 
  Popularity: 2 (history)
| Director: | Terence Fisher | 
|---|---|
| Writer: | Muriel Box, Sydney Box, David Evans, Frank Harvey | 
| Staring: | 
| A British army officer becomes fascinated by the portrait of a young woman. He travels to Germany to find her, only to discover that she is suffering from amnesia. | |
| Release Date: | Dec 01, 1948 | 
|---|---|
| Director: | Terence Fisher | 
| Writer: | Muriel Box, Sydney Box, David Evans, Frank Harvey | 
| Genres: | Drama, Romance, Mystery, Thriller | 
| Keywords | amnesia, art gallery, portrait | 
| Production Companies | Gainsborough Pictures | 
| Box Office | Revenue: $1,108,592 Budget: $535,000 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 29, 2024 | 
| Name | Character | 
|---|---|
| Mai Zetterling | Lidia | 
| Robert Beatty | Campbell Reid | 
| Guy Rolfe | Major Lawrence | 
| Herbert Lom | Fritz Kottler Hendlemann | 
| Patrick Holt | Ferguson | 
| Arnold Marlé | Professor Franz Menzel | 
| Sybille Binder | Eitel Hendlemann | 
| Thora Hird | Mrs. Skinner | 
| Gerard Heinz | Heine | 
| Yvonne Owen | Helen | 
| George Thorpe | Brigadier | 
| Philo Hauser | Hans Ackermann | 
| John Blythe | Johnnie | 
| Cyril Chamberlain | Supervisor | 
| Betty Lynne | Interpreter | 
| Nelly Arno | Anna Skutetsky | 
| Richard Molinas | Man in Crowd with Anna | 
| Donald Sinden | Minor Role | 
| Hugo Schuster | Interpreter | 
| Eric Messiter | Coroner | 
| Dorothea Glade | Hildegard Schmidt | 
| Michael Hordern | Johnson | 
| Pete Murray | Lieutenant Keith | 
| Gordon Bell | Captain Roberts | 
| Sam Kydd | Army Truck Driver | 
| Eric Pohlmann | Search Group Leader | 
| Anthony Steel | Bridegroom | 
| Arthur Hambling | Coroner's Officer (uncredited) | 
| Paul Hansard | Fritz (uncredited) | 
| Dennis Harkin | Richard (uncredited) | 
| Charles Rolfe | Art Gallery Attendant (uncredited) | 
| Dennis Vance | Orderly, Officer's Mess (uncredited) | 
| Arthur Young | Club Pianist (uncredited) | 
| Name | Job | 
|---|---|
| Muriel Box | Writer | 
| Terence Fisher | Director | 
| Sydney Box | Writer | 
| David Evans | Writer | 
| Frank Harvey | Writer | 
| Vladimir Sagovsky | Editor | 
| John Elphick | Art Direction | 
| George Provis | Art Direction | 
| Joan Ellacott | Costume Design | 
| Jack Asher | Director of Photography | 
| Benjamin Frankel | Original Music Composer | 
| Fred Mannin | Scenic Artist | 
| W.T. Partleton | Makeup Artist | 
| Douglas Peirce | Production Manager | 
| Ernest Morris | Assistant Director | 
| Al Rhind | Sound Recordist | 
| Bill Salter | Sound Recordist | 
| Len Harris | Camera Operator | 
| Muir Mathieson | Music Director | 
| Arthur Alcott | Production Controller | 
| Name | Title | 
|---|---|
| Antony Darnborough | Producer | 
| J. Arthur Rank | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
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| 2024 | 4 | 3 | 5 | 1 | 
| 2024 | 5 | 4 | 7 | 1 | 
| 2024 | 6 | 2 | 5 | 0 | 
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| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Guy Rolfe is "Major Lawrence" (another one), who sees a portrait of a young girl at a London art gallery and is enthralled. On further investigation he discovers from her refugee father - who recognises his long lost child from her picture - that she is a Jewish lady and is probably still in a post- ... war settlement camp somewhere in Germany. He sets off to track her down, discovering when he does find her that she "Hildegarde" (Mai Zetterling) has amnesia and can remember little. Not only that, but she has been "adopted" by Herbert Lom ("Hendlemann") whom she genuinely considers to be her real father. Further digging by "Lawrence" reveals that the painter "Reid" (Robert Beatty) and her may have had some sort of relationship and that her pseudo-father has a pretty big secret of his own. Terence Fisher does well to get anything out of the usually wooden Messrs. Rolfe and Beatty, but Lom is super as is the gorgeous, sylphlike Zetterling who portrays her character with considerable delicacy and skill, especially when things turn a bit more perilous for her as Lom realises that her amnesia may be easing and that his secret might not be as secure as he had thought. It's an unusual film, this - the story is gentle and poignant, and the pace is more measured than slow, with a good score from Benjamin Frankel to help build to quite a surprising denouement. Rarely seen nowadays, but well worth 90 minutes of your time if you encounter it.