Popularity: 3 (history)
| Director: | James Ivory |
|---|---|
| Writer: | Kit Hesketh-Harvey, James Ivory, E.M. Forster |
| Staring: |
| After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society. | |
| Release Date: | Sep 18, 1987 |
|---|---|
| Director: | James Ivory |
| Writer: | Kit Hesketh-Harvey, James Ivory, E.M. Forster |
| Genres: | Drama, Romance |
| Keywords | england, based on novel or book, homophobia, coming out, forbidden love, secret love, coming of age, in the closet, lgbt, friends in love, 1900s, conversion therapy, gay theme, cambridge university, independent film |
| Production Companies | Merchant Ivory Productions, Film Four International, Cinecom Pictures |
| Box Office |
Revenue: $2,438,304
Budget: $2,600,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| James Wilby | Maurice Hall |
| Hugh Grant | Clive Durham |
| Rupert Graves | Alec Scudder |
| Denholm Elliott | Dr. Barry |
| Simon Callow | Mr. Ducie |
| Billie Whitelaw | Mrs. Hall |
| Barry Foster | Dean Cornwallis |
| Judy Parfitt | Mrs. Durham |
| Phoebe Nicholls | Anne Durham |
| Patrick Godfrey | Simcox |
| Mark Tandy | Risley |
| Ben Kingsley | Lasker-Jones |
| Kitty Aldridge | Kitty Hall |
| Helena Michell | Ada Hall |
| Catherine Rabett | Pippa Durham |
| Peter Eyre | Rev. Borenius |
| Michael Jenn | Archie |
| Mark Payton | Chapman |
| Orlando Wells | Young Maurice |
| Maria Britneva | Mrs. Sheepshanks |
| John Elmes | Hill |
| Alan Foss | Old Man on Train |
| Philip Fox | Dr. Jowitt |
| Olwen Griffiths | Mrs. Scudder |
| Christopher Hunter | Fred Scudder |
| Gerald McArthur | Undergraduate |
| Breffni McKenna | Guardsman |
| Miles Richardson | Undergraduate |
| Phillada Sewell | Matron |
| Helena Bonham Carter | Young Lady at Cricket Match |
| Matthew Sim | Featherstonaugh |
| Andrew St. Clair | Undergraduate |
| Harriet Thorpe | Barmaid |
| Julian Wadham | Hull |
| Richard Warner | Judge |
| Alan Whybrow | Mr. Scudder |
| Jean-Marc Barr | French Colleague (uncredited) |
| Serena Gordon | Gladys Olcott (uncredited) |
| Name | Job |
|---|---|
| Richard Robbins | Original Music Composer |
| Jenny Beavan | Costume Design |
| Harry Rabinowitz | Conductor |
| Celestia Fox | Casting |
| Brian Ackland-Snow | Production Design, Art Direction |
| John Bright | Costume Design |
| Raymond Day | Production Supervisor |
| Kevan Barker | First Assistant Director |
| Nigel Willoughby | Camera Operator |
| Tim Dodd | Focus Puller |
| Jack Collins | Gaffer |
| Andrew Morris | Boom Operator |
| Paolo Mantini | Assistant Hairdresser |
| Peter James | Art Direction |
| Kit Hesketh-Harvey | Screenplay |
| Katherine Wenning | Editor |
| Maggie Parsons | Location Manager |
| Mike Shoring | Sound |
| Joyce Turner | Production Coordinator |
| Michael Zimbrich | First Assistant Director |
| Tony Woodcock | Camera Operator |
| Gerry Altman | Clapper Loader |
| Kevin Fraser | Grip |
| Carol Hemming | Hairdresser |
| Mary Hillman | Makeup Artist |
| Amanda Ackland-Snow | Assistant Set Dresser |
| Andrew Marcus | Assistant Editor |
| Alan Killick | Dialogue Editor |
| Anna Shepherd | Assistant Sound Editor |
| Dennis Fruin | Property Master |
| Tony Lenny | Sound Editor |
| Max Hoskins | Assistant Sound Editor |
| Tom Freeman | Assistant Sound Editor |
| Lee Cleary | Second Assistant Director |
| Simon Moseley | Third Assistant Director |
| Natasha Grenfell | Location Manager |
| Arbell Lowther | Production Secretary |
| Sunil Kirparam | Production Accountant |
| Ray Usher-Cooper | Wardrobe Master |
| Harvey Kip | Stunts |
| Katya Grenfell | Still Photographer |
| Mira Stout | Unit Publicist |
| Howard Lanning | Assistant Sound Editor |
| John G. Phelan | Second Assistant Director |
| Lorely Farley | Continuity |
| Mark Potter Jr. | Music Editor |
| Nicky Kentish Barnes | Production Assistant |
| Will Tyler | Production Accountant |
| William Pierce | Co-Costume Designer |
| Jane Burton | Wardrobe Assistant |
| Adrian Ffooks | Stunts |
| John Gardey | Still Photographer |
| James Ivory | Screenplay, Director |
| E.M. Forster | Original Story |
| Pierre Lhomme | Director of Photography |
| Chris Allies | Title Designer |
| Name | Title |
|---|---|
| Paul Bradley | Associate Producer |
| Ismail Merchant | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 31 | 9 |
| 2024 | 5 | 22 | 51 | 13 |
| 2024 | 6 | 20 | 56 | 9 |
| 2024 | 7 | 20 | 31 | 11 |
| 2024 | 8 | 17 | 30 | 9 |
| 2024 | 9 | 12 | 21 | 7 |
| 2024 | 10 | 13 | 30 | 7 |
| 2024 | 11 | 13 | 23 | 8 |
| 2024 | 12 | 14 | 36 | 7 |
| 2025 | 1 | 16 | 32 | 8 |
| 2025 | 2 | 10 | 16 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 3 | 7 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 778 | 861 |
James Wilby is at his best here depicting the eponymous E.M. Forster character who takes rather a shine to his university colleague "Clive" (Hugh Grant). Of course not only is same sex fun illegal, it's looked upon very unfavourably by the Oxford set - even if most of them have had the odd dabble th ... emselves. "Clive" is not really the commitment sort - he cares more for conforming and taking his well-heeled place in society, but "Maurice" seems more dyed-in-the-wool. His sexuality less fluid and his frustrations ever increasing. It's on a trip to see his friend and new wife "Anne" (Phoebe Nicholls) that he encounters their charming under-gamekeeper "Scudder" (Rupert Graves) and despite the differences in their social standing, at at some peril to his reputation, they embark on something that could just change both of their lives. Whilst the whole thing is set amongst the rarified environment of the English upper classes, it's still a potent reminder of life in a proscriptive society that though nothing of jail with hard labour for men caught with other men. There's a strong supporting cast, typical of these quality Marchant Ivory productions - Simon Callow, Billie Whitelaw and Judy Parfitt to name but three (I'm sure I saw Helena Bonham Carter in here too) and the look of the film - the settings, costumes and overall production design give it an authenticity and sheen. For me, the film belongs to Graves. His cheeky, well meaning and naive young character epitomising just what was wrong with the very fabric of a society that abhorred and punished his sexuality. With a swipe at the medical professional - and quackery in general - along the way, this whole thing is a classy and stylish assessment of a life that never, quite, feels real.