release Date: | Nov 01, 2001 |
|---|---|
| Director: | Sandra Goldbacher |
| Writer: | Laurence Coriat, Sandra Goldbacher |
| Genres: | Drama |
| Keywords | 1970s, female friendship, friendship, romance, coming of age, brighton, england, university, relatonship study, woman director, isle of wight |
| Production Companies | Road Movies, Capitol Films, MEDIA Programme of the European Union, British Screen, Wave Pictures, Fireworks Pictures, BSB, Isle of Man Film Commission, Samuel Goldwyn Films, Dakota Films, Momentum Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Anna Friel | Marina |
| Michelle Williams | Holly |
| Oliver Milburn | Nat |
| Trudie Styler | Linda |
| Marianne Denicourt | Isabel |
| Steve John Shepherd | Carl |
| Allan Corduner | Max |
| Nicky Henson | Ray |
| Kyle MacLachlan | Daniel |
| Deborah Findlay | Judith |
| Hannah Bourne | Carolyn |
| Russell Mabey | Craig |
| Blake Ritson | Tim |
| Francis Lee | Paul |
| Eve Cooper-Rose | Sophie |
| Lee Williams | Ben |
| Annabel Mullion | Meredith |
| Andrew Beck | Stuart |
| Adrian Lukis | Leo |
| Anna Popplewell | Young Marina |
| Eliot Sumner | Holly and Marina's Child |
| Natalie Moss | Holly and Marina's Child |
| Ella Jones | Young Holly |
| Name | Job |
|---|---|
| Amy Odell | Original Music Composer |
| Denis Crossan | Director of Photography |
| Kathleen Mackie Higgins | Casting |
| Michael Carlin | Production Design |
| Laurence Coriat | Screenplay |
| Adrian Johnston | Original Music Composer |
| Michael Ellis | Editor |
| Steve Carter | Art Direction |
| Rosie Hackett | Costume Design |
| Michael Corden | Supervising Sound Editor |
| Paul Ritchie | Line Producer |
| Rebecca Alleway | Set Decoration |
| Julian Dodwell | Dialogue Editor |
| Alan O'Duffy | Sound Mixer |
| Svenn Jakobsen | Foley Mixer |
| Kerry Brown | Still Photographer |
| Zoe Morgan | Script Supervisor |
| Laura Goulding | Script Supervisor |
| Kle Savidge | Music Supervisor |
| Nigel Stone | Music Editor |
| Amy Quince | First Assistant Editor |
| David Horrill | Property Master |
| Terry Woods | Property Master |
| Paul Bradburn | Props |
| George Dean | Painter |
| Sandra Goldbacher | Screenplay, Director |
| Jill Trevellick | Casting |
| Stephen Woolfenden | First Assistant Director |
| Name | Title |
|---|---|
| Ulrich Felsberg | Co-Producer |
| Finola Dwyer | Producer |
| Jonathan Olsberg | Executive Producer |
| Steve Christian | Executive Producer |
| Judy Counihan | Co-Producer |
| Torsten Leschly | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 11 | 3 |
| 2024 | 5 | 7 | 11 | 4 |
| 2024 | 6 | 6 | 11 | 3 |
| 2024 | 7 | 8 | 21 | 4 |
| 2024 | 8 | 6 | 17 | 3 |
| 2024 | 9 | 5 | 9 | 2 |
| 2024 | 10 | 5 | 11 | 3 |
| 2024 | 11 | 5 | 8 | 3 |
| 2024 | 12 | 5 | 9 | 3 |
| 2025 | 1 | 5 | 9 | 3 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 3 | 5 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 0 |
| 2025 | 10 | 3 | 3 | 2 |
Trending Position
This is one of those films that is so riddled with stupid personal choices from the characters that I lost interest fairly quickly. We start in the early 1970s as "Marina" (Anna's Poppelwell then Friel) and best friend "Holly" (Ella Jones then Michelle Williams) grow up together. The former girl has ... an absentee (pilot) father and a mother who is great fun - so long as she can pop a valium or two. The latter girl is a bit more stable, and it's that stability that provides "Marina" with a rudder through her increasingly Bohemian life. Each time she messes up, "Holly" is there to the rescue. Gradually, though, the penny drops for "Holly" as she realises that her own life is being subsumed into that of her friend. They even end up sharing blokes, wittingly and otherwise. The challenge for "Holly" now is how to assert herself and live her own life without her mate doing her own version of the Hindenburg. It's quite wittily poignant at times, but the inherently repetitive nature of the frying pan to fire scenarios and the unlikable nature of both of these women didn't really do it many favours as it trundles along. In principle, it addresses the complexities of addiction - not just booze and pills, but for an affection not just related to sex. In practice, though, it's a messy and incomplete analysis of two uninteresting people surrounded by men who all seemed to deserve each other. There's also far too much dialogue and after a while it just starts to fade into a background of mediocrity with the rest of this. Not for me, sorry.