Popularity: 1 (history)
Director: | Rafal Zielinski |
---|---|
Writer: | Robert Vincent O'Neil, Donald P. Borchers, Alien Castle |
Staring: |
17 year old Kyle comes to the big city in search of her half-sister Merci. Merci is on the run after being used to set up a murder. The police and the killers both want her. | |
Release Date: | Oct 22, 1993 |
---|---|
Director: | Rafal Zielinski |
Writer: | Robert Vincent O'Neil, Donald P. Borchers, Alien Castle |
Genres: | Thriller |
Keywords | |
Production Companies | |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 24, 2024 |
Name | Character |
---|---|
C. Thomas Howell | Sergeant Lee Teffler |
Renée Humphrey | Kyle Bradley |
Krista Errickson | Merci Cooper |
David Labiosa | Roman Delphino |
Angel Aviles | Pizza Girl |
Ron Karabatsos | Kelso |
Leslie Zemeckis | Roman's Girlfriend |
Gene Hartline | Carlo |
David Anthony Marshall | Tommy Sweeney |
Dean Norris | Hershiser |
Jimmy Ortega | Johnny |
Melinda Armstrong | Dawn |
Danny Epper | Party Boy #2 |
Name | Job |
---|---|
Rafal Zielinski | Director |
Robert Vincent O'Neil | Story, Screenplay |
Kurt Bryant | Stunts |
Donald P. Borchers | Story |
Alien Castle | Screenplay |
Jennifer Watson-Johnston | Stunts |
Zoltán David | Director of Photography |
Gary Combs | Stunts |
Mike Watson | Stunts |
Deborah Raymond | Production Design |
Dorian Vernacchio | Production Design |
Kristin M. Burke | Costume Design |
John Hartigan | Special Effects |
Beverley Hartigan | Special Effects |
Chris Howell | Stunt Coordinator |
Steve Hulin | Stunts |
Noon Orsatti | Stunts |
David S. Bouza | Gaffer |
Paul Martin Smith | Editor |
Name | Title |
---|---|
Donald P. Borchers | Producer |
Barry Barnholtz | Executive Producer |
Ronald Colby | Co-Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 7 | 13 | 1 |
2024 | 5 | 8 | 25 | 3 |
2024 | 6 | 6 | 18 | 2 |
2024 | 7 | 5 | 11 | 3 |
2024 | 8 | 5 | 14 | 1 |
2024 | 9 | 4 | 7 | 2 |
2024 | 10 | 3 | 8 | 2 |
2024 | 11 | 3 | 8 | 2 |
2024 | 12 | 3 | 8 | 1 |
2025 | 1 | 3 | 8 | 1 |
2025 | 2 | 2 | 3 | 1 |
2025 | 3 | 2 | 4 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
This is one of those movies that really, honestly, and genuinely attempts to make a statement about something that, at least the writer, thought was important and needed to be said. Because of that, when you watch it, you do get the feeling that there was an honest to god attempt at something bigger ... . There was real emotion and heartfelt sincerity behind it. So I'm giving it 10 out of 10 for effort. They wanted to say something about the horrors of life on the streets and on the street corners and they gave it their best shot. There is no way I can nay say that and feel comfortable. There was an attempt here, and you can tell. But it suffers from low production values, and some of the actors saw it as a job, a paycheck, instead of something that could further their career, and the direction was... just god awful. So, what you have here is a straight to video film with a script that honestly tries, and a director and producers that didn't cared less than the screen writers.