Popularity: 1 (history)
Director: | Raoul Walsh |
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Writer: | Catherine Turney, Jo Pagano, Maritta M. Wolff |
Staring: |
Tough torch singer Petey Brown, visiting her family, finds a nest of troubles: her sister, brother, and the neighbor's wife are involved in various ways with shady nightclub owner Nicky Toresca. Petey has what it takes to handle Nicky, but then she meets San Thomas, formerly great jazz pianist now on the skids, and falls for him hard. | |
Release Date: | Dec 26, 1946 |
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Director: | Raoul Walsh |
Writer: | Catherine Turney, Jo Pagano, Maritta M. Wolff |
Genres: | Drama, Music |
Keywords | new york city, nightclub singer |
Production Companies | Warner Bros. Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 29, 2024 |
Name | Character |
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Ida Lupino | Petey Brown |
Robert Alda | Nicky Toresca |
Andrea King | Sally Otis |
Martha Vickers | Virginia 'Ginny' Brown |
Bruce Bennett | San Thomas |
Alan Hale | Riley |
Dolores Moran | Gloria O'Connor |
John Ridgely | Roy Otis |
Don McGuire | Johnny O'Connor |
Craig Stevens | Bandleader |
Tony Romano | Singer at Bamboo Club |
William Edmunds | Uncle Tony Toresca |
Jimmie Dodd | Jimmy |
Frank Ferguson | Army Doctor |
Dorothy Vaughan | Lucy |
Ben Welden | Jack Atlas |
Name | Job |
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Raoul Walsh | Director |
Catherine Turney | Adaptation, Screenplay |
Edwin B. DuPar | Special Effects |
Max Steiner | Original Music Composer |
Jo Pagano | Adaptation |
Maritta M. Wolff | Novel |
Sidney Hickox | Director of Photography |
John Maxwell | Dialogue Coach |
Owen Marks | Editor |
Stanley Fleischer | Art Direction |
Eddie Edwards | Set Decoration |
Ridgeway Callow | Assistant Director |
Perc Westmore | Makeup Artist |
Bertram Tuttle | Supervising Art Director |
Charles David Forrest | Sound |
Dolph Thomas | Sound |
Harry Barndollar | Special Effects |
Name | Title |
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Jack L. Warner | Executive Producer |
Arnold Albert | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 3 | 7 | 1 |
2024 | 5 | 4 | 7 | 2 |
2024 | 6 | 3 | 7 | 1 |
2024 | 7 | 5 | 11 | 1 |
2024 | 8 | 7 | 11 | 3 |
2024 | 9 | 5 | 8 | 3 |
2024 | 10 | 3 | 6 | 2 |
2024 | 11 | 4 | 7 | 2 |
2024 | 12 | 4 | 10 | 2 |
2025 | 1 | 4 | 7 | 2 |
2025 | 2 | 3 | 4 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
I ran down like a clock. It was just as though I'd been wound up too tight and the spring broke. The Man I Love is directed by Raoul Walsh and adapted to screenplay by Jo Pagano and Catherine Turney from Maritta M. Wolff's novel. It stars Ida Lupino, Robert Alda, Andrea King, Martha Vickers, Bruc ... e Bennett, Alan Hale and Dolores Moran. Cinematography is by Sidney Hickox. Loved by some, not so by others, Walsh's film is pretty much a soap opera meller with some faint noir shadings. The plot, that has more holes than a bullet riddled bucket, sees Lupino's torch singer return home for the holidays and complications arise in the love and lust department - for her, her family, and the ruthless nightclub owner played by Alda. There's a mature look at womanhood and masculinity in the post war years, with a poignancy factor boosted by it being set around the Christmas holidays. As usual Lupino is as watchable as ever - in fact into the bargain she's very sultry here as well - and there's some nifty noirish dialogue. However, as the story is intent on reflecting upon damaged love across the board, there's a distinct lack of fatalism or bitter cynicism to be found, thus explaining why many have be forced to put it in the soapy meller category. This is good film making, but for entertainment purpose it helps if you go into it not expecting a hidden film noir gem, but a pic of unhappy people wandering aimlessly in a melodramatic fog. 6/10