 
  Popularity: 5 (history)
| Director: | Michael Lehmann | 
|---|---|
| Writer: | Daniel Waters | 
| Staring: | 
| A girl who halfheartedly tries to be part of the "in crowd" of her school meets a rebel who teaches her a more devious way to play social politics: by killing the popular kids. | |
| Release Date: | Oct 01, 1988 | 
|---|---|
| Director: | Michael Lehmann | 
| Writer: | Daniel Waters | 
| Genres: | Comedy, Crime | 
| Keywords | suicide, adolescence, diary, friendship, high school, dark comedy, bully, teen movie, death, clique, bullied, mischievous, vindictive, irreverent, provocative, tense, compassionate, defiant, derisive, sardonic | 
| Production Companies | New World Pictures, Cinemarque Entertainment | 
| Box Office | Revenue: $1,166,207 Budget: $3,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Winona Ryder | Veronica Sawyer | 
| Christian Slater | Jason 'J.D.' Dean | 
| Shannen Doherty | Heather Duke | 
| Lisanne Falk | Heather McNamara | 
| Kim Walker | Heather Chandler | 
| Penelope Milford | Pauline Fleming | 
| Glenn Shadix | Father Ripper | 
| Lance Fenton | Kurt Kelly | 
| Jennifer Rhodes | Veronica's Mom | 
| Jeremy Applegate | Peter Dawson | 
| Patrick Labyorteaux | Ram Sweeney | 
| Jon Matthews | Rodney | 
| Carrie Lynn | Martha Dunnstock / Dumptruck | 
| Phill Lewis | Dennis | 
| Renée Estevez | Betty Finn | 
| John Zarchen | Country Club Keith | 
| William Cort | Veronica's Dad | 
| John Ingle | Principal Gowan | 
| Stuart Mabray | Counselor Paul Hyde | 
| Sherrie Wills | Country Club Courtney | 
| Larry Cox | David | 
| Kent Stoddard | Brad | 
| Mark Carlton | Kurt's Dad | 
| Curtiss Marlowe | Geek | 
| Andrew Benne | Fat Cynic | 
| Kevin Hardesty | 1st Heavy Metaller in Pkg. Lot | 
| Josh Richman | 2nd Heavy Metaller in Pkg. Lot | 
| Bess Meyer | Female Stoner | 
| Betty Ramey | Teacher in Conference Room | 
| Aaron Mendelsohn | Nerd in Pauline's Class | 
| Kirk Scott | Big Bud Dean | 
| Mark Bringelson | Officer McCord | 
| Chuck Lafont | Officer Milner | 
| Christie Mellor | Squealing Girl in Parking Lot | 
| James 'Poorman' Trenton | 'Hot Probs' D.J | 
| Adrian Drake | Gruff Teacher | 
| Craig Braginsky | Student (uncredited) | 
| Michael Lindström | Student (uncredited) | 
| David McConnell | Student in the Gym (uncredited) | 
| Mike Pont | Student in Cafeteria (uncredited) | 
| Sylvia Tobias | Student (uncredited) | 
| Jeffrey Weissman | Voice Actor (uncredited) | 
| Name | Job | 
|---|---|
| Michael Lehmann | Director | 
| Daniel Waters | Screenplay | 
| Francis Kenny | Director of Photography | 
| David Newman | Original Music Composer | 
| Jon Hutman | Production Design | 
| Julie Hewett | Makeup Artist | 
| Dan Bradley | Stunt Coordinator | 
| Thaddeus Wadleigh | Key Grip | 
| Doug Hemphill | Sound Re-Recording Mixer | 
| Debbie Evans | Stunts | 
| Jeff Habberstad | Stunts | 
| Mitchell Amundsen | Focus Puller | 
| John Schwartzman | Additional Camera | 
| Norman Hollyn | Editor | 
| Sally Dennison | Casting | 
| Julie Selzer | Casting | 
| Kara Lindstrom | Art Direction | 
| Rudy Dillon | Costume Design | 
| Scott Williams | Hairstylist | 
| Iya Labunka | Production Manager | 
| Mary Ellen Woods | First Assistant Director | 
| David W. Ford | Leadman | 
| Greg J. Grande | Property Master | 
| Don Larson Jr. | Construction Coordinator | 
| George Berndt | ADR Editor | 
| Sarah Goldsmith | Dialogue Editor | 
| John Morris | Dialogue Editor | 
| Lorie O'Shatz | Dialogue Editor | 
| Jerry Ross | Supervising Sound Editor | 
| Hamilton Sterling | Sound Effects Editor | 
| Martin Bresin | Special Effects | 
| Mitch Dubin | Camera Operator | 
| Aristides Pappidas | Gaffer | 
| Michael Paris | Still Photographer | 
| Christopher Rogers | Dolly Grip | 
| Maureen Mitchell | First Assistant Editor | 
| Jerry Ariganello | Location Manager | 
| Scott Grusin | Music Editor | 
| Claire Baker | Production Coordinator | 
| Irene Brafstein | Studio Teachers | 
| Elana Golden | Script Supervisor | 
| Vicki Rocco | Production Coordinator | 
| Angela Moos | Makeup & Hair | 
| Benita Allen | Second Assistant Director | 
| Jeffrey Wetzel | Additional Second Assistant Director | 
| Rick Bailey | Carpenter | 
| Monti Santilli Rainbolt | Assistant Property Master | 
| Dana Torrey | Assistant Art Director | 
| Lori M. Turchin | Assistant Property Master | 
| Rick Ash | Sound Re-Recording Mixer | 
| James Ashwill | Foley Recordist | 
| Douglas Axtell | Sound Mixer | 
| Bob Baron | ADR Mixer | 
| Kevin Bartnof | Foley Artist | 
| Don Digirolamo | Sound Re-Recording Mixer | 
| Ann Ducommun | Assistant Sound Editor | 
| John Duvall | Foley Editor | 
| Peter Friedberg | Assistant Sound Editor | 
| Ellen Heuer | Foley Artist | 
| Chris Ingram | Assistant Sound Editor | 
| Rob Scott | Boom Operator | 
| Joe Gilbride | Stunts | 
| Sandy J. Leavenworth | Stunts | 
| Deirdre Arbucci | Second Assistant Camera | 
| John G. Danza | Electrician | 
| Ali Farboud | Electrician | 
| Charley Gilleran | Assistant Chief Lighting Technician | 
| Marc David Schultz | Electrician | 
| Lon Thompson | Electrician | 
| Dennis Young | Electrician | 
| Patrick Rush | Casting Associate | 
| Sandra Araya Jensen | Costume Set Supervisor | 
| Beverly Kline | Costumer | 
| Lizz Wolf | Wardrobe Assistant | 
| Dennis Brookins | Negative Cutter | 
| Mike Milliken | Color Timer | 
| Perry Patterson | Assistant Location Manager | 
| Edward Flotard | Transportation Coordinator | 
| Kimberly Edwards | Production Accountant | 
| Caroline Pham | Assistant Production Coordinator | 
| Bundy Chanock | Set Medic | 
| Name | Title | 
|---|---|
| Christopher Webster | Executive Producer | 
| Denise Di Novi | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 57 | 109 | 35 | 
| 2024 | 5 | 156 | 197 | 105 | 
| 2024 | 6 | 92 | 170 | 41 | 
| 2024 | 7 | 37 | 65 | 21 | 
| 2024 | 8 | 32 | 51 | 21 | 
| 2024 | 9 | 23 | 33 | 17 | 
| 2024 | 10 | 29 | 57 | 17 | 
| 2024 | 11 | 25 | 37 | 18 | 
| 2024 | 12 | 23 | 33 | 16 | 
| 2025 | 1 | 30 | 49 | 16 | 
| 2025 | 2 | 20 | 32 | 4 | 
| 2025 | 3 | 8 | 28 | 2 | 
| 2025 | 4 | 5 | 6 | 3 | 
| 2025 | 5 | 4 | 5 | 3 | 
| 2025 | 6 | 3 | 5 | 2 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 3 | 2 | 
| 2025 | 9 | 4 | 6 | 3 | 
| 2025 | 10 | 4 | 5 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 760 | 873 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 654 | 740 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 394 | 794 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 862 | 862 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 843 | 880 | 
RELEASED IN 1989 and directed by Michael Lehmann, “Heathers” stars Winona Ryder as Veronica, a high school student in Ohio who has sold herself out to join the popular clique of three girls, all coincidently named Heather (Kim Walker, Lisanne Falk & Shannen Doherty). The more she spends time with th ... em, however, the more she discovers she can’t stand them. Enter mysterious new kid, JD (Christian Slater), who has a macabre solution to Veronica’s conundrum. This is an oddball teen movie that tries to be edgy and amusing with its black humor and overt cussing. Future movies were influenced by it, like “Jawbreaker” (1999) and maybe even “Mean Girls” (2004). The commentary on peer pressure, teen suicide and the maiming destructiveness of cliques is potent. Teens can be misled by the “popular” students, yes, but they can also be misled by the outcasts. Slater stands out as a sorta dark Fonz of the late 80s, easily one of his best roles ever. Ryder is surprisingly good as the protagonist. I say “surprisingly” because I was never big on her (although I didn’t dislike her either). The first act is quite good, but the story gets humdrum in the middle; thankfully, the last 20 minutes perk up. The late 80’s ambiance is to die for. I’m not going to give it away, but the original ending was way more morbid. They had an alternative ending that they didn’t go with either. Apparently the studio pressured the writer/director to go with the theatrical ending, which I approve. It’s a story of redemption. Being misled by corrupt people for a season doesn’t define a person forever. THE MOVIE RUNS 1 hours & 43 minutes and was shot in Los Angeles (the high school) and surrounding area (Santa Monica, Tujunga and Pasadena). WRITER: Daniel Waters. GRADE: B-/C+
This movie is a high school satire done absolutely amazingly. It's everything current high school dramas wish they were. It's dark, funny, but does not lose any of its meaning to stupid jokes. It perfectly shows the hell that is high school (and society as a whole). Just like in high school, there a ... re Marthas and Heathers everywhere in life. J.D. is a great villain, because even though from his very introduction, we know he's a messed up person who does bad things, yet you start to empathize with him just like Veronica. It shows that, as a society, we go to great lengths to defend white men and their actions. Heathers is furthermore also obviously a critique on the social hierarchies that exist in the world. It shows this on a smaller scale, high school. As J.D. nicely sums up towards the end of the movie: ".. because high school IS society". The Heathers rule the school and this movie really shows as to why that is. It's a system, that puts certain people at the top, like Heathers, and other _Martha's_ at the bottom. Murdering Heather Chandler might seem like a way to disrupt this hierarchy, and restore society to a pure form, but that is not the case. Heather Chandler does not equal her power, that's just a role she filled in the bigger system around them. Her being gone doesn't remove that role, it just passes it on to the next best fit. In this movie, colors play a significant role. Heather Chandler being red represents anger and her dominance. Heather McNamara being yellow represents her kind soul, but also her weakness. Heather Duke's green represents her jealousy of Chandler. Veronica's signature color is blue which represents intelligence, but after having murdered Heather Chandler she wears a purple outfit. As you may know, blue and red make purple. I see this as Heather Chandlers 'evilness' affecting Veronica as well. Veronica might think she's rid the world of evil, yet she's simply become evil herself.
"Heathers" is almost like a jet black version of "Rebel Without A Cause" (1955) or some such as it steadfastly plumbs the complicated labyrinthine depths of teenage angst and comes up with a radical and downright homicidal anti-social solution. It is overflowing with the largely inconsequential conc ... erns of the hierarchy which exists in all schools to a greater or lesser degree and it provides some harsh examples of this at its most cruel and unforgiving. Who would want to be a teenager again? Anyway, no matter how dark this film becomes and no matter how close Veronica is to ridding her life of the Heathers of the title, she still demurs at the last moment and stops short (she even prevents the eager J.D. from blowing the school up with explosives). The message here is a simple one: The wholesale destruction of the school and all it represents to disenfranchised teenagers everywhere is not the answer to life's innumerable problems.