Popularity: 4 (history)
| Director: | Alejandro Amenábar |
|---|---|
| Writer: | Alejandro Amenábar, Mateo Gil |
| Staring: |
| A historical drama set in Roman Egypt, concerning philosopher Hypatia of Alexandria and her relationship with her slave Davus, who is torn between his love for her and the possibility of gaining his freedom by joining the rising tide of Christianity. | |
| Release Date: | May 17, 2009 |
|---|---|
| Director: | Alejandro Amenábar |
| Writer: | Alejandro Amenábar, Mateo Gil |
| Genres: | Adventure, Drama, History |
| Keywords | christianity, philosophy, egypt, roman empire, new love, cult, historical figure, love, sword fight, ancient world, destiny, hypatia, misogyny, persecution, library of alexandria, atheism, political unrest, impossible love, false history, power relations, unfulfillment, master servant relationship, unfulfilled love, 5th century |
| Production Companies | Himenóptero, Telecinco Cinema, Mod Producciones |
| Box Office |
Revenue: $39,457,342
Budget: $70,000,000 |
| Updates |
Updated: Oct 03, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Alejandro Amenábar | Director, Writer |
| Rocio Sainz Herrero | Art Department Coordinator |
| Laura Martínez | Assistant Art Director |
| Josu Inchaustegui | Camera Operator |
| Lee Herrick | ADR & Dubbing |
| Christian Mallia | Transportation Coordinator |
| Nike Alonso | Visual Effects Producer |
| Carmen Soriano | Script Supervisor |
| Lesley Smith | Makeup Artist |
| Xavi Giménez | Director of Photography |
| Juanjo Carretero | Digital Intermediate |
| Monica Sallustio | Assistant Art Director |
| José Luis Rodríguez | Gaffer |
| Larry Dias | Set Decoration |
| Tony Lewis | Music Editor |
| Eduardo Díaz | Visual Effects Supervisor |
| Teresa Isasi | Still Photographer |
| Magoga Piñas | CG Supervisor |
| Michal Soun | Assistant Art Director |
| Niv Adiri | Sound Effects Editor |
| Matthew Gray | Art Direction |
| Nacho Ruiz Capillas | Editor |
| Chris Kitisakkul | Assistant Art Director |
| Richard Pryke | Sound Re-Recording Mixer |
| Albert Carreras | Camera Operator |
| Ian Tapp | Sound Re-Recording Mixer |
| Stuart Kearns | Art Direction |
| Jason Knox-Johnston | Art Direction |
| Ben Barker | Sound Effects Editor |
| Félix Bergés | Visual Effects Supervisor |
| Mike Dowson | Sound Re-Recording Mixer |
| Graeme Purdy | Property Master |
| Mark Sansone | Location Manager |
| Jordi Casares | Stunt Coordinator |
| Tom Sayers | Sound Designer |
| Steven Desbrow | Helicopter Camera |
| Roberta Federico | Assistant Art Director |
| Malcolm Roberts | Construction Coordinator |
| Frank Walsh | Supervising Art Director |
| Gillian Dodders | Dialogue Editor |
| Alex Martínez Roig | Thanks |
| Mateo Gil | Writer |
| Jina Jay | Casting |
| Guy Hendrix Dyas | Production Design |
| Gabriella Pescucci | Costume Design |
| Nicolas Becker | Foley |
| Andy Kennedy | Sound Effects Editor |
| Glenn Freemantle | Supervising Sound Editor |
| Montse Ribé | Makeup Effects Designer |
| Dario Marianelli | Original Music Composer |
| Óscar Faura | Second Unit Director of Photography |
| Name | Title |
|---|---|
| Fernando Bovaira | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 36 | 17 |
| 2024 | 5 | 26 | 52 | 17 |
| 2024 | 6 | 18 | 34 | 12 |
| 2024 | 7 | 20 | 32 | 14 |
| 2024 | 8 | 24 | 53 | 14 |
| 2024 | 9 | 17 | 30 | 11 |
| 2024 | 10 | 19 | 33 | 12 |
| 2024 | 11 | 17 | 33 | 10 |
| 2024 | 12 | 15 | 35 | 10 |
| 2025 | 1 | 16 | 26 | 10 |
| 2025 | 2 | 12 | 18 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 2 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 2 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 448 | 753 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 893 | 929 |
Agora represents a rather chaotic and completely inaccurate historical biopic. Despite the commendable acting by Rachel Weisz and Oscar Isaac, the movie, which was created with a significant budget, strangely exudes an air of thriftiness typically associated with lower-budget productions. The ... storyline itself verges on the absurd, taking considerable liberties with historical facts by reshaping them and even conjuring entirely new occurrences. This departure from reality transforms the work from a scholarly biopic into a realm of pure fantasy. The library of Alexandria no longer existed during the time of Hypatia. Furthermore, the circumstances surrounding the destruction or closure of the Library of Alexandria remain shrouded in mystery. The precise cause, whether through fire or deliberate demolition, eludes us. Yet the film decides to come up with its own narrative as to how the library was destroyed. Additionally, the depiction of Christian riots in the film does not align with historical accuracy, a complete falsehood just to add drama and tension to an otherwise boring feature film. For a historical biopic, accuracy is important and this film fales miserably. Definitely do not watch this as an accurate representation of historical events.
Agora is a well-crafted film that manages to be both entertaining and educational. While the movie takes some creative liberties with the historical events, which is understandable given the gaps in recorded history, it does a great job of capturing the essence of the time. The writing feels solid, ... and despite some moments that might stretch historical accuracy, the story remains compelling and thought-provoking. The acting is another highlight. Rachel Weisz shines as Hypatia, bringing intelligence and grace to the role. Her portrayal makes Hypatia’s struggle with philosophy, reason, and the changing world around her deeply engaging. Most of the main cast delivered strong performances that added depth to the characters and their relationships. The directing is to the point, keeping the narrative focused on the tension between reason and dogma. The production design deserves credit too. It successfully recreates the feel of ancient Alexandria, immersing you in the historical setting. From the bustling streets to the grandeur of the Serapeum, it pulls you into the world of the film. Overall, Agora is a beautifully executed movie that is as educational as it is entertaining. It offers a glimpse into an important and tumultuous period of history while exploring timeless themes about knowledge, power, and humanity. Despite its fictionalized elements, it is a powerful film that is worth watching.