Popularity: 2 (history)
Director: | Peter Greenaway |
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Writer: | Peter Greenaway |
Staring: |
Three generations of women who seek to murder their husbands share a solidarity for one another which brings about three copy-cat drownings. | |
Release Date: | Sep 10, 1988 |
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Director: | Peter Greenaway |
Writer: | Peter Greenaway |
Genres: | Comedy, Crime |
Keywords | drowning, dark comedy, coroner, suffolk, england |
Production Companies | VPRO, Film4 Productions, Stimuleringsfonds Nederlandse Culturele Omroepproducties, Elsevier-Vendex Film Beheer, Allarts Production |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Joan Plowright | Cissie Colpitts 1 |
Juliet Stevenson | Cissie Colpitts 2 |
Joely Richardson | Cissie Colpitts 3 |
Bernard Hill | Madgett |
Jason Edwards | Smut |
Bryan Pringle | Jake |
Trevor Cooper | Hardy |
David Morrissey | Bellamy |
John Rogan | Gregory |
Paul Mooney | Teigan |
Jane Gurnett | Nancy |
Kenny Ireland | Jonah Bognor |
Michael Percival | Moses Bognor |
Joanna Dickens | Mrs. Hardy |
Janine Duvitski | Marina Bellamy |
Michael Fitzgerald | Mr. 70 Van Dyke |
Edward Tudor-Pole | Mr. 71 Van Dyke |
Natalie Morse | The Skipping Girl |
Arthur Spreckley | Sid the Gravedigger |
Ian Talbot | The Police Detective |
Roderic Leigh | The Policeman |
Vanni Corbellini | The Hare |
Jose Berg | Skipping Girl's Mother |
Peter Jaques | Priest (uncredited) |
Name | Job |
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Peter Greenaway | Writer, Director |
Michael Nyman | Original Music Composer |
John Wilson | Editor |
Chris Wyatt | Sound Editor |
Sacha Vierny | Director of Photography |
Sharon Howard-Field | Casting |
Ben van Os | Production Design |
Jan Roelfs | Production Design |
Dien van Straalen | Costume Design |
Evelien Jansen | Production Manager |
Peter Jaques | Line Producer |
Sara Meerman | Makeup Department Head |
Allard Bekker | Set Dresser |
Constance de Vos | Set Dresser |
Garth Marshall | Sound Recordist |
Trevor Holland | Sound Effects Editor |
Name | Title |
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Kees Kasander | Producer |
Denis Wigman | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 10 | 17 | 7 |
2024 | 5 | 13 | 22 | 8 |
2024 | 6 | 11 | 18 | 6 |
2024 | 7 | 12 | 24 | 7 |
2024 | 8 | 12 | 23 | 8 |
2024 | 9 | 10 | 16 | 7 |
2024 | 10 | 11 | 20 | 7 |
2024 | 11 | 9 | 14 | 6 |
2024 | 12 | 9 | 16 | 6 |
2025 | 1 | 8 | 15 | 5 |
2025 | 2 | 7 | 12 | 3 |
2025 | 3 | 5 | 9 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 3 | 5 | 1 |
2025 | 10 | 3 | 4 | 2 |
Trending Position
I actually found this to be one of Peter Greenaway's more accessible films. Though it's still riddled with some surreal imagery that made little, if any, sense to me, it is quite an effective and funny look at the institution of marriage. Now the Colpitts family can't really be accused of having muc ... h imagination when it comes to naming their offspring. "Cissie" (Joan Plowright) has "Cissie" (Juliet Stephenson) who has "Cissie (Joely Richardson) and none of these women make matches that they want to endure. There's plenty of philandering going on, so - well use the title as a clue as to just what happens now... This is a strongly characterised drama with three women very much at the top of their game, ably supported by Bernard Hill's rather eccentric "Madgett", that interweaves an intricate serious of - ok, not always the most plausible - sub-plots into a story that's ultimately a revenge comedy. It's a bit on the long side, and it does sag slightly when - I felt, anyway - there is less Plowright on the screen but the dialogue is quickly and pithily delivered, there is loads of rather natural nudity to lend authenticity to the earthiness of the topic and we are left with a powerful assassination of the marriage state and a clear illustration that there are more ways than one to skin a cat (and get away with it!). Michael Nyman has scored this jauntily and together with Sacha Vierny's eclectic style of cinematography, makes this film fun to watch with some deadly undercurrents.