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Me Without You Poster

Me Without You

...best friends forever?
2001 | 107m | English

(4975 votes)

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Popularity: 3 (history)

Details

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
Release Date: Nov 01, 2001
Director: Sandra Goldbacher
Writer: Laurence Coriat, Sandra Goldbacher
Genres: Drama
Keywords 1970s, female friendship, friendship, romance, coming of age, brighton, england, university, relatonship study, woman director, isle of wight
Production Companies Road Movies, Capitol Films, MEDIA Programme of the European Union, British Screen, Wave Pictures, Fireworks Pictures, BSB, Isle of Man Film Commission, Samuel Goldwyn Films, Dakota Films, Momentum Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 20, 2024
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Full Credits

Name Character
Anna Friel Marina
Michelle Williams Holly
Oliver Milburn Nat
Trudie Styler Linda
Marianne Denicourt Isabel
Steve John Shepherd Carl
Allan Corduner Max
Nicky Henson Ray
Kyle MacLachlan Daniel
Deborah Findlay Judith
Hannah Bourne Carolyn
Russell Mabey Craig
Blake Ritson Tim
Francis Lee Paul
Eve Cooper-Rose Sophie
Lee Williams Ben
Annabel Mullion Meredith
Andrew Beck Stuart
Adrian Lukis Leo
Anna Popplewell Young Marina
Eliot Sumner Holly and Marina's Child
Natalie Moss Holly and Marina's Child
Ella Jones Young Holly
Name Job
Amy Odell Original Music Composer
Denis Crossan Director of Photography
Kathleen Mackie Higgins Casting
Michael Carlin Production Design
Laurence Coriat Screenplay
Adrian Johnston Original Music Composer
Michael Ellis Editor
Steve Carter Art Direction
Rosie Hackett Costume Design
Michael Corden Supervising Sound Editor
Paul Ritchie Line Producer
Rebecca Alleway Set Decoration
Julian Dodwell Dialogue Editor
Alan O'Duffy Sound Mixer
Svenn Jakobsen Foley Mixer
Kerry Brown Still Photographer
Zoe Morgan Script Supervisor
Laura Goulding Script Supervisor
Kle Savidge Music Supervisor
Nigel Stone Music Editor
Amy Quince First Assistant Editor
David Horrill Property Master
Terry Woods Property Master
Paul Bradburn Props
George Dean Painter
Sandra Goldbacher Screenplay, Director
Jill Trevellick Casting
Stephen Woolfenden First Assistant Director
Name Title
Ulrich Felsberg Co-Producer
Finola Dwyer Producer
Jonathan Olsberg Executive Producer
Steve Christian Executive Producer
Judy Counihan Co-Producer
Torsten Leschly Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 11 3
2024 5 7 11 4
2024 6 6 11 3
2024 7 8 21 4
2024 8 6 17 3
2024 9 5 9 2
2024 10 5 11 3
2024 11 5 8 3
2024 12 5 9 3
2025 1 5 9 3
2025 2 3 5 1
2025 3 3 5 1
2025 4 2 4 1
2025 5 2 4 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 2 3 0
2025 10 3 3 2

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Reviews

Geronimo1967
6.0

This is one of those films that is so riddled with stupid personal choices from the characters that I lost interest fairly quickly. We start in the early 1970s as "Marina" (Anna's Poppelwell then Friel) and best friend "Holly" (Ella Jones then Michelle Williams) grow up together. The former girl has ... an absentee (pilot) father and a mother who is great fun - so long as she can pop a valium or two. The latter girl is a bit more stable, and it's that stability that provides "Marina" with a rudder through her increasingly Bohemian life. Each time she messes up, "Holly" is there to the rescue. Gradually, though, the penny drops for "Holly" as she realises that her own life is being subsumed into that of her friend. They even end up sharing blokes, wittingly and otherwise. The challenge for "Holly" now is how to assert herself and live her own life without her mate doing her own version of the Hindenburg. It's quite wittily poignant at times, but the inherently repetitive nature of the frying pan to fire scenarios and the unlikable nature of both of these women didn't really do it many favours as it trundles along. In principle, it addresses the complexities of addiction - not just booze and pills, but for an affection not just related to sex. In practice, though, it's a messy and incomplete analysis of two uninteresting people surrounded by men who all seemed to deserve each other. There's also far too much dialogue and after a while it just starts to fade into a background of mediocrity with the rest of this. Not for me, sorry.

Jun 04, 2024